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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B59C91 it is the complementary color #4A636E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B59C91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B59C91 shade: #BA9C8C, #CBAE9F, #DCC0B2, #EDD2C5 and #FEE4D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B59C91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B59C91 shade: #B59C91, #A48A7E, #93786B, #826658 and #715445

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B59C91 shade: #B69C91, #B69291 and #B69191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B59C91 shade: #B69C91, #B6A691, #B6B091, #B1B691 and #A7B691

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B59C91 shade matches the following richer shades: #B69C91, #C49682, #D39173, #E28B64 and #F18555

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B59C91 shade: #B69C91, #A7A2A0, #98A8AF, #89ADBD and #7AB3CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B59C91 shade: #B69199, #B69291, #B69C91, #B6A691 and #B6AF91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B59C91 shade: #927062, #A58678, #B69C91, #C6B2AA and #D7C9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B59C91 shade: #B59C91, #A3B691 and #9195B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B59C91 shade: #B59C91, #91B69C and #9C91B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B59C91 shade: #B59C91, #A3B691, #91ABB6 and #A391B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B59C91 shade: #B59C91, #98B691, #91ABB6 and #AE91B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 20 / 29

HEX #B59C91

RGB 181 156 145

HSL 18.33, 0.2%, 0.64%

LAB 66.25, 7.43, 9.16

 

Complementary color

CMYK 33 / 10 / 0 / 57

HEX #4A636E

RGB 74 99 110

HSL 198.33, 0.2%, 0.36%

LAB 40.42, -6.36, -9.23

 

CMYK 0 / 16 / 25 / 27

HEX #BA9C8C

RGB 186 156 140

HSL 20.87, 0.25%, 0.64%

LAB 66.6, 8.61, 12.51

 

CMYK 0 / 14 / 22 / 20

HEX #CBAE9F

RGB 203 174 159

HSL 20.45, 0.3%, 0.71%

LAB 73.2, 8.14, 11.58

 

CMYK 0 / 13 / 19 / 14

HEX #DCC0B2

RGB 220 192 178

HSL 20, 0.38%, 0.78%

LAB 79.69, 7.72, 10.7

 

CMYK 0 / 11 / 17 / 7

HEX #EDD2C5

RGB 237 210 197

HSL 19.5, 0.53%, 0.85%

LAB 86.07, 7.34, 9.87

 

CMYK 0 / 10 / 15 / 0

HEX #FEE4D8

RGB 254 228 216

HSL 18.95, 0.95%, 0.92%

LAB 92.36, 6.99, 9.08

 

CMYK 0 / 14 / 20 / 29

HEX #B59C91

RGB 181 156 145

HSL 18.33, 0.2%, 0.64%

LAB 66.25, 7.43, 9.16

 

CMYK 0 / 16 / 23 / 36

HEX #A48A7E

RGB 164 138 126

HSL 18.95, 0.17%, 0.57%

LAB 59.5, 7.9, 10.08

 

CMYK 0 / 18 / 27 / 42

HEX #93786B

RGB 147 120 107

HSL 19.5, 0.16%, 0.5%

LAB 52.62, 8.43, 11.08

 

CMYK 0 / 22 / 32 / 49

HEX #826658

RGB 130 102 88

HSL 20, 0.19%, 0.43%

LAB 45.57, 9.06, 12.19

 

CMYK 0 / 26 / 39 / 56

HEX #715445

RGB 113 84 69

HSL 20.45, 0.24%, 0.36%

LAB 38.34, 9.83, 13.45

 

CMYK 0 / 14 / 20 / 29

HEX #B69C91

RGB 182 156 145

HSL 17.84, 0.2%, 0.64%

LAB 66.34, 7.82, 9.3

 

CMYK 0 / 20 / 20 / 29

HEX #B69291

RGB 182 146 145

HSL 1.62, 0.2%, 0.64%

LAB 63.79, 13.36, 5.66

 

CMYK 0 / 20 / 20 / 29

HEX #B69191

RGB 182 145 145

HSL 0, 0.2%, 0.64%

LAB 63.54, 13.91, 5.3

 

CMYK 0 / 14 / 20 / 29

HEX #B69C91

RGB 182 156 145

HSL 17.84, 0.2%, 0.64%

LAB 66.34, 7.82, 9.3

 

CMYK 0 / 9 / 20 / 29

HEX #B6A691

RGB 182 166 145

HSL 34.05, 0.2%, 0.64%

LAB 68.94, 2.34, 12.98

 

CMYK 0 / 3 / 20 / 29

HEX #B6B091

RGB 182 176 145

HSL 50.27, 0.2%, 0.64%

LAB 71.58, -3.04, 16.67

 

CMYK 3 / 0 / 20 / 29

HEX #B1B691

RGB 177 182 145

HSL 68.11, 0.2%, 0.64%

LAB 72.79, -8.12, 18.29

 

CMYK 8 / 0 / 20 / 29

HEX #A7B691

RGB 167 182 145

HSL 84.32, 0.2%, 0.64%

LAB 72.04, -11.86, 17.13

 

CMYK 0 / 14 / 20 / 29

HEX #B69C91

RGB 182 156 145

HSL 17.84, 0.2%, 0.64%

LAB 66.34, 7.82, 9.3

 

