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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D4EC it is the complementary color #3A2B13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D4EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D4EC shade: #CAD4E7, #DBE6FA, #ECF8FF and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D4EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D4EC shade: #C5D4EC, #B4C2D9, #A3B0C6, #929EB3 and #818CA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D4EC shade: #C5D4EC, #C5C9EC, #CBC5EC, #D5C5EC and #E0C5EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D4EC shade: #C5D4EC, #C5C9EC and #C5C5EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D4EC shade matches the following richer shades: #C5D4EC, #BFD2F2, #B8D1F8 and #B2CFFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D4EC shade: #C5D4EC, #CBD5E6, #D1D7DF, #D7D8D9 and #DDD9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D4EC shade: #C5E9EC, #C5DFEC, #C5D4EC, #C5CAEC and #CAC5EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D4EC shade: #86A6D8, #A6BDE2, #C5D4EC and #E4EBF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D4EC shade: #C5D4EC, #E4C5EC and #E4ECC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D4EC shade: #C5D4EC, #ECC5D4 and #D4ECC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D4EC shade: #C5D4EC, #E4C5EC, #ECDCC5 and #CDECC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D4EC shade: #C5D4EC, #ECC5E8, #ECDCC5 and #C5ECC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

Complementary color

CMYK 0 / 26 / 67 / 77

HEX #3A2B13

RGB 58 43 19

HSL 36.92, 0.51%, 0.15%

LAB 18.69, 3.53, 18.09

 

CMYK 13 / 8 / 0 / 9

HEX #CAD4E7

RGB 202 212 231

HSL 219.31, 0.38%, 0.85%

LAB 84.7, 0.35, -10.5

 

CMYK 12 / 8 / 0 / 2

HEX #DBE6FA

RGB 219 230 250

HSL 218.71, 0.76%, 0.92%

LAB 91.03, 0.21, -10.94

 

CMYK 7 / 3 / 0 / 0

HEX #ECF8FF

RGB 236 248 255

HSL 202.11, 1%, 0.96%

LAB 96.9, -2.63, -4.72

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 17 / 11 / 0 / 15

HEX #B4C2D9

RGB 180 194 217

HSL 217.3, 0.33%, 0.78%

LAB 78.05, -0.05, -13.1

 

CMYK 18 / 11 / 0 / 22

HEX #A3B0C6

RGB 163 176 198

HSL 217.71, 0.23%, 0.71%

LAB 71.5, 0.1, -12.71

 

CMYK 18 / 12 / 0 / 30

HEX #929EB3

RGB 146 158 179

HSL 218.18, 0.18%, 0.64%

LAB 64.82, 0.26, -12.32

 

CMYK 19 / 13 / 0 / 37

HEX #818CA0

RGB 129 140 160

HSL 218.71, 0.14%, 0.57%

LAB 58, 0.43, -11.93

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 17 / 15 / 0 / 7

HEX #C5C9EC

RGB 197 201 236

HSL 233.85, 0.51%, 0.85%

LAB 81.67, 5.64, -17.73

 

CMYK 14 / 17 / 0 / 7

HEX #CBC5EC

RGB 203 197 236

HSL 249.23, 0.51%, 0.85%

LAB 81.12, 9.67, -18.52

 

CMYK 10 / 17 / 0 / 7

HEX #D5C5EC

RGB 213 197 236

HSL 264.62, 0.51%, 0.85%

LAB 81.91, 12.87, -17.25

 

CMYK 5 / 17 / 0 / 7

HEX #E0C5EC

RGB 224 197 236

HSL 281.54, 0.51%, 0.85%

LAB 82.83, 16.45, -15.78

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 17 / 15 / 0 / 7

HEX #C5C9EC

RGB 197 201 236

HSL 233.85, 0.51%, 0.85%

LAB 81.67, 5.64, -17.73

 

CMYK 17 / 17 / 0 / 7

HEX #C5C5EC

RGB 197 197 236

HSL 240, 0.51%, 0.85%

LAB 80.66, 7.78, -19.26

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 21 / 13 / 0 / 5

HEX #BFD2F2

RGB 191 210 242

HSL 217.65, 0.66%, 0.85%

LAB 83.75, 0.3, -17.84

 

CMYK 26 / 16 / 0 / 3

HEX #B8D1F8

RGB 184 209 248

HSL 216.56, 0.82%, 0.85%

LAB 83.21, 0.1, -21.88

 

