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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5ECC9 it is the complementary color #4A1336. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5ECC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5ECC9 shade: #BAECC4, #CBFED7, #DCFFEA, #EDFFFD and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5ECC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5ECC9 shade: #B5ECC9, #A4DAB6, #93C8A3, #82B690 and #71A47D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5ECC9 shade: #B6ECC9, #B6ECBB, #BFECB6, #CEECB6 and #DCECB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5ECC9 shade: #B6ECC9, #B6ECD8, #B6ECE6, #B6E2EC and #B6D4EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5ECC9 shade matches the following richer shades: #B6ECC9, #AEF3C7 and #A7FBC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5ECC9 shade: #B6ECC9, #BDE4CB, #C4DDCD, #CCD5CF and #D3CED1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5ECC9 shade: #BFECB6, #B6ECBA, #B6ECC8, #B6ECD7 and #B6ECE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5ECC9 shade: #74DB99, #95E3B1, #B6ECC9, #D6F4E1 and #F7FDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5ECC9 shade: #B5ECC9, #B6CEEC and #ECB6B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5ECC9 shade: #B5ECC9, #C8B6EC and #ECC8B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5ECC9 shade: #B5ECC9, #B6CEEC, #ECB6D9 and #ECD3B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5ECC9 shade: #B5ECC9, #B6BEEC, #ECB6D9 and #ECE4B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 15 / 7

HEX #B5ECC9

RGB 181 236 201

HSL 141.82, 0.59%, 0.82%

LAB 88.94, -24.37, 11.32

 

Complementary color

CMYK 0 / 74 / 27 / 71

HEX #4A1336

RGB 74 19 54

HSL 321.82, 0.59%, 0.18%

LAB 16.44, 29.96, -8.94

 

CMYK 21 / 0 / 17 / 7

HEX #BAECC4

RGB 186 236 196

HSL 132, 0.57%, 0.83%

LAB 89.12, -23.68, 14.22

 

CMYK 20 / 0 / 15 / 0

HEX #CBFED7

RGB 203 254 215

HSL 134.12, 0.96%, 0.9%

LAB 95.37, -23.52, 13.39

 

CMYK 14 / 0 / 8 / 0

HEX #DCFFEA

RGB 220 255 234

HSL 144, 1%, 0.93%

LAB 97.1, -15.15, 6.25

 

CMYK 7 / 0 / 1 / 0

HEX #EDFFFD

RGB 237 255 253

HSL 173.33, 1%, 0.96%

LAB 98.68, -6.21, -1.07

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 23 / 0 / 15 / 7

HEX #B5ECC9

RGB 181 236 201

HSL 141.82, 0.59%, 0.82%

LAB 88.94, -24.37, 11.32

 

CMYK 25 / 0 / 17 / 15

HEX #A4DAB6

RGB 164 218 182

HSL 140, 0.42%, 0.75%

LAB 82.6, -24.56, 12.14

 

CMYK 27 / 0 / 19 / 22

HEX #93C8A3

RGB 147 200 163

HSL 138.11, 0.33%, 0.68%

LAB 76.16, -24.77, 13.02

 

CMYK 29 / 0 / 21 / 29

HEX #82B690

RGB 130 182 144

HSL 136.15, 0.26%, 0.61%

LAB 69.62, -25.01, 13.94

 

CMYK 31 / 0 / 24 / 36

HEX #71A47D

RGB 113 164 125

HSL 134.12, 0.22%, 0.54%

LAB 62.96, -25.26, 14.93

 

CMYK 23 / 0 / 15 / 7

HEX #B6ECC9

RGB 182 236 201

HSL 141.11, 0.59%, 0.82%

LAB 88.99, -24.05, 11.41

 

CMYK 23 / 0 / 21 / 7

HEX #B6ECBB

RGB 182 236 187

HSL 125.56, 0.59%, 0.82%

LAB 88.7, -26.56, 18.26

 

CMYK 19 / 0 / 23 / 7

HEX #BFECB6

RGB 191 236 182

HSL 110, 0.59%, 0.82%

LAB 89.13, -24.42, 21.53

 

