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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5E053 it is the complementary color #4A1FAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5E053. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5E053 shade: #BAE04E, #CBF261, #DCFF74, #EDFF87 and #FEFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5E053. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5E053 shade: #B5E053, #A4CE40, #93BC2D, #82AA1A and #719807

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5E053 shade: #B4DF53, #DADF53, #DFBE53, #DF9853 and #DF7253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5E053 shade: #B4DF53, #8EDF53, #69DF53, #53DF63 and #53DF89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5E053 shade matches the following richer shades: #B4DF53 and #BBF042

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5E053 shade: #B4DF53, #AECF63, #A8BE74, #A1AE84 and #9B9D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5E053 shade: #DFBF53, #DBDF53, #B5DF53, #90DF53 and #6ADF53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5E053 shade: #8EBD23, #A5D930, #B4DF53, #C4E675 and #D3EC98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5E053 shade: #B5E053, #53DF99 and #D153DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5E053 shade: #B5E053, #53B5DF and #DF53B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5E053 shade: #B5E053, #53DF99, #7D53DF and #DF5399

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5E053 shade: #B5E053, #53DFC3, #7D53DF and #DF536F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 63 / 12

HEX #B5E053

RGB 181 224 83

HSL 78.3, 0.69%, 0.6%

LAB 83.84, -34.19, 62.38

 

Complementary color

CMYK 57 / 82 / 0 / 33

HEX #4A1FAC

RGB 74 31 172

HSL 258.3, 0.69%, 0.4%

LAB 27.88, 52.72, -66.99

 

CMYK 17 / 0 / 65 / 12

HEX #BAE04E

RGB 186 224 78

HSL 75.62, 0.7%, 0.59%

LAB 84.12, -32.61, 64.77

 

CMYK 16 / 0 / 60 / 5

HEX #CBF261

RGB 203 242 97

HSL 76.14, 0.85%, 0.66%

LAB 90.35, -33, 64.08

 

CMYK 14 / 0 / 55 / 0

HEX #DCFF74

RGB 220 255 116

HSL 75.11, 1%, 0.73%

LAB 95.16, -31.01, 61.66

 

CMYK 7 / 0 / 47 / 0

HEX #EDFF87

RGB 237 255 135

HSL 69, 1%, 0.76%

LAB 96.52, -22.85, 54.97

 

CMYK 0 / 0 / 40 / 0

HEX #FEFF9A

RGB 254 255 154

HSL 60.59, 1%, 0.8%

LAB 98, -14.51, 48.08

 

CMYK 19 / 0 / 63 / 12

HEX #B5E053

RGB 181 224 83

HSL 78.3, 0.69%, 0.6%

LAB 83.84, -34.19, 62.38

 

CMYK 20 / 0 / 69 / 19

HEX #A4CE40

RGB 164 206 64

HSL 77.75, 0.59%, 0.53%

LAB 77.52, -33.78, 62.9

 

CMYK 22 / 0 / 76 / 26

HEX #93BC2D

RGB 147 188 45

HSL 77.2, 0.61%, 0.46%

LAB 71.12, -33.23, 62.91

 

CMYK 24 / 0 / 85 / 33

HEX #82AA1A

RGB 130 170 26

HSL 76.67, 0.73%, 0.38%

LAB 64.62, -32.49, 62.04

 

CMYK 26 / 0 / 95 / 40

HEX #719807

RGB 113 152 7

HSL 76.14, 0.91%, 0.31%

LAB 58.02, -31.51, 59.71

 

CMYK 19 / 0 / 63 / 13

HEX #B4DF53

RGB 180 223 83

HSL 78.43, 0.69%, 0.6%

LAB 83.5, -34.12, 61.99

 

CMYK 2 / 0 / 63 / 13

HEX #DADF53

RGB 218 223 83

HSL 62.14, 0.69%, 0.6%

LAB 86.16, -19.03, 65.62

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 0 / 32 / 63 / 13

HEX #DF9853

RGB 223 152 83

HSL 29.57, 0.69%, 0.6%

LAB 68.58, 19.91, 46.38

 

CMYK 0 / 49 / 63 / 13

HEX #DF7253

RGB 223 114 83

HSL 13.29, 0.69%, 0.6%

LAB 60.2, 39.92, 36.43

 

CMYK 19 / 0 / 63 / 13

HEX #B4DF53

RGB 180 223 83

HSL 78.43, 0.69%, 0.6%

LAB 83.5, -34.12, 61.99

 

CMYK 36 / 0 / 63 / 13

HEX #8EDF53

RGB 142 223 83

HSL 94.71, 0.69%, 0.6%

LAB 81.37, -47.84, 59.06

 

CMYK 53 / 0 / 63 / 13

HEX #69DF53

RGB 105 223 83

HSL 110.57, 0.69%, 0.6%

LAB 79.84, -58.96, 56.94

 

CMYK 63 / 0 / 56 / 13

HEX #53DF63

RGB 83 223 99

HSL 126.86, 0.69%, 0.6%

LAB 79.34, -62.35, 49.15

 

CMYK 63 / 0 / 39 / 13

HEX #53DF89

RGB 83 223 137

HSL 143.14, 0.69%, 0.6%

LAB 79.85, -56.59, 31.27

 

CMYK 19 / 0 / 63 / 13

HEX #B4DF53

RGB 180 223 83

HSL 78.43, 0.69%, 0.6%

LAB 83.5, -34.12, 61.99

 

CMYK 22 / 0 / 73 / 6

HEX #BBF042

RGB 187 240 66

HSL 78.28, 0.85%, 0.6%

LAB 88.58, -40.18, 73.63

 

