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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABE8C0 it is the complementary color #54173F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABE8C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABE8C0 shade: #B0E8BB, #C1FACE, #D2FFE1, #E3FFF4 and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABE8C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABE8C0 shade: #ABE8C0, #9AD6AD, #89C49A, #78B287 and #67A074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABE8C0 shade: #ABE8C0, #ABE8AF, #B7E8AB, #C7E8AB and #D8E8AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABE8C0 shade: #ABE8C0, #ABE8D0, #ABE8E1, #ABDFE8 and #ABCEE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABE8C0 shade matches the following richer shades: #ABE8C0, #A2F1BD and #9AF9BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABE8C0 shade: #ABE8C0, #B4DFC3, #BCD7C5, #C5CEC8 and #CEC5CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABE8C0 shade: #B7E8AB, #ABE8AF, #ABE8BF, #ABE8D0 and #ABE8E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABE8C0 shade: #6AD68F, #8BDFA8, #ABE8C0, #CBF1D8 and #ECFAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABE8C0 shade: #ABE8C0, #ABC7E8 and #E8ABAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABE8C0 shade: #ABE8C0, #BFABE8 and #E8BFAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABE8C0 shade: #ABE8C0, #ABC7E8, #E8ABD4 and #E8CBAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABE8C0 shade: #ABE8C0, #ABB5E8, #E8ABD4 and #E8DEAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

Complementary color

CMYK 0 / 73 / 25 / 67

HEX #54173F

RGB 84 23 63

HSL 320.66, 0.57%, 0.21%

LAB 19.46, 32.74, -10.47

 

CMYK 24 / 0 / 19 / 9

HEX #B0E8BB

RGB 176 232 187

HSL 131.79, 0.55%, 0.8%

LAB 87.26, -26.58, 16.19

 

CMYK 23 / 0 / 18 / 2

HEX #C1FACE

RGB 193 250 206

HSL 133.68, 0.85%, 0.87%

LAB 93.52, -26.39, 15.33

 

CMYK 18 / 0 / 12 / 0

HEX #D2FFE1

RGB 210 255 225

HSL 140, 1%, 0.91%

LAB 96.27, -19.98, 9.61

 

CMYK 11 / 0 / 4 / 0

HEX #E3FFF4

RGB 227 255 244

HSL 156.43, 1%, 0.95%

LAB 97.79, -11.07, 2.17

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 28 / 0 / 19 / 16

HEX #9AD6AD

RGB 154 214 173

HSL 139, 0.42%, 0.72%

LAB 80.73, -27.48, 14.18

 

CMYK 30 / 0 / 21 / 23

HEX #89C49A

RGB 137 196 154

HSL 137.29, 0.33%, 0.65%

LAB 74.27, -27.72, 15.11

 

CMYK 33 / 0 / 24 / 30

HEX #78B287

RGB 120 178 135

HSL 135.52, 0.27%, 0.58%

LAB 67.71, -27.98, 16.1

 

CMYK 36 / 0 / 28 / 37

HEX #67A074

RGB 103 160 116

HSL 133.68, 0.23%, 0.52%

LAB 61.03, -28.26, 17.17

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 26 / 0 / 25 / 9

HEX #ABE8AF

RGB 171 232 175

HSL 123.93, 0.57%, 0.79%

LAB 86.73, -30.27, 21.65

 

CMYK 21 / 0 / 26 / 9

HEX #B7E8AB

RGB 183 232 171

HSL 108.2, 0.57%, 0.79%

LAB 87.35, -26.96, 24.67

 

CMYK 14 / 0 / 26 / 9

HEX #C7E8AB

RGB 199 232 171

HSL 92.46, 0.57%, 0.79%

LAB 88.35, -21.44, 26.2

 

CMYK 7 / 0 / 26 / 9

HEX #D8E8AB

RGB 216 232 171

HSL 75.74, 0.57%, 0.79%

LAB 89.51, -15.35, 27.97

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 26 / 0 / 10 / 9

HEX #ABE8D0

RGB 171 232 208

HSL 156.39, 0.57%, 0.79%

LAB 87.45, -24.16, 5.45

 

CMYK 26 / 0 / 3 / 9

HEX #ABE8E1

RGB 171 232 225

HSL 173.11, 0.57%, 0.79%

LAB 87.88, -20.64, -2.85

 

CMYK 26 / 4 / 0 / 9

HEX #ABDFE8

RGB 171 223 232

HSL 188.85, 0.57%, 0.79%

LAB 85.63, -14.6, -9.84

 

CMYK 26 / 11 / 0 / 9

HEX #ABCEE8

RGB 171 206 232

HSL 205.57, 0.57%, 0.79%

LAB 81.09, -5.82, -16.65

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 33 / 0 / 22 / 5

HEX #A2F1BD

RGB 162 241 189

HSL 140.51, 0.74%, 0.79%

LAB 89.05, -34.78, 17.56

 

