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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E1D6 it is the complementary color #4A1E29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E1D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E1D6 shade: #BAE1D1, #CBF3E4, #DCFFF7, #EDFFFF and #FEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E1D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E1D6 shade: #B5E1D6, #A4CFC3, #93BDB0, #82AB9D and #71998A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E1D6 shade: #B7E1D7, #B7E1CB, #B7E1C0, #B9E1B7 and #C5E1B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E1D6 shade: #B7E1D7, #B7E1E1, #B7D5E1, #B7C9E1 and #B7BEE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E1D6 shade matches the following richer shades: #B7E1D7, #AEEADB, #A6F2DF and #9EFAE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E1D6 shade: #B7E1D7, #BFD9D3, #C7D1CE, #CFC9CA and #D8C0C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E1D6 shade: #B7E1C0, #B7E1CB, #B7E1D7, #B7E1E1 and #B7D5E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E1D6 shade: #7CC9B6, #99D5C6, #B7E1D7, #D4EDE7 and #F1F9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E1D6 shade: #B5E1D6, #B7B9E1 and #E1C6B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E1D6 shade: #B5E1D6, #D7B7E1 and #E1D7B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E1D6 shade: #B5E1D6, #B7B9E1, #E1B7C1 and #E1DFB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E1D6 shade: #B5E1D6, #C1B7E1, #E1B7C1 and #D7E1B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 5 / 12

HEX #B5E1D6

RGB 181 225 214

HSL 165, 0.42%, 0.8%

LAB 86.27, -16.43, 0.66

 

Complementary color

CMYK 0 / 59 / 45 / 71

HEX #4A1E29

RGB 74 30 41

HSL 345, 0.42%, 0.2%

LAB 18.12, 22.22, 2.79

 

CMYK 17 / 0 / 7 / 12

HEX #BAE1D1

RGB 186 225 209

HSL 155.38, 0.39%, 0.81%

LAB 86.45, -15.84, 3.59

 

CMYK 16 / 0 / 6 / 5

HEX #CBF3E4

RGB 203 243 228

HSL 157.5, 0.63%, 0.87%

LAB 92.75, -15.76, 2.93

 

CMYK 14 / 0 / 3 / 0

HEX #DCFFF7

RGB 220 255 247

HSL 166.29, 1%, 0.93%

LAB 97.41, -12.73, 0.03

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 20 / 0 / 5 / 12

HEX #B5E1D6

RGB 181 225 214

HSL 165, 0.42%, 0.8%

LAB 86.27, -16.43, 0.66

 

CMYK 21 / 0 / 6 / 19

HEX #A4CFC3

RGB 164 207 195

HSL 163.26, 0.31%, 0.73%

LAB 79.87, -16.54, 1.31

 

CMYK 22 / 0 / 7 / 26

HEX #93BDB0

RGB 147 189 176

HSL 161.43, 0.24%, 0.66%

LAB 73.37, -16.67, 1.99

 

CMYK 24 / 0 / 8 / 33

HEX #82AB9D

RGB 130 171 157

HSL 159.51, 0.2%, 0.59%

LAB 66.75, -16.81, 2.7

 

CMYK 26 / 0 / 10 / 40

HEX #71998A

RGB 113 153 138

HSL 157.5, 0.16%, 0.52%

LAB 60, -16.98, 3.45

 

CMYK 19 / 0 / 4 / 12

HEX #B7E1D7

RGB 183 225 215

HSL 165.71, 0.41%, 0.8%

LAB 86.42, -15.61, 0.36

 

CMYK 19 / 0 / 10 / 12

HEX #B7E1CB

RGB 183 225 203

HSL 148.57, 0.41%, 0.8%

LAB 86.12, -17.96, 6.25

 

CMYK 19 / 0 / 15 / 12

HEX #B7E1C0

RGB 183 225 192

HSL 132.86, 0.41%, 0.8%

LAB 85.87, -20, 11.67

 