CMYK 19 / 0 / 63 / 13

HEX #B4DF53

RGB 180 223 83

HSL 78.43, 0.69%, 0.6%

LAB 83.5, -34.12, 61.99

 

CMYK 16 / 0 / 52 / 19

HEX #AECF63

RGB 174 207 99

HSL 78.33, 0.53%, 0.6%

LAB 78.77, -27.58, 49.49

 

CMYK 12 / 0 / 39 / 25

HEX #A8BE74

RGB 168 190 116

HSL 77.84, 0.36%, 0.6%

LAB 73.81, -19.71, 34.89

 

CMYK 7 / 0 / 24 / 32

HEX #A1AE84

RGB 161 174 132

HSL 78.57, 0.21%, 0.6%

LAB 69.12, -11.98, 20.09

 

CMYK 1 / 0 / 5 / 38

HEX #9B9D95

RGB 155 157 149

HSL 75, 0.04%, 0.6%

LAB 64.36, -2.23, 3.92

 

CMYK 0 / 14 / 63 / 13

HEX #DFBF53

RGB 223 191 83

HSL 46.29, 0.69%, 0.6%

LAB 78.21, -0.79, 57.21

 

CMYK 2 / 0 / 63 / 13

HEX #DBDF53

RGB 219 223 83

HSL 61.71, 0.69%, 0.6%

LAB 86.24, -18.63, 65.73

 

CMYK 19 / 0 / 63 / 13

HEX #B5DF53

RGB 181 223 83

HSL 78, 0.69%, 0.6%

LAB 83.56, -33.74, 62.07

 

CMYK 35 / 0 / 63 / 13

HEX #90DF53

RGB 144 223 83

HSL 93.86, 0.69%, 0.6%

LAB 81.47, -47.17, 59.2

 

CMYK 52 / 0 / 63 / 13

HEX #6ADF53

RGB 106 223 83

HSL 110.14, 0.69%, 0.6%

LAB 79.88, -58.7, 56.99

 

CMYK 25 / 0 / 81 / 26

HEX #8EBD23

RGB 142 189 35

HSL 78.31, 0.69%, 0.44%

LAB 71.05, -36.11, 65.69

 

CMYK 24 / 0 / 78 / 15

HEX #A5D930

RGB 165 217 48

HSL 78.46, 0.69%, 0.52%

LAB 80.65, -39.22, 71.26

 

CMYK 19 / 0 / 63 / 13

HEX #B4DF53

RGB 180 223 83

HSL 78.43, 0.69%, 0.6%

LAB 83.5, -34.12, 61.99

 

CMYK 15 / 0 / 49 / 10

HEX #C4E675

RGB 196 230 117

HSL 78.05, 0.69%, 0.68%

LAB 86.81, -28.32, 50.98

 

CMYK 11 / 0 / 36 / 7

HEX #D3EC98

RGB 211 236 152

HSL 77.86, 0.69%, 0.76%

LAB 89.91, -21.65, 38.06

 

CMYK 19 / 0 / 63 / 12

HEX #B5E053

RGB 181 224 83

HSL 78.3, 0.69%, 0.6%

LAB 83.84, -34.19, 62.38

 

CMYK 63 / 0 / 31 / 13

HEX #53DF99

RGB 83 223 153

HSL 150, 0.69%, 0.6%

LAB 80.13, -53.59, 23.42

 

CMYK 6 / 63 / 0 / 13

HEX #D153DF

RGB 209 83 223

HSL 294, 0.69%, 0.6%

LAB 57.14, 67.69, -48.46

 

CMYK 19 / 0 / 63 / 12

HEX #B5E053

RGB 181 224 83

HSL 78.3, 0.69%, 0.6%

LAB 83.84, -34.19, 62.38

 

CMYK 63 / 19 / 0 / 13

HEX #53B5DF

RGB 83 181 223

HSL 198, 0.69%, 0.6%

LAB 69.62, -16.19, -29.64

 

CMYK 0 / 63 / 19 / 13

HEX #DF53B5

RGB 223 83 181

HSL 318, 0.69%, 0.6%

LAB 57.28, 64.57, -24.13

 

CMYK 19 / 0 / 63 / 12

HEX #B5E053

RGB 181 224 83

HSL 78.3, 0.69%, 0.6%

LAB 83.84, -34.19, 62.38

 

CMYK 63 / 0 / 31 / 13

HEX #53DF99

RGB 83 223 153

HSL 150, 0.69%, 0.6%

LAB 80.13, -53.59, 23.42

 

CMYK 44 / 63 / 0 / 13

HEX #7D53DF

RGB 125 83 223

HSL 258, 0.69%, 0.6%

LAB 46.81, 49.07, -65.6

 

CMYK 0 / 63 / 31 / 13

HEX #DF5399

RGB 223 83 153

HSL 330, 0.69%, 0.6%

LAB 56.26, 60.94, -9.39

 

CMYK 19 / 0 / 63 / 12

HEX #B5E053

RGB 181 224 83

HSL 78.3, 0.69%, 0.6%

LAB 83.84, -34.19, 62.38

 

CMYK 63 / 0 / 13 / 13

HEX #53DFC3

RGB 83 223 195

HSL 168, 0.69%, 0.6%

LAB 81.05, -44.22, 2.6

 

CMYK 44 / 63 / 0 / 13

HEX #7D53DF

RGB 125 83 223

HSL 258, 0.69%, 0.6%

LAB 46.81, 49.07, -65.6

 

CMYK 0 / 63 / 50 / 13

HEX #DF536F

RGB 223 83 111

HSL 348, 0.69%, 0.6%

LAB 55.1, 56.63, 13.7

 

Description

Color code: HEX #B5E053 | qconv.com Color code: HEX #B5E053 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 224 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 224 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 63 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 63% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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