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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBE53 it is the complementary color #2041AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBE53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBE53 shade: #E4BE4E, #F5D061, #FFE274, #FFF487 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBE53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBE53 shade: #DFBE53, #CEAC40, #BD9A2D, #AC881A and #9B7607

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBE53 shade: #DFBE53, #DF9853, #DF7253 and #DF5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBE53 shade: #DFBE53, #DBDF53, #B5DF53, #8FDF53 and #69DF53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBE53 shade matches the following richer shades: #DFBE53 and #F0C742

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBE53 shade: #DFBE53, #CFB563, #BEAD74, #AEA484 and #9D9B95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBE53 shade: #DF7153, #DF9753, #DFBC53, #DDDF53 and #B7DF53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBE53 shade: #BD9923, #D9B130, #DFBE53, #E6CB75 and #ECD898

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBE53 shade: #DFBE53, #5ADF53 and #8453DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBE53 shade: #DFBE53, #53DFBC and #BC53DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBE53 shade: #DFBE53, #5ADF53, #5376DF and #D853DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBE53 shade: #DFBE53, #53DF76, #5376DF and #DF53BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

Complementary color

CMYK 81 / 62 / 0 / 33

HEX #2041AC

RGB 32 65 172

HSL 225.86, 0.69%, 0.4%

LAB 31.96, 28.8, -60.4

 

CMYK 0 / 17 / 66 / 11

HEX #E4BE4E

RGB 228 190 78

HSL 44.8, 0.74%, 0.6%

LAB 78.39, 1.53, 59.73

 

CMYK 0 / 15 / 60 / 4

HEX #F5D061

RGB 245 208 97

HSL 45, 0.88%, 0.67%

LAB 84.68, 0.51, 58.7

 

CMYK 0 / 11 / 55 / 0

HEX #FFE274

RGB 255 226 116

HSL 47.48, 1%, 0.73%

LAB 90.28, -3.19, 56.68

 

CMYK 0 / 4 / 47 / 0

HEX #FFF487

RGB 255 244 135

HSL 54.5, 1%, 0.76%

LAB 95.04, -10.57, 53.48

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 0 / 17 / 69 / 19

HEX #CEAC40

RGB 206 172 64

HSL 45.63, 0.59%, 0.53%

LAB 71.55, 0.81, 57.86

 

CMYK 0 / 19 / 76 / 26

HEX #BD9A2D

RGB 189 154 45

HSL 45.42, 0.62%, 0.46%

LAB 65.06, 2.09, 58.4

 

CMYK 0 / 21 / 85 / 33

HEX #AC881A

RGB 172 136 26

HSL 45.21, 0.74%, 0.39%

LAB 58.47, 3.62, 58.17

 

CMYK 0 / 24 / 95 / 39

HEX #9B7607

RGB 155 118 7

HSL 45, 0.91%, 0.32%

LAB 51.77, 5.45, 56.48

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 0 / 32 / 63 / 13

HEX #DF9853

RGB 223 152 83

HSL 29.57, 0.69%, 0.6%

LAB 68.58, 19.91, 46.38

 

CMYK 0 / 49 / 63 / 13

HEX #DF7253

RGB 223 114 83

HSL 13.29, 0.69%, 0.6%

LAB 60.2, 39.92, 36.43

 

CMYK 0 / 63 / 63 / 13

HEX #DF5353

RGB 223 83 83

HSL 0, 0.69%, 0.6%

LAB 54.55, 54.57, 29.41

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 2 / 0 / 63 / 13

HEX #DBDF53

RGB 219 223 83

HSL 61.71, 0.69%, 0.6%

LAB 86.24, -18.63, 65.73

 

CMYK 19 / 0 / 63 / 13

HEX #B5DF53

RGB 181 223 83

HSL 78, 0.69%, 0.6%

LAB 83.56, -33.74, 62.07

 

CMYK 36 / 0 / 63 / 13

HEX #8FDF53

RGB 143 223 83

HSL 94.29, 0.69%, 0.6%

LAB 81.42, -47.5, 59.13

 

CMYK 53 / 0 / 63 / 13

HEX #69DF53

RGB 105 223 83

HSL 110.57, 0.69%, 0.6%

LAB 79.84, -58.96, 56.94

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 0 / 17 / 73 / 6

HEX #F0C742

RGB 240 199 66

HSL 45.86, 0.85%, 0.6%

LAB 81.71, 1.32, 68.33

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 0 / 13 / 52 / 19

HEX #CFB563

RGB 207 181 99

HSL 45.56, 0.53%, 0.6%

LAB 74.33, -1.07, 44.82

 