CMYK 13 / 0 / 23 / 7

HEX #CEECB6

RGB 206 236 182

HSL 93.33, 0.59%, 0.82%

LAB 90.09, -19.27, 23

 

CMYK 7 / 0 / 23 / 7

HEX #DCECB6

RGB 220 236 182

HSL 77.78, 0.59%, 0.82%

LAB 91.05, -14.31, 24.47

 

CMYK 23 / 0 / 15 / 7

HEX #B6ECC9

RGB 182 236 201

HSL 141.11, 0.59%, 0.82%

LAB 88.99, -24.05, 11.41

 

CMYK 23 / 0 / 8 / 7

HEX #B6ECD8

RGB 182 236 216

HSL 157.78, 0.59%, 0.82%

LAB 89.34, -21.18, 4.08

 

CMYK 23 / 0 / 3 / 7

HEX #B6ECE6

RGB 182 236 230

HSL 173.33, 0.59%, 0.82%

LAB 89.7, -18.33, -2.72

 

CMYK 23 / 4 / 0 / 7

HEX #B6E2EC

RGB 182 226 236

HSL 191.11, 0.59%, 0.82%

LAB 87.19, -12.02, -9.57

 

CMYK 23 / 10 / 0 / 7

HEX #B6D4EC

RGB 182 212 236

HSL 206.67, 0.59%, 0.82%

LAB 83.49, -4.79, -15.1

 

CMYK 23 / 0 / 15 / 7

HEX #B6ECC9

RGB 182 236 201

HSL 141.11, 0.59%, 0.82%

LAB 88.99, -24.05, 11.41

 

CMYK 28 / 0 / 18 / 5

HEX #AEF3C7

RGB 174 243 199

HSL 141.74, 0.74%, 0.82%

LAB 90.42, -30.25, 14.41

 

CMYK 33 / 0 / 22 / 2

HEX #A7FBC5

RGB 167 251 197

HSL 141.43, 0.91%, 0.82%

LAB 92.24, -36.41, 17.94

 

CMYK 23 / 0 / 15 / 7

HEX #B6ECC9

RGB 182 236 201

HSL 141.11, 0.59%, 0.82%

LAB 88.99, -24.05, 11.41

 

CMYK 17 / 0 / 11 / 11

HEX #BDE4CB

RGB 189 228 203

HSL 141.54, 0.42%, 0.82%

LAB 87.3, -17.51, 7.99

 

CMYK 11 / 0 / 7 / 13

HEX #C4DDCD

RGB 196 221 205

HSL 141.6, 0.27%, 0.82%

LAB 85.93, -11.31, 5.04

 

CMYK 4 / 0 / 3 / 16

HEX #CCD5CF

RGB 204 213 207

HSL 140, 0.1%, 0.82%

LAB 84.45, -4.15, 1.89

 

CMYK 0 / 2 / 1 / 17

HEX #D3CED1

RGB 211 206 209

HSL 324, 0.05%, 0.82%

LAB 83.23, 2.26, -0.88

 

CMYK 19 / 0 / 23 / 7

HEX #BFECB6

RGB 191 236 182

HSL 110, 0.59%, 0.82%

LAB 89.13, -24.42, 21.53

 

CMYK 23 / 0 / 21 / 7

HEX #B6ECBA

RGB 182 236 186

HSL 124.44, 0.59%, 0.82%

LAB 88.68, -26.73, 18.75

 

CMYK 23 / 0 / 15 / 7

HEX #B6ECC8

RGB 182 236 200

HSL 140, 0.59%, 0.82%

LAB 88.97, -24.24, 11.9

 

CMYK 23 / 0 / 9 / 7

HEX #B6ECD7

RGB 182 236 215

HSL 156.67, 0.59%, 0.82%

LAB 89.32, -21.38, 4.57

 

CMYK 23 / 0 / 3 / 7

HEX #B6ECE5

RGB 182 236 229

HSL 172.22, 0.59%, 0.82%

LAB 89.67, -18.53, -2.24

 