CMYK 18 / 0 / 19 / 12

HEX #B9E1B7

RGB 185 225 183

HSL 117.14, 0.41%, 0.8%

LAB 85.8, -20.92, 16.31

 

CMYK 12 / 0 / 19 / 12

HEX #C5E1B7

RGB 197 225 183

HSL 100, 0.41%, 0.8%

LAB 86.57, -16.82, 17.51

 

CMYK 19 / 0 / 4 / 12

HEX #B7E1D7

RGB 183 225 215

HSL 165.71, 0.41%, 0.8%

LAB 86.42, -15.61, 0.36

 

CMYK 19 / 0 / 0 / 12

HEX #B7E1E1

RGB 183 225 225

HSL 180, 0.41%, 0.8%

LAB 86.68, -13.56, -4.53

 

CMYK 19 / 5 / 0 / 12

HEX #B7D5E1

RGB 183 213 225

HSL 197.14, 0.41%, 0.8%

LAB 83.49, -7.41, -9.24

 

CMYK 19 / 11 / 0 / 12

HEX #B7C9E1

RGB 183 201 225

HSL 214.29, 0.41%, 0.8%

LAB 80.34, -1.11, -13.96

 

CMYK 19 / 16 / 0 / 12

HEX #B7BEE1

RGB 183 190 225

HSL 230, 0.41%, 0.8%

LAB 77.48, 4.79, -18.26

 

CMYK 19 / 0 / 4 / 12

HEX #B7E1D7

RGB 183 225 215

HSL 165.71, 0.41%, 0.8%

LAB 86.42, -15.61, 0.36

 

CMYK 26 / 0 / 6 / 8

HEX #AEEADB

RGB 174 234 219

HSL 165, 0.59%, 0.8%

LAB 88.43, -22, 1.13

 

CMYK 31 / 0 / 8 / 5

HEX #A6F2DF

RGB 166 242 223

HSL 165, 0.75%, 0.8%

LAB 90.29, -27.35, 1.7

 

CMYK 37 / 0 / 9 / 2

HEX #9EFAE3

RGB 158 250 227

HSL 165, 0.9%, 0.8%

LAB 92.21, -32.46, 2.37

 

CMYK 19 / 0 / 4 / 12

HEX #B7E1D7

RGB 183 225 215

HSL 165.71, 0.41%, 0.8%

LAB 86.42, -15.61, 0.36

 

CMYK 12 / 0 / 3 / 15

HEX #BFD9D3

RGB 191 217 211

HSL 166.15, 0.25%, 0.8%

LAB 84.69, -9.78, 0.02

 

CMYK 5 / 0 / 1 / 18

HEX #C7D1CE

RGB 199 209 206

HSL 162, 0.1%, 0.8%

LAB 83.02, -3.95, 0.3

 

CMYK 0 / 3 / 2 / 19

HEX #CFC9CA

RGB 207 201 202

HSL 350, 0.06%, 0.8%

LAB 81.46, 2.26, 0.23

 

CMYK 0 / 11 / 8 / 15

HEX #D8C0C6

RGB 216 192 198

HSL 345, 0.24%, 0.8%

LAB 79.83, 9.49, 0.09

 

CMYK 19 / 0 / 15 / 12

HEX #B7E1C0

RGB 183 225 192

HSL 132.86, 0.41%, 0.8%

LAB 85.87, -20, 11.67

 

CMYK 19 / 0 / 10 / 12

HEX #B7E1CB

RGB 183 225 203

HSL 148.57, 0.41%, 0.8%

LAB 86.12, -17.96, 6.25

 

CMYK 19 / 0 / 4 / 12

HEX #B7E1D7

RGB 183 225 215

HSL 165.71, 0.41%, 0.8%

LAB 86.42, -15.61, 0.36

 

CMYK 19 / 0 / 0 / 12

HEX #B7E1E1

RGB 183 225 225

HSL 180, 0.41%, 0.8%

LAB 86.68, -13.56, -4.53

 

CMYK 19 / 5 / 0 / 12

HEX #B7D5E1

RGB 183 213 225

HSL 197.14, 0.41%, 0.8%

LAB 83.49, -7.41, -9.24

 