CMYK 38 / 0 / 25 / 2

HEX #9AF9BB

RGB 154 249 187

HSL 140.84, 0.89%, 0.79%

LAB 90.88, -41.07, 21.08

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 19 / 0 / 13 / 13

HEX #B4DFC3

RGB 180 223 195

HSL 140.93, 0.4%, 0.79%

LAB 85.21, -19.44, 9.13

 

CMYK 13 / 0 / 8 / 16

HEX #BCD7C5

RGB 188 215 197

HSL 140, 0.25%, 0.79%

LAB 83.61, -12.41, 5.85

 

CMYK 4 / 0 / 3 / 19

HEX #C5CEC8

RGB 197 206 200

HSL 140, 0.08%, 0.79%

LAB 81.94, -4.17, 1.91

 

CMYK 0 / 4 / 1 / 19

HEX #CEC5CB

RGB 206 197 203

HSL 320, 0.08%, 0.79%

LAB 80.39, 4.21, -1.88

 

CMYK 21 / 0 / 26 / 9

HEX #B7E8AB

RGB 183 232 171

HSL 108.2, 0.57%, 0.79%

LAB 87.35, -26.96, 24.67

 

CMYK 26 / 0 / 25 / 9

HEX #ABE8AF

RGB 171 232 175

HSL 123.93, 0.57%, 0.79%

LAB 86.73, -30.27, 21.65

 

CMYK 26 / 0 / 18 / 9

HEX #ABE8BF

RGB 171 232 191

HSL 139.67, 0.57%, 0.79%

LAB 87.06, -27.44, 13.79

 

CMYK 26 / 0 / 10 / 9

HEX #ABE8D0

RGB 171 232 208

HSL 156.39, 0.57%, 0.79%

LAB 87.45, -24.16, 5.45

 

CMYK 26 / 0 / 3 / 9

HEX #ABE8E0

RGB 171 232 224

HSL 172.13, 0.57%, 0.79%

LAB 87.85, -20.85, -2.36

 

CMYK 50 / 0 / 33 / 16

HEX #6AD68F

RGB 106 214 143

HSL 140.56, 0.57%, 0.63%

LAB 77.96, -46.78, 25.78

 

CMYK 38 / 0 / 25 / 13

HEX #8BDFA8

RGB 139 223 168

HSL 140.71, 0.57%, 0.71%

LAB 82.43, -37.17, 19.08

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 16 / 0 / 10 / 5

HEX #CBF1D8

RGB 203 241 216

HSL 140.53, 0.58%, 0.87%

LAB 91.94, -17.01, 7.99

 

CMYK 6 / 0 / 4 / 2

HEX #ECFAF1

RGB 236 250 241

HSL 141.43, 0.58%, 0.95%

LAB 97.05, -6.2, 2.72

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 26 / 14 / 0 / 9

HEX #ABC7E8

RGB 171 199 232

HSL 212.46, 0.57%, 0.79%

LAB 79.23, -2.11, -19.45

 

CMYK 0 / 26 / 25 / 9

HEX #E8ABAF

RGB 232 171 175

HSL 356.07, 0.57%, 0.79%

LAB 75.69, 22.92, 6.76

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 18 / 26 / 0 / 9

HEX #BFABE8

RGB 191 171 232

HSL 259.67, 0.57%, 0.79%

LAB 73.56, 19.22, -27.96

 

CMYK 0 / 18 / 26 / 9

HEX #E8BFAB

RGB 232 191 171

HSL 19.67, 0.57%, 0.79%

LAB 80.38, 11.72, 15.59

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 26 / 14 / 0 / 9

HEX #ABC7E8

RGB 171 199 232

HSL 212.46, 0.57%, 0.79%

LAB 79.23, -2.11, -19.45

 

CMYK 0 / 26 / 9 / 9

HEX #E8ABD4

RGB 232 171 212

HSL 319.67, 0.57%, 0.79%

LAB 76.7, 28.69, -11.95

 

CMYK 0 / 13 / 26 / 9

HEX #E8CBAB

RGB 232 203 171

HSL 31.48, 0.57%, 0.79%

LAB 83.34, 5.4, 19.72

 

CMYK 26 / 0 / 17 / 9

HEX #ABE8C0

RGB 171 232 192

HSL 140.66, 0.57%, 0.79%

LAB 87.08, -27.25, 13.3

 

CMYK 26 / 22 / 0 / 9

HEX #ABB5E8

RGB 171 181 232

HSL 230.16, 0.57%, 0.79%

LAB 74.53, 7.64, -26.61

 

CMYK 0 / 26 / 9 / 9

HEX #E8ABD4

RGB 232 171 212

HSL 319.67, 0.57%, 0.79%

LAB 76.7, 28.69, -11.95

 

CMYK 0 / 4 / 26 / 9

HEX #E8DEAB

RGB 232 222 171

HSL 50.16, 0.57%, 0.79%

LAB 88.13, -4.41, 26.3

 

Description

Color code: HEX #ABE8C0 | qconv.com Color code: HEX #ABE8C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 232 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 232 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 17 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 17% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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