CMYK 30 / 19 / 0 / 0

HEX #B2CFFE

RGB 178 207 254

HSL 217.11, 0.97%, 0.85%

LAB 82.51, 0.85, -26.17

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 12 / 7 / 0 / 10

HEX #CBD5E6

RGB 203 213 230

HSL 217.78, 0.35%, 0.85%

LAB 85, -0.05, -9.52

 

CMYK 6 / 4 / 0 / 13

HEX #D1D7DF

RGB 209 215 223

HSL 214.29, 0.18%, 0.85%

LAB 85.75, -0.52, -4.64

 

CMYK 1 / 0 / 0 / 15

HEX #D7D8D9

RGB 215 216 217

HSL 210, 0.03%, 0.85%

LAB 86.29, -0.15, -0.62

 

CMYK 0 / 2 / 5 / 13

HEX #DDD9D3

RGB 221 217 211

HSL 36, 0.13%, 0.85%

LAB 86.85, 0.31, 3.42

 

CMYK 17 / 1 / 0 / 7

HEX #C5E9EC

RGB 197 233 236

HSL 184.62, 0.51%, 0.85%

LAB 89.95, -11.04, -5.38

 

CMYK 17 / 6 / 0 / 7

HEX #C5DFEC

RGB 197 223 236

HSL 200, 0.51%, 0.85%

LAB 87.34, -5.92, -9.25

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 17 / 14 / 0 / 7

HEX #C5CAEC

RGB 197 202 236

HSL 232.31, 0.51%, 0.85%

LAB 81.93, 5.1, -17.34

 

CMYK 14 / 17 / 0 / 7

HEX #CAC5EC

RGB 202 197 236

HSL 247.69, 0.51%, 0.85%

LAB 81.04, 9.36, -18.65

 

CMYK 38 / 23 / 0 / 15

HEX #86A6D8

RGB 134 166 216

HSL 216.59, 0.51%, 0.69%

LAB 67.5, 1.39, -28.87

 

CMYK 27 / 16 / 0 / 11

HEX #A6BDE2

RGB 166 189 226

HSL 217, 0.51%, 0.77%

LAB 76.07, 0.37, -21.05

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 7 / 4 / 0 / 4

HEX #E4EBF6

RGB 228 235 246

HSL 216.67, 0.5%, 0.93%

LAB 92.82, -0.27, -6.13

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 3 / 17 / 0 / 7

HEX #E4C5EC

RGB 228 197 236

HSL 287.69, 0.51%, 0.85%

LAB 83.17, 17.76, -15.23

 

CMYK 3 / 0 / 17 / 7

HEX #E4ECC5

RGB 228 236 197

HSL 72.31, 0.51%, 0.85%

LAB 91.92, -9.22, 18.04

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 0 / 17 / 10 / 7

HEX #ECC5D4

RGB 236 197 212

HSL 336.92, 0.51%, 0.85%

LAB 83.19, 16.21, -2.3

 

CMYK 10 / 0 / 17 / 7

HEX #D4ECC5

RGB 212 236 197

HSL 96.92, 0.51%, 0.85%

LAB 90.79, -14.81, 16.29

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 3 / 17 / 0 / 7

HEX #E4C5EC

RGB 228 197 236

HSL 287.69, 0.51%, 0.85%

LAB 83.17, 17.76, -15.23

 

CMYK 0 / 7 / 17 / 7

HEX #ECDCC5

RGB 236 220 197

HSL 35.38, 0.51%, 0.85%

LAB 88.47, 1.79, 13.27

 

CMYK 13 / 0 / 17 / 7

HEX #CDECC5

RGB 205 236 197

HSL 107.69, 0.51%, 0.85%

LAB 90.32, -17.2, 15.56

 

CMYK 17 / 10 / 0 / 7

HEX #C5D4EC

RGB 197 212 236

HSL 216.92, 0.51%, 0.85%

LAB 84.49, -0.2, -13.5

 

CMYK 0 / 17 / 2 / 7

HEX #ECC5E8

RGB 236 197 232

HSL 306.15, 0.51%, 0.85%

LAB 83.75, 19.67, -12.15

 

CMYK 0 / 7 / 17 / 7

HEX #ECDCC5

RGB 236 220 197

HSL 35.38, 0.51%, 0.85%

LAB 88.47, 1.79, 13.27

 

CMYK 17 / 0 / 15 / 7

HEX #C5ECC9

RGB 197 236 201

HSL 126.15, 0.51%, 0.85%

LAB 89.9, -19.2, 12.81

 

Description

Color code: HEX #C5D4EC | qconv.com Color code: HEX #C5D4EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 212 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 212 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 10 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 10% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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