CMYK 38 / 0 / 9 / 21

HEX #7CC9B6

RGB 124 201 182

HSL 165.19, 0.42%, 0.64%

LAB 75.72, -28.17, 2

 

CMYK 28 / 0 / 7 / 16

HEX #99D5C6

RGB 153 213 198

HSL 165, 0.42%, 0.72%

LAB 80.98, -22.29, 1.24

 

CMYK 19 / 0 / 4 / 12

HEX #B7E1D7

RGB 183 225 215

HSL 165.71, 0.41%, 0.8%

LAB 86.42, -15.61, 0.36

 

CMYK 11 / 0 / 3 / 7

HEX #D4EDE7

RGB 212 237 231

HSL 165.6, 0.41%, 0.88%

LAB 91.83, -9.31, 0.11

 

CMYK 3 / 0 / 1 / 2

HEX #F1F9F7

RGB 241 249 247

HSL 165, 0.4%, 0.96%

LAB 97.3, -2.98, 0.03

 

CMYK 20 / 0 / 5 / 12

HEX #B5E1D6

RGB 181 225 214

HSL 165, 0.42%, 0.8%

LAB 86.27, -16.43, 0.66

 

CMYK 19 / 18 / 0 / 12

HEX #B7B9E1

RGB 183 185 225

HSL 237.14, 0.41%, 0.8%

LAB 76.19, 7.5, -20.2

 

CMYK 0 / 12 / 19 / 12

HEX #E1C6B7

RGB 225 198 183

HSL 21.43, 0.41%, 0.8%

LAB 81.74, 7.14, 10.99

 

CMYK 20 / 0 / 5 / 12

HEX #B5E1D6

RGB 181 225 214

HSL 165, 0.42%, 0.8%

LAB 86.27, -16.43, 0.66

 

CMYK 4 / 19 / 0 / 12

HEX #D7B7E1

RGB 215 183 225

HSL 285.71, 0.41%, 0.8%

LAB 78.32, 18.9, -16.74

 

CMYK 0 / 4 / 19 / 12

HEX #E1D7B7

RGB 225 215 183

HSL 45.71, 0.41%, 0.8%

LAB 86.02, -1.73, 17.04

 

CMYK 20 / 0 / 5 / 12

HEX #B5E1D6

RGB 181 225 214

HSL 165, 0.42%, 0.8%

LAB 86.27, -16.43, 0.66

 

CMYK 19 / 18 / 0 / 12

HEX #B7B9E1

RGB 183 185 225

HSL 237.14, 0.41%, 0.8%

LAB 76.19, 7.5, -20.2

 

CMYK 0 / 19 / 14 / 12

HEX #E1B7C1

RGB 225 183 193

HSL 345.71, 0.41%, 0.8%

LAB 78.3, 16.68, 0.66

 

CMYK 0 / 1 / 19 / 12

HEX #E1DFB7

RGB 225 223 183

HSL 57.14, 0.41%, 0.8%

LAB 88.07, -5.83, 19.89

 

CMYK 20 / 0 / 5 / 12

HEX #B5E1D6

RGB 181 225 214

HSL 165, 0.42%, 0.8%

LAB 86.27, -16.43, 0.66

 

CMYK 14 / 19 / 0 / 12

HEX #C1B7E1

RGB 193 183 225

HSL 254.29, 0.41%, 0.8%

LAB 76.46, 11.75, -19.72

 

CMYK 0 / 19 / 14 / 12

HEX #E1B7C1

RGB 225 183 193

HSL 345.71, 0.41%, 0.8%

LAB 78.3, 16.68, 0.66

 

CMYK 4 / 0 / 19 / 12

HEX #D7E1B7

RGB 215 225 183

HSL 74.29, 0.41%, 0.8%

LAB 87.83, -10.46, 19.45

 

Description

Color code: HEX #B5E1D6 | qconv.com Color code: HEX #B5E1D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 225 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 225 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 5 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 5% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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