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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 16 / 0 / 44 / 1 it is the complementary color CMYK 62 / 97 / 0 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 16 / 0 / 44 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 16 / 0 / 44 / 1: CMYK 14 / 0 / 46 / 1, CMYK 8 / 0 / 39 / 0, CMYK 2 / 0 / 32 / 0, CMYK 0 / 0 / 24 / 0 and CMYK 0 / 0 / 17 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 16 / 0 / 44 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 16 / 0 / 44 / 1: CMYK 16 / 0 / 44 / 1, CMYK 17 / 0 / 48 / 8, CMYK 18 / 0 / 52 / 15, CMYK 19 / 0 / 58 / 22 and CMYK 20 / 0 / 64 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 44 / 1

HEX #D4FC8D

RGB 212 252 141

HSL 81.62, 0.95%, 0.77%

LAB 94.12, -30.16, 48.81

 

Complementary color

CMYK 62 / 97 / 0 / 55

HEX #2B0372

RGB 43 3 114

HSL 261.62, 0.95%, 0.23%

LAB 14.36, 43.99, -53.3

 

CMYK 14 / 0 / 46 / 1

HEX #D9FC88

RGB 217 252 136

HSL 78.1, 0.95%, 0.76%

LAB 94.38, -28.86, 51.57

 

CMYK 8 / 0 / 39 / 0

HEX #EAFF9B

RGB 234 255 155

HSL 72.6, 1%, 0.8%

LAB 96.57, -21.91, 45.48

 

CMYK 2 / 0 / 32 / 0

HEX #FBFFAE

RGB 251 255 174

HSL 62.96, 1%, 0.84%

LAB 98.07, -13.4, 38.35

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 16 / 0 / 44 / 1

HEX #D4FC8D

RGB 212 252 141

HSL 81.62, 0.95%, 0.77%

LAB 94.12, -30.16, 48.81

 

CMYK 17 / 0 / 48 / 8

HEX #C3EA7A

RGB 195 234 122

HSL 80.89, 0.73%, 0.7%

LAB 87.9, -30.07, 49.93

 

CMYK 18 / 0 / 52 / 15

HEX #B2D867

RGB 178 216 103

HSL 80.18, 0.59%, 0.63%

LAB 81.6, -29.93, 51.02

 

CMYK 19 / 0 / 58 / 22

HEX #A1C654

RGB 161 198 84

HSL 79.47, 0.5%, 0.55%

LAB 75.21, -29.72, 52.05

 

CMYK 20 / 0 / 64 / 29

HEX #90B441

RGB 144 180 65

HSL 78.78, 0.47%, 0.48%

LAB 68.72, -29.42, 52.91

 

CMYK 16 / 0 / 44 / 1

HEX #D4FC8D

RGB 212 252 141

HSL 81.62, 0.95%, 0.77%

LAB 94.12, -30.16, 48.81

 

CMYK 23 / 0 / 44 / 1

HEX #C2FC8C

RGB 194 252 140

HSL 91.07, 0.95%, 0.77%

LAB 93.01, -36.71, 47.66

 

CMYK 31 / 0 / 44 / 1

HEX #AFFC8C

RGB 175 252 140

HSL 101.25, 0.95%, 0.77%

LAB 91.97, -43.17, 46.13

 

CMYK 38 / 0 / 44 / 1

HEX #9DFC8C

RGB 157 252 140

HSL 110.89, 0.95%, 0.77%

LAB 91.09, -48.89, 44.85

 

CMYK 44 / 0 / 44 / 1

HEX #8CFC8E

RGB 140 252 142

HSL 121.07, 0.95%, 0.77%

LAB 90.39, -53.59, 42.84

 

CMYK 16 / 0 / 44 / 1

HEX #D4FC8D

RGB 212 252 141

HSL 81.62, 0.95%, 0.77%

LAB 94.12, -30.16, 48.81

 

CMYK 17 / 0 / 44 / 81

HEX #28301B

RGB 40 48 27

HSL 82.86, 0.28%, 0.15%

LAB 18.56, -7.99, 12.34

 

CMYK 16 / 0 / 44 / 61

HEX #536337

RGB 83 99 55

HSL 81.82, 0.29%, 0.3%

LAB 39.65, -14.35, 22.98

 

CMYK 16 / 0 / 44 / 41

HEX #7E9654

RGB 126 150 84

HSL 81.82, 0.28%, 0.46%

LAB 58.87, -19.92, 31.98

 

CMYK 16 / 0 / 44 / 21

HEX #A9C970

RGB 169 201 112

HSL 81.57, 0.45%, 0.61%

LAB 76.91, -25.23, 40.85

 

CMYK 16 / 0 / 44 / 1

HEX #D4FC8D

RGB 212 252 141

HSL 81.62, 0.95%, 0.77%

LAB 94.12, -30.16, 48.81

 

CMYK 44 / 0 / 20 / 1

HEX #8CFCC9

RGB 140 252 201

HSL 152.68, 0.95%, 0.77%

LAB 91.42, -43.44, 14.57

 

CMYK 2 / 44 / 0 / 1

HEX #F68CFC

RGB 246 140 252

HSL 296.79, 0.95%, 0.77%

LAB 73.14, 56.19, -39.04

 

CMYK 16 / 0 / 44 / 1

HEX #D4FC8D

RGB 212 252 141

HSL 81.62, 0.95%, 0.77%

LAB 94.12, -30.16, 48.81

 

CMYK 44 / 15 / 0 / 1

HEX #8CD5FC

RGB 140 213 252

HSL 200.89, 0.95%, 0.77%

LAB 81.94, -12.76, -26.16

 

CMYK 0 / 44 / 15 / 1

HEX #FC8CD5

RGB 252 140 213

HSL 320.89, 0.95%, 0.77%

LAB 72.4, 51.51, -18.75

 

CMYK 16 / 0 / 44 / 1

HEX #D4FC8D

RGB 212 252 141

HSL 81.62, 0.95%, 0.77%

LAB 94.12, -30.16, 48.81

 

CMYK 44 / 0 / 20 / 1

HEX #8CFCC9

RGB 140 252 201

HSL 152.68, 0.95%, 0.77%

LAB 91.42, -43.44, 14.57

 

CMYK 29 / 44 / 0 / 1

HEX #B38CFC

RGB 179 140 252

HSL 260.89, 0.95%, 0.77%

LAB 66.03, 37.65, -50.69

 

CMYK 0 / 44 / 25 / 1

HEX #FC8CBE

RGB 252 140 190

HSL 333.21, 0.95%, 0.77%

LAB 71.67, 48.19, -7.1

 

CMYK 16 / 0 / 44 / 1

HEX #D4FC8D

RGB 212 252 141

HSL 81.62, 0.95%, 0.77%

LAB 94.12, -30.16, 48.81

 

CMYK 44 / 0 / 7 / 1

HEX #8CFCEB

RGB 140 252 235

HSL 170.89, 0.95%, 0.77%

LAB 92.22, -36.06, -1.86

 

CMYK 29 / 44 / 0 / 1

HEX #B38CFC

RGB 179 140 252

HSL 260.89, 0.95%, 0.77%

LAB 66.03, 37.65, -50.69

 

CMYK 0 / 44 / 38 / 1

HEX #FC8C9D

RGB 252 140 157

HSL 350.89, 0.95%, 0.77%

LAB 70.79, 44.08, 10.01

 

Description

Color code: CMYK 16 / 0 / 44 / 1 | qconv.com Color code: CMYK 16 / 0 / 44 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 252 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 252 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 44 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 44% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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