CMYK 0 / 9 / 39 / 25

HEX #BEAD74

RGB 190 173 116

HSL 46.22, 0.36%, 0.6%

LAB 70.94, -2.13, 31.52

 

CMYK 0 / 6 / 24 / 32

HEX #AEA484

RGB 174 164 132

HSL 45.71, 0.21%, 0.6%

LAB 67.44, -1.62, 17.94

 

CMYK 0 / 1 / 5 / 38

HEX #9D9B95

RGB 157 155 149

HSL 45, 0.04%, 0.6%

LAB 63.98, -0.39, 3.39

 

CMYK 0 / 49 / 63 / 13

HEX #DF7153

RGB 223 113 83

HSL 12.86, 0.69%, 0.6%

LAB 60, 40.43, 36.18

 

CMYK 0 / 32 / 63 / 13

HEX #DF9753

RGB 223 151 83

HSL 29.14, 0.69%, 0.6%

LAB 68.35, 20.45, 46.11

 

CMYK 0 / 16 / 63 / 13

HEX #DFBC53

RGB 223 188 83

HSL 45, 0.69%, 0.6%

LAB 77.45, 0.77, 56.37

 

CMYK 1 / 0 / 63 / 13

HEX #DDDF53

RGB 221 223 83

HSL 60.86, 0.69%, 0.6%

LAB 86.39, -17.81, 65.94

 

CMYK 18 / 0 / 63 / 13

HEX #B7DF53

RGB 183 223 83

HSL 77.14, 0.69%, 0.6%

LAB 83.69, -32.97, 62.25

 

CMYK 0 / 19 / 81 / 26

HEX #BD9923

RGB 189 153 35

HSL 45.97, 0.69%, 0.44%

LAB 64.74, 2.26, 61.54

 

CMYK 0 / 18 / 78 / 15

HEX #D9B130

RGB 217 177 48

HSL 45.8, 0.69%, 0.52%

LAB 73.81, 2.21, 66.49

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 0 / 12 / 49 / 10

HEX #E6CB75

RGB 230 203 117

HSL 45.66, 0.69%, 0.68%

LAB 82.28, -1.49, 46.08

 

CMYK 0 / 8 / 36 / 7

HEX #ECD898

RGB 236 216 152

HSL 45.71, 0.69%, 0.76%

LAB 86.61, -2.18, 34.09

HEX #ECD898

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 60 / 0 / 63 / 13

HEX #5ADF53

RGB 90 223 83

HSL 117, 0.69%, 0.6%

LAB 79.37, -62.65, 56.29

 

CMYK 41 / 63 / 0 / 13

HEX #8453DF

RGB 132 83 223

HSL 261, 0.69%, 0.6%

LAB 47.52, 50.48, -64.41

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 63 / 0 / 16 / 13

HEX #53DFBC

RGB 83 223 188

HSL 165, 0.69%, 0.6%

LAB 80.87, -45.92, 6.06

 

CMYK 16 / 63 / 0 / 13

HEX #BC53DF

RGB 188 83 223

HSL 285, 0.69%, 0.6%

LAB 54.24, 62.8, -53.24

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 60 / 0 / 63 / 13

HEX #5ADF53

RGB 90 223 83

HSL 117, 0.69%, 0.6%

LAB 79.37, -62.65, 56.29

 

CMYK 63 / 47 / 0 / 13

HEX #5376DF

RGB 83 118 223

HSL 225, 0.69%, 0.6%

LAB 51.98, 20.21, -57.42

 

CMYK 3 / 63 / 0 / 13

HEX #D853DF

RGB 216 83 223

HSL 297, 0.69%, 0.6%

LAB 58.14, 69.33, -46.81

 

CMYK 0 / 15 / 63 / 13

HEX #DFBE53

RGB 223 190 83

HSL 45.86, 0.69%, 0.6%

LAB 77.96, -0.27, 56.93

 

CMYK 63 / 0 / 47 / 13

HEX #53DF76

RGB 83 223 118

HSL 135, 0.69%, 0.6%

LAB 79.57, -59.72, 40.41

 

CMYK 63 / 47 / 0 / 13

HEX #5376DF

RGB 83 118 223

HSL 225, 0.69%, 0.6%

LAB 51.98, 20.21, -57.42

 

CMYK 0 / 63 / 16 / 13

HEX #DF53BC

RGB 223 83 188

HSL 315, 0.69%, 0.6%

LAB 57.56, 65.56, -27.73

 

Description

Color code: HEX #DFBE53 | qconv.com Color code: HEX #DFBE53 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 190 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 190 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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