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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5D2FF3F it is the complementary color #4A2D003F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5D2FF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5D2FF3F shade: #BAD2FA3F, #CBE4FF3F, #DCF6FF3F, #EDFFFF3F and #FEFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5D2FF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5D2FF3F shade: #B5D2FF3F, #A4C0EC3F, #93AED93F, #829CC63F and #718AB33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5D2FF3F shade: #B3D0FF, #B3BCFF, #BEB3FF, #D2B3FF and #E7B3FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5D2FF3F shade: #B3D0FF, #B3BCFF and #B3B3FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5D2FF3F shade matches the following richer shades: #B3D0FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5D2FF3F shade: #B3D0FF, #B9D2F9, #BFD3F3, #C5D4EC and #CBD6E6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5D2FF3F shade: #B3FAFF, #B3E6FF, #B3D1FF, #B3BDFF and #BDB3FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5D2FF3F shade: #609EFF, #89B7FF, #B3D0FF, #DCEAFF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5D2FF3F shade: #B5D2FF, #F0B3FF and #F0FFB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5D2FF3F shade: #B5D2FF, #FFB3D1 and #D1FFB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5D2FF3F shade: #B5D2FF, #F0B3FF, #FFE0B3 and #C2FFB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5D2FF3F shade: #B5D2FF, #FFB3F7, #FFE0B3 and #B3FFBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 4 / 0 / 0

HEX #B5D2FF3F

RGBA 181 210 255 0.25

HSLA 216.49, 1%, 0.85%, 0.25

LABA 83.51, 0.34, -25.15, 0.25

 

Complementary color

CMYK 0 / 10 / 25 / 18

HEX #4A2D003F

RGBA 74 45 0 0.25

HSLA 36.49, 1%, 0.15%, 0.25

LABA 21.33, 9.5, 30.41, 0.25

 

CMYK 6 / 4 / 0 / 0

HEX #BAD2FA3F

RGBA 186 210 250 0.25

HSLA 217.5, 0.86%, 0.85%, 0.25

LABA 83.67, 0.61, -22.23, 0.25

 

CMYK 5 / 3 / 0 / 0

HEX #CBE4FF3F

RGBA 203 228 255 0.25

HSLA 211.15, 1%, 0.9%, 0.25

LABA 89.58, -2.65, -15.84, 0.25

 

CMYK 3 / 1 / 0 / 0

HEX #DCF6FF3F

RGBA 220 246 255 0.25

HSLA 195.43, 1%, 0.93%, 0.25

LABA 95.31, -6.66, -7.19, 0.25

 

CMYK 2 / 0 / 0 / 0

HEX #EDFFFF3F

RGBA 237 255 255 0.25

HSLA 180, 1%, 0.96%, 0.25

LABA 98.73, -5.84, -2.02, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF3F

RGBA 254 255 255 0.25

HSLA 180, 1%, 1%, 0.25

LABA 99.93, -0.32, -0.13, 0.25

 

CMYK 7 / 4 / 0 / 0

HEX #B5D2FF3F

RGBA 181 210 255 0.25

HSLA 216.49, 1%, 0.85%, 0.25

LABA 83.51, 0.34, -25.15, 0.25

 

CMYK 8 / 5 / 0 / 2

HEX #A4C0EC3F

RGBA 164 192 236 0.25

HSLA 216.67, 0.65%, 0.78%, 0.25

LABA 77.07, 0.57, -24.93, 0.25

 

CMYK 8 / 5 / 0 / 4

HEX #93AED93F

RGBA 147 174 217 0.25

HSLA 216.86, 0.48%, 0.71%, 0.25

LABA 70.51, 0.83, -24.73, 0.25

 

CMYK 9 / 5 / 0 / 6

HEX #829CC63F

RGBA 130 156 198 0.25

HSLA 217.06, 0.37%, 0.64%, 0.25

LABA 63.84, 1.11, -24.54, 0.25

 

CMYK 9 / 6 / 0 / 7

HEX #718AB33F

RGBA 113 138 179 0.25

HSLA 217.27, 0.3%, 0.57%, 0.25

LABA 57.02, 1.45, -24.39, 0.25

 

CMYK 30 / 18 / 0 / 0

HEX #B3D0FF

RGB 179 208 255

HSL 217.11, 1%, 0.85%

LAB 82.87, 0.84, -26.15

 

CMYK 30 / 26 / 0 / 0

HEX #B3BCFF

RGB 179 188 255

HSL 232.89, 1%, 0.85%

LAB 77.74, 11.66, -34.02

 

CMYK 25 / 30 / 0 / 0

HEX #BEB3FF

RGB 190 179 255

HSL 248.68, 1%, 0.85%

LAB 76.32, 19.75, -36.15

 

CMYK 18 / 30 / 0 / 0

HEX #D2B3FF

RGB 210 179 255

HSL 264.47, 1%, 0.85%

LAB 77.97, 25.65, -33.46

 

CMYK 9 / 30 / 0 / 0

HEX #E7B3FF

RGB 231 179 255

HSL 281.05, 1%, 0.85%

LAB 79.87, 32.04, -30.38

 

CMYK 30 / 18 / 0 / 0

HEX #B3D0FF

RGB 179 208 255

HSL 217.11, 1%, 0.85%

LAB 82.87, 0.84, -26.15

 

CMYK 30 / 26 / 0 / 0

HEX #B3BCFF

RGB 179 188 255

HSL 232.89, 1%, 0.85%

LAB 77.74, 11.66, -34.02

 

CMYK 30 / 30 / 0 / 0

HEX #B3B3FF

RGB 179 179 255

HSL 240, 1%, 0.85%

LAB 75.48, 16.62, -37.52

 