CMYK 47 / 0 / 30 / 14

HEX #74DB99

RGB 116 219 153

HSL 141.55, 0.59%, 0.66%

LAB 80, -44.52, 23.4

 

CMYK 34 / 0 / 22 / 11

HEX #95E3B1

RGB 149 227 177

HSL 141.54, 0.58%, 0.74%

LAB 84.23, -34.39, 16.95

 

CMYK 23 / 0 / 15 / 7

HEX #B6ECC9

RGB 182 236 201

HSL 141.11, 0.59%, 0.82%

LAB 88.99, -24.05, 11.41

 

CMYK 12 / 0 / 8 / 4

HEX #D6F4E1

RGB 214 244 225

HSL 142, 0.58%, 0.9%

LAB 93.64, -13.28, 5.86

 

CMYK 2 / 0 / 2 / 1

HEX #F7FDF9

RGB 247 253 249

HSL 140, 0.6%, 0.98%

LAB 98.77, -2.67, 1.21

 

CMYK 23 / 0 / 15 / 7

HEX #B5ECC9

RGB 181 236 201

HSL 141.82, 0.59%, 0.82%

LAB 88.94, -24.37, 11.32

 

CMYK 23 / 13 / 0 / 7

HEX #B6CEEC

RGB 182 206 236

HSL 213.33, 0.59%, 0.82%

LAB 81.92, -1.64, -17.47

 

CMYK 0 / 23 / 22 / 7

HEX #ECB6B8

RGB 236 182 184

HSL 357.78, 0.59%, 0.82%

LAB 78.9, 19.81, 6.53

 

CMYK 23 / 0 / 15 / 7

HEX #B5ECC9

RGB 181 236 201

HSL 141.82, 0.59%, 0.82%

LAB 88.94, -24.37, 11.32

 

CMYK 15 / 23 / 0 / 7

HEX #C8B6EC

RGB 200 182 236

HSL 260, 0.59%, 0.82%

LAB 77.16, 16.85, -24.56

 

CMYK 0 / 15 / 23 / 7

HEX #ECC8B6

RGB 236 200 182

HSL 20, 0.59%, 0.82%

LAB 83.19, 10, 13.72

 

CMYK 23 / 0 / 15 / 7

HEX #B5ECC9

RGB 181 236 201

HSL 141.82, 0.59%, 0.82%

LAB 88.94, -24.37, 11.32

 

CMYK 23 / 13 / 0 / 7

HEX #B6CEEC

RGB 182 206 236

HSL 213.33, 0.59%, 0.82%

LAB 81.92, -1.64, -17.47

 

CMYK 0 / 23 / 8 / 7

HEX #ECB6D9

RGB 236 182 217

HSL 321.11, 0.59%, 0.82%

LAB 79.78, 25.03, -10.02

 

CMYK 0 / 11 / 23 / 7

HEX #ECD3B6

RGB 236 211 182

HSL 32.22, 0.59%, 0.82%

LAB 85.91, 4.25, 17.54

 

CMYK 23 / 0 / 15 / 7

HEX #B5ECC9

RGB 181 236 201

HSL 141.82, 0.59%, 0.82%

LAB 88.94, -24.37, 11.32

 

CMYK 23 / 19 / 0 / 7

HEX #B6BEEC

RGB 182 190 236

HSL 231.11, 0.59%, 0.82%

LAB 77.77, 6.95, -23.74

 

CMYK 0 / 23 / 8 / 7

HEX #ECB6D9

RGB 236 182 217

HSL 321.11, 0.59%, 0.82%

LAB 79.78, 25.03, -10.02

 

CMYK 0 / 3 / 23 / 7

HEX #ECE4B6

RGB 236 228 182

HSL 51.11, 0.59%, 0.82%

LAB 90.18, -4.48, 23.47

 

Description

Color code: HEX #B5ECC9 | qconv.com Color code: HEX #B5ECC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 236 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 236 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 15 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 15% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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