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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E8AA it is the complementary color #4A1755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E8AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E8AA shade: #BAE8A5, #CBFAB8, #DCFFCB, #EDFFDE and #FEFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E8AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E8AA shade: #B5E8AA, #A4D697, #93C484, #82B271 and #71A05E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E8AA shade: #B6E8AB, #C6E8AB, #D7E8AB, #E7E8AB and #E8D8AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E8AA shade: #B6E8AB, #ABE8B1, #ABE8C1, #ABE8D1 and #ABE8E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E8AA shade matches the following richer shades: #B6E8AB, #B0F1A2 and #ABF99A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E8AA shade: #B6E8AB, #BBDFB4, #C1D7BC, #C7CEC5 and #CCC5CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E8AA shade: #D7E8AB, #C6E8AB, #B6E8AB, #ABE8B0 and #ABE8C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E8AA shade: #7DD66A, #9ADF8B, #B6E8AB, #D2F1CB and #EEFAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E8AA shade: #B5E8AA, #ABE7E8 and #E8ABCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E8AA shade: #B5E8AA, #ABB6E8 and #E8ABB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E8AA shade: #B5E8AA, #ABE7E8, #DDABE8 and #E8ACAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E8AA shade: #B5E8AA, #ABD5E8, #DDABE8 and #E8BEAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 27 / 9

HEX #B5E8AA

RGB 181 232 170

HSL 109.35, 0.57%, 0.79%

LAB 87.21, -27.8, 24.98

 

Complementary color

CMYK 13 / 73 / 0 / 67

HEX #4A1755

RGB 74 23 85

HSL 289.35, 0.57%, 0.21%

LAB 18.91, 33.98, -26.51

 

CMYK 20 / 0 / 29 / 9

HEX #BAE8A5

RGB 186 232 165

HSL 101.19, 0.59%, 0.78%

LAB 87.42, -26.87, 27.88

 

CMYK 19 / 0 / 26 / 2

HEX #CBFAB8

RGB 203 250 184

HSL 102.73, 0.87%, 0.85%

LAB 93.68, -26.74, 26.88

 

CMYK 14 / 0 / 20 / 0

HEX #DCFFCB

RGB 220 255 203

HSL 100.38, 1%, 0.9%

LAB 96.43, -20.42, 21.18

 

CMYK 7 / 0 / 13 / 0

HEX #EDFFDE

RGB 237 255 222

HSL 92.73, 1%, 0.94%

LAB 97.95, -11.6, 13.78

 

CMYK 0 / 0 / 5 / 0

HEX #FEFFF1

RGB 254 255 241

HSL 64.29, 1%, 0.97%

LAB 99.59, -2.72, 6.56

 

CMYK 22 / 0 / 27 / 9

HEX #B5E8AA

RGB 181 232 170

HSL 109.35, 0.57%, 0.79%

LAB 87.21, -27.8, 24.98

 

CMYK 23 / 0 / 29 / 16

HEX #A4D697

RGB 164 214 151

HSL 107.62, 0.43%, 0.72%

LAB 80.86, -27.97, 26.01

 

CMYK 25 / 0 / 33 / 23

HEX #93C484

RGB 147 196 132

HSL 105.94, 0.35%, 0.64%

LAB 74.41, -28.15, 27.09

 

CMYK 27 / 0 / 37 / 30

HEX #82B271

RGB 130 178 113

HSL 104.31, 0.3%, 0.57%

LAB 67.86, -28.34, 28.24

 

CMYK 29 / 0 / 41 / 37

HEX #71A05E

RGB 113 160 94

HSL 102.73, 0.26%, 0.5%

LAB 61.19, -28.51, 29.45

 

CMYK 22 / 0 / 26 / 9

HEX #B6E8AB

RGB 182 232 171

HSL 109.18, 0.57%, 0.79%

LAB 87.29, -27.3, 24.58

 

CMYK 15 / 0 / 26 / 9

HEX #C6E8AB

RGB 198 232 171

HSL 93.44, 0.57%, 0.79%

LAB 88.28, -21.79, 26.1

 

