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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5A194 it is the complementary color #4A5E6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5A194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B5A194: #BAA18F, #CBB3A2, #DCC5B5, #EDD7C8 and #FEE9DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5A194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B5A194: #B5A194, #A48F81, #937D6E, #826B5B and #715948

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 18 / 29

HEX #B5A194

RGB 181 161 148

HSL 23.64, 0.18%, 0.65%

LAB 67.61, 5.16, 9.43

 

Complementary color

CMYK 31 / 12 / 0 / 58

HEX #4A5E6B

RGB 74 94 107

HSL 203.64, 0.18%, 0.35%

LAB 38.76, -4.17, -9.87

 

CMYK 0 / 13 / 23 / 27

HEX #BAA18F

RGB 186 161 143

HSL 25.12, 0.24%, 0.65%

LAB 67.96, 6.31, 12.75

 

CMYK 0 / 12 / 20 / 20

HEX #CBB3A2

RGB 203 179 162

HSL 24.88, 0.28%, 0.72%

LAB 74.54, 5.9, 11.83

 

CMYK 0 / 10 / 18 / 14

HEX #DCC5B5

RGB 220 197 181

HSL 24.62, 0.36%, 0.79%

LAB 81.01, 5.53, 10.97

 

CMYK 0 / 9 / 16 / 7

HEX #EDD7C8

RGB 237 215 200

HSL 24.32, 0.51%, 0.86%

LAB 87.38, 5.2, 10.15

 

CMYK 0 / 8 / 14 / 0

HEX #FEE9DB

RGB 254 233 219

HSL 24, 0.95%, 0.93%

LAB 93.65, 4.89, 9.37

 

CMYK 0 / 11 / 18 / 29

HEX #B5A194

RGB 181 161 148

HSL 23.64, 0.18%, 0.65%

LAB 67.61, 5.16, 9.43

 

CMYK 0 / 13 / 21 / 36

HEX #A48F81

RGB 164 143 129

HSL 24, 0.16%, 0.57%

LAB 60.89, 5.55, 10.33

 

CMYK 0 / 15 / 25 / 42

HEX #937D6E

RGB 147 125 110

HSL 24.32, 0.15%, 0.5%

LAB 54.02, 6.01, 11.31

 

CMYK 0 / 18 / 30 / 49

HEX #826B5B

RGB 130 107 91

HSL 24.62, 0.18%, 0.43%

LAB 47, 6.55, 12.39

 

CMYK 0 / 21 / 36 / 56

HEX #715948

RGB 113 89 72

HSL 24.88, 0.22%, 0.36%

LAB 39.79, 7.21, 13.59

 

CMYK 0 / 11 / 18 / 29

HEX #B5A194

RGB 181 161 148

HSL 23.64, 0.18%, 0.65%

LAB 67.61, 5.16, 9.43

 

CMYK 0 / 8 / 18 / 29

HEX #B5A795

RGB 181 167 149

HSL 33.75, 0.18%, 0.65%

LAB 69.21, 2.04, 11.13

 

CMYK 0 / 5 / 18 / 29

HEX #B5AC95

RGB 181 172 149

HSL 43.13, 0.18%, 0.65%

LAB 70.52, -0.66, 12.99

 

CMYK 0 / 2 / 18 / 29

HEX #B5B295

RGB 181 178 149

HSL 54.38, 0.18%, 0.65%

LAB 72.12, -3.87, 15.23

 

CMYK 1 / 0 / 18 / 29

HEX #B4B595

RGB 180 181 149

HSL 61.88, 0.18%, 0.65%

LAB 72.84, -5.84, 16.23

 

CMYK 0 / 11 / 18 / 29

HEX #B5A194

RGB 181 161 148

HSL 23.64, 0.18%, 0.65%

LAB 67.61, 5.16, 9.43

 

CMYK 0 / 11 / 18 / 9

HEX #E8CEBE

RGB 232 206 190

HSL 22.86, 0.48%, 0.83%

LAB 84.49, 6.56, 11.27

 

CMYK 0 / 11 / 18 / 89

HEX #1C1917

RGB 28 25 23

HSL 24, 0.1%, 0.1%

LAB 9.02, 1, 1.93

 

CMYK 0 / 11 / 18 / 69

HEX #4F4641

RGB 79 70 65

HSL 21.43, 0.1%, 0.28%

LAB 30.46, 2.83, 4.4

 

CMYK 0 / 11 / 18 / 49

HEX #82746A

RGB 130 116 106

HSL 25, 0.1%, 0.46%

LAB 49.83, 3.66, 7.5

 

CMYK 0 / 11 / 18 / 29

HEX #B5A194

RGB 181 161 148

HSL 23.64, 0.18%, 0.65%

LAB 67.61, 5.16, 9.43

 

CMYK 10 / 0 / 18 / 29

HEX #A3B595

RGB 163 181 149

HSL 93.75, 0.18%, 0.65%

LAB 71.56, -12.15, 14.24

 

CMYK 18 / 17 / 0 / 29

HEX #9596B5

RGB 149 150 181

HSL 238.13, 0.18%, 0.65%

LAB 62.96, 6.19, -16.22

 

CMYK 0 / 11 / 18 / 29

HEX #B5A194

RGB 181 161 148

HSL 23.64, 0.18%, 0.65%

LAB 67.61, 5.16, 9.43

 

CMYK 18 / 0 / 10 / 29

HEX #95B5A2

RGB 149 181 162

HSL 144.38, 0.18%, 0.65%

LAB 70.9, -14.7, 6.08

 

CMYK 10 / 18 / 0 / 29

HEX #A295B5

RGB 162 149 181

HSL 264.38, 0.18%, 0.65%

LAB 63.76, 11.08, -14.9

 

CMYK 0 / 11 / 18 / 29

HEX #B5A194

RGB 181 161 148

HSL 23.64, 0.18%, 0.65%

LAB 67.61, 5.16, 9.43

 

CMYK 10 / 0 / 18 / 29

HEX #A3B595

RGB 163 181 149

HSL 93.75, 0.18%, 0.65%

LAB 71.56, -12.15, 14.24

 

CMYK 18 / 7 / 0 / 29

HEX #95A9B5

RGB 149 169 181

HSL 202.5, 0.18%, 0.65%

LAB 68.1, -4.36, -8.51

 

CMYK 7 / 18 / 0 / 29

HEX #A895B5

RGB 168 149 181

HSL 275.63, 0.18%, 0.65%

LAB 64.29, 13.12, -14.06

 

CMYK 0 / 11 / 18 / 29

HEX #B5A194

RGB 181 161 148

HSL 23.64, 0.18%, 0.65%

LAB 67.61, 5.16, 9.43

 

CMYK 15 / 0 / 18 / 29

HEX #99B595

RGB 153 181 149

HSL 112.5, 0.18%, 0.65%

LAB 70.86, -15.74, 13.17

 

CMYK 18 / 7 / 0 / 29

HEX #95A9B5

RGB 149 169 181

HSL 202.5, 0.18%, 0.65%

LAB 68.1, -4.36, -8.51

 

CMYK 2 / 18 / 0 / 29

HEX #B295B5

RGB 178 149 181

HSL 294.38, 0.18%, 0.65%

LAB 65.2, 16.56, -12.6

 

Description

Color code: HEX #B5A194 | qconv.com Color code: HEX #B5A194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 161 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 161 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 18 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 18% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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