CMYK 30 / 18 / 0 / 0

HEX #B3D0FF

RGB 179 208 255

HSL 217.11, 1%, 0.85%

LAB 82.87, 0.84, -26.15

 

CMYK 30 / 18 / 0 / 0

HEX #B3D0FF

RGB 179 208 255

HSL 217.11, 1%, 0.85%

LAB 82.87, 0.84, -26.15

 

CMYK 26 / 16 / 0 / 2

HEX #B9D2F9

RGB 185 210 249

HSL 216.56, 0.84%, 0.85%

LAB 83.57, 0.09, -21.86

 

CMYK 21 / 13 / 0 / 5

HEX #BFD3F3

RGB 191 211 243

HSL 216.92, 0.68%, 0.85%

LAB 84.04, -0, -17.93

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 12 / 7 / 0 / 10

HEX #CBD6E6

RGB 203 214 230

HSL 215.56, 0.35%, 0.85%

LAB 85.25, -0.58, -9.13

 

CMYK 30 / 2 / 0 / 0

HEX #B3FAFF

RGB 179 250 255

HSL 183.95, 1%, 0.85%

LAB 93.96, -20.66, -9.45

 

CMYK 30 / 10 / 0 / 0

HEX #B3E6FF

RGB 179 230 255

HSL 199.74, 1%, 0.85%

LAB 88.64, -10.65, -17.41

 

CMYK 30 / 18 / 0 / 0

HEX #B3D1FF

RGB 179 209 255

HSL 216.32, 1%, 0.85%

LAB 83.13, 0.31, -25.75

 

CMYK 30 / 26 / 0 / 0

HEX #B3BDFF

RGB 179 189 255

HSL 232.11, 1%, 0.85%

LAB 77.99, 11.11, -33.63

 

CMYK 26 / 30 / 0 / 0

HEX #BDB3FF

RGB 189 179 255

HSL 247.89, 1%, 0.85%

LAB 76.24, 19.46, -36.28

 

CMYK 62 / 38 / 0 / 0

HEX #609EFF

RGB 96 158 255

HSL 216.6, 1%, 0.69%

LAB 65.09, 9.2, -54.17

 

CMYK 46 / 28 / 0 / 0

HEX #89B7FF

RGB 137 183 255

HSL 216.61, 1%, 0.77%

LAB 73.81, 3.46, -40.33

 

CMYK 30 / 18 / 0 / 0

HEX #B3D0FF

RGB 179 208 255

HSL 217.11, 1%, 0.85%

LAB 82.87, 0.84, -26.15

 

CMYK 14 / 8 / 0 / 0

HEX #DCEAFF

RGB 220 234 255

HSL 216, 1%, 0.93%

LAB 92.26, -0.54, -11.72

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 29 / 18 / 0 / 0

HEX #B5D2FF

RGB 181 210 255

HSL 216.49, 1%, 0.85%

LAB 83.51, 0.34, -25.15

 

CMYK 6 / 30 / 0 / 0

HEX #F0B3FF

RGB 240 179 255

HSL 288.16, 1%, 0.85%

LAB 80.73, 34.82, -28.98

 

CMYK 6 / 0 / 30 / 0

HEX #F0FFB3

RGB 240 255 179

HSL 71.84, 1%, 0.85%

LAB 97.35, -16.82, 34.76

 

CMYK 29 / 18 / 0 / 0

HEX #B5D2FF

RGB 181 210 255

HSL 216.49, 1%, 0.85%

LAB 83.51, 0.34, -25.15

 

CMYK 0 / 30 / 18 / 0

HEX #FFB3D1

RGB 255 179 209

HSL 336.32, 1%, 0.85%

LAB 80.8, 31.86, -3.99

 

CMYK 18 / 0 / 30 / 0

HEX #D1FFB3

RGB 209 255 179

HSL 96.32, 1%, 0.85%

LAB 95.3, -27.8, 31.66

 

CMYK 29 / 18 / 0 / 0

HEX #B5D2FF

RGB 181 210 255

HSL 216.49, 1%, 0.85%

LAB 83.51, 0.34, -25.15

 

CMYK 6 / 30 / 0 / 0

HEX #F0B3FF

RGB 240 179 255

HSL 288.16, 1%, 0.85%

LAB 80.73, 34.82, -28.98

 

CMYK 0 / 12 / 30 / 0

HEX #FFE0B3

RGB 255 224 179

HSL 35.53, 1%, 0.85%

LAB 90.7, 4.23, 25.99

 

CMYK 24 / 0 / 30 / 0

HEX #C2FFB3

RGB 194 255 179

HSL 108.16, 1%, 0.85%

LAB 94.42, -32.85, 30.32

 

CMYK 29 / 18 / 0 / 0

HEX #B5D2FF

RGB 181 210 255

HSL 216.49, 1%, 0.85%

LAB 83.51, 0.34, -25.15

 

CMYK 0 / 30 / 3 / 0

HEX #FFB3F7

RGB 255 179 247

HSL 306.32, 1%, 0.85%

LAB 81.96, 38.06, -22.7

 

CMYK 0 / 12 / 30 / 0

HEX #FFE0B3

RGB 255 224 179

HSL 35.53, 1%, 0.85%

LAB 90.7, 4.23, 25.99

 

CMYK 30 / 0 / 27 / 0

HEX #B3FFBA

RGB 179 255 186

HSL 125.53, 1%, 0.85%

LAB 93.73, -36.54, 25.72

 

Description

Color code: HEX #B5D2FF3F | qconv.com Color code: HEX #B5D2FF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 210 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 210 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 4 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 4% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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