CMYK 7 / 0 / 26 / 9

HEX #D7E8AB

RGB 215 232 171

HSL 76.72, 0.57%, 0.79%

LAB 89.44, -15.71, 27.87

 

CMYK 0 / 0 / 26 / 9

HEX #E7E8AB

RGB 231 232 171

HSL 60.98, 0.57%, 0.79%

LAB 90.62, -9.83, 29.66

 

CMYK 0 / 7 / 26 / 9

HEX #E8D8AB

RGB 232 216 171

HSL 44.26, 0.57%, 0.79%

LAB 86.61, -1.34, 24.22

 

CMYK 22 / 0 / 26 / 9

HEX #B6E8AB

RGB 182 232 171

HSL 109.18, 0.57%, 0.79%

LAB 87.29, -27.3, 24.58

 

CMYK 26 / 0 / 24 / 9

HEX #ABE8B1

RGB 171 232 177

HSL 125.9, 0.57%, 0.79%

LAB 86.77, -29.93, 20.67

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C1

RGB 171 232 193

HSL 141.64, 0.57%, 0.79%

LAB 87.11, -27.07, 12.81

 

CMYK 26 / 0 / 10 / 9

HEX #ABE8D1

RGB 171 232 209

HSL 157.38, 0.57%, 0.79%

LAB 87.47, -23.96, 4.96

 

CMYK 26 / 0 / 3 / 9

HEX #ABE8E2

RGB 171 232 226

HSL 174.1, 0.57%, 0.79%

LAB 87.9, -20.42, -3.33

 

CMYK 22 / 0 / 26 / 9

HEX #B6E8AB

RGB 182 232 171

HSL 109.18, 0.57%, 0.79%

LAB 87.29, -27.3, 24.58

 

CMYK 27 / 0 / 33 / 5

HEX #B0F1A2

RGB 176 241 162

HSL 109.37, 0.74%, 0.79%

LAB 89.28, -34.9, 31.8

 

CMYK 31 / 0 / 38 / 2

HEX #ABF99A

RGB 171 249 154

HSL 109.26, 0.89%, 0.79%

LAB 91.12, -41.3, 38.19

 

CMYK 22 / 0 / 26 / 9

HEX #B6E8AB

RGB 182 232 171

HSL 109.18, 0.57%, 0.79%

LAB 87.29, -27.3, 24.58

 

CMYK 16 / 0 / 19 / 13

HEX #BBDFB4

RGB 187 223 180

HSL 110.23, 0.4%, 0.79%

LAB 85.32, -19.76, 17.23

 

CMYK 10 / 0 / 13 / 16

HEX #C1D7BC

RGB 193 215 188

HSL 108.89, 0.25%, 0.79%

LAB 83.74, -12.33, 10.85

 

CMYK 3 / 0 / 4 / 19

HEX #C7CEC5

RGB 199 206 197

HSL 106.67, 0.08%, 0.79%

LAB 82.01, -4.03, 3.63

 

CMYK 1 / 4 / 0 / 19

HEX #CCC5CE

RGB 204 197 206

HSL 286.67, 0.08%, 0.79%

LAB 80.31, 4.07, -3.63

 

CMYK 7 / 0 / 26 / 9

HEX #D7E8AB

RGB 215 232 171

HSL 76.72, 0.57%, 0.79%

LAB 89.44, -15.71, 27.87

 

CMYK 15 / 0 / 26 / 9

HEX #C6E8AB

RGB 198 232 171

HSL 93.44, 0.57%, 0.79%

LAB 88.28, -21.79, 26.1

 

CMYK 22 / 0 / 26 / 9

HEX #B6E8AB

RGB 182 232 171

HSL 109.18, 0.57%, 0.79%

LAB 87.29, -27.3, 24.58

 

CMYK 26 / 0 / 24 / 9

HEX #ABE8B0

RGB 171 232 176

HSL 124.92, 0.57%, 0.79%

LAB 86.75, -30.1, 21.16

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 42 / 0 / 50 / 16

HEX #7DD66A

RGB 125 214 106

HSL 109.44, 0.57%, 0.63%

LAB 78.17, -47.14, 44.8

 

CMYK 31 / 0 / 38 / 13

HEX #9ADF8B

RGB 154 223 139

HSL 109.29, 0.57%, 0.71%

LAB 82.65, -37.34, 34.46

 

CMYK 22 / 0 / 26 / 9

HEX #B6E8AB

RGB 182 232 171

HSL 109.18, 0.57%, 0.79%

LAB 87.29, -27.3, 24.58

 

CMYK 13 / 0 / 16 / 5

HEX #D2F1CB

RGB 210 241 203

HSL 108.95, 0.58%, 0.87%

LAB 92.1, -16.97, 15.01

 

CMYK 5 / 0 / 6 / 2

HEX #EEFAEC

RGB 238 250 236

HSL 111.43, 0.58%, 0.95%

LAB 97.07, -6.42, 5.34

 

CMYK 22 / 0 / 27 / 9

HEX #B5E8AA

RGB 181 232 170

HSL 109.35, 0.57%, 0.79%

LAB 87.21, -27.8, 24.98

 

CMYK 26 / 0 / 0 / 9

HEX #ABE7E8

RGB 171 231 232

HSL 180.98, 0.57%, 0.79%

LAB 87.79, -18.62, -6.64

 

CMYK 0 / 26 / 11 / 9

HEX #E8ABCF

RGB 232 171 207

HSL 324.59, 0.57%, 0.79%

LAB 76.55, 27.85, -9.45

 

CMYK 22 / 0 / 27 / 9

HEX #B5E8AA

RGB 181 232 170

HSL 109.35, 0.57%, 0.79%

LAB 87.21, -27.8, 24.98

 

CMYK 26 / 22 / 0 / 9

HEX #ABB6E8

RGB 171 182 232

HSL 229.18, 0.57%, 0.79%

LAB 74.79, 7.09, -26.22

 

CMYK 0 / 26 / 22 / 9

HEX #E8ABB6

RGB 232 171 182

HSL 349.18, 0.57%, 0.79%

LAB 75.86, 23.93, 3.18

 

CMYK 22 / 0 / 27 / 9

HEX #B5E8AA

RGB 181 232 170

HSL 109.35, 0.57%, 0.79%

LAB 87.21, -27.8, 24.98

 

CMYK 26 / 0 / 0 / 9

HEX #ABE7E8

RGB 171 231 232

HSL 180.98, 0.57%, 0.79%

LAB 87.79, -18.62, -6.64

 

CMYK 5 / 26 / 0 / 9

HEX #DDABE8

RGB 221 171 232

HSL 289.18, 0.57%, 0.79%

LAB 76.27, 28.69, -23.58

 

CMYK 0 / 26 / 26 / 9

HEX #E8ACAB

RGB 232 172 171

HSL 0.98, 0.57%, 0.79%

LAB 75.82, 21.83, 9.14

 

CMYK 22 / 0 / 27 / 9

HEX #B5E8AA

RGB 181 232 170

HSL 109.35, 0.57%, 0.79%

LAB 87.21, -27.8, 24.98

 

CMYK 26 / 8 / 0 / 9

HEX #ABD5E8

RGB 171 213 232

HSL 198.69, 0.57%, 0.79%

LAB 82.95, -9.47, -13.85

 

CMYK 5 / 26 / 0 / 9

HEX #DDABE8

RGB 221 171 232

HSL 289.18, 0.57%, 0.79%

LAB 76.27, 28.69, -23.58

 

CMYK 0 / 18 / 26 / 9

HEX #E8BEAB

RGB 232 190 171

HSL 18.69, 0.57%, 0.79%

LAB 80.14, 12.24, 15.24

 

Description

Color code: HEX #B5E8AA | qconv.com Color code: HEX #B5E8AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 232 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 232 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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