CMYK 0 / 23 / 34 / 23

HEX #C49682

RGB 196 150 130

HSL 18.18, 0.36%, 0.64%

LAB 65.87, 14.47, 17.21

 

CMYK 0 / 31 / 45 / 17

HEX #D39173

RGB 211 145 115

HSL 18.75, 0.52%, 0.64%

LAB 66.01, 21.46, 25.98

 

CMYK 0 / 38 / 56 / 11

HEX #E28B64

RGB 226 139 100

HSL 18.57, 0.68%, 0.64%

LAB 66.18, 29.32, 34.72

 

CMYK 0 / 45 / 65 / 5

HEX #F18555

RGB 241 133 85

HSL 18.46, 0.85%, 0.64%

LAB 66.62, 37.3, 43.64

 

CMYK 0 / 14 / 20 / 29

HEX #B69C91

RGB 182 156 145

HSL 17.84, 0.2%, 0.64%

LAB 66.34, 7.82, 9.3

 

CMYK 0 / 3 / 4 / 35

HEX #A7A2A0

RGB 167 162 160

HSL 17.14, 0.04%, 0.64%

LAB 66.97, 1.43, 1.67

 

CMYK 13 / 4 / 0 / 31

HEX #98A8AF

RGB 152 168 175

HSL 198.26, 0.13%, 0.64%

LAB 67.86, -4.13, -5.52

 

CMYK 28 / 8 / 0 / 26

HEX #89ADBD

RGB 137 173 189

HSL 198.46, 0.28%, 0.64%

LAB 68.66, -8.45, -12.17

 

CMYK 40 / 12 / 0 / 20

HEX #7AB3CC

RGB 122 179 204

HSL 198.29, 0.45%, 0.64%

LAB 69.99, -12.12, -18.52

 

CMYK 0 / 20 / 16 / 29

HEX #B69199

RGB 182 145 153

HSL 347.03, 0.2%, 0.64%

LAB 63.75, 15.2, 1.08

 

CMYK 0 / 20 / 20 / 29

HEX #B69291

RGB 182 146 145

HSL 1.62, 0.2%, 0.64%

LAB 63.79, 13.36, 5.66

 

CMYK 0 / 14 / 20 / 29

HEX #B69C91

RGB 182 156 145

HSL 17.84, 0.2%, 0.64%

LAB 66.34, 7.82, 9.3

 

CMYK 0 / 9 / 20 / 29

HEX #B6A691

RGB 182 166 145

HSL 34.05, 0.2%, 0.64%

LAB 68.94, 2.34, 12.98

 

CMYK 0 / 4 / 20 / 29

HEX #B6AF91

RGB 182 175 145

HSL 48.65, 0.2%, 0.64%

LAB 71.32, -2.51, 16.3

 

CMYK 0 / 23 / 33 / 43

HEX #927062

RGB 146 112 98

HSL 17.5, 0.2%, 0.48%

LAB 50.19, 11.35, 12.95

 

CMYK 0 / 19 / 27 / 35

HEX #A58678

RGB 165 134 120

HSL 18.67, 0.2%, 0.56%

LAB 58.42, 9.65, 11.99

 

CMYK 0 / 14 / 20 / 29

HEX #B69C91

RGB 182 156 145

HSL 17.84, 0.2%, 0.64%

LAB 66.34, 7.82, 9.3

 

CMYK 0 / 10 / 14 / 22

HEX #C6B2AA

RGB 198 178 170

HSL 17.14, 0.2%, 0.72%

LAB 74.03, 5.83, 6.68

 

CMYK 0 / 7 / 10 / 16

HEX #D7C9C2

RGB 215 201 194

HSL 20, 0.21%, 0.8%

LAB 81.9, 3.69, 5.24

 

CMYK 0 / 14 / 20 / 29

HEX #B59C91

RGB 181 156 145

HSL 18.33, 0.2%, 0.64%

LAB 66.25, 7.43, 9.16

 

CMYK 10 / 0 / 20 / 29

HEX #A3B691

RGB 163 182 145

HSL 90.81, 0.2%, 0.64%

LAB 71.75, -13.33, 16.68

 

CMYK 20 / 18 / 0 / 29

HEX #9195B6

RGB 145 149 182

HSL 233.51, 0.2%, 0.64%

LAB 62.42, 5.68, -17.64

 

CMYK 0 / 14 / 20 / 29

HEX #B59C91

RGB 181 156 145

HSL 18.33, 0.2%, 0.64%

LAB 66.25, 7.43, 9.16

 

CMYK 20 / 0 / 14 / 29

HEX #91B69C

RGB 145 182 156

HSL 137.84, 0.2%, 0.64%

LAB 70.79, -17.73, 9.16

 

CMYK 14 / 20 / 0 / 29

HEX #9C91B6

RGB 156 145 182

HSL 257.84, 0.2%, 0.64%

LAB 62.25, 11.56, -17.81

 

CMYK 0 / 14 / 20 / 29

HEX #B59C91

RGB 181 156 145

HSL 18.33, 0.2%, 0.64%

LAB 66.25, 7.43, 9.16

 

CMYK 10 / 0 / 20 / 29

HEX #A3B691

RGB 163 182 145

HSL 90.81, 0.2%, 0.64%

LAB 71.75, -13.33, 16.68

 

CMYK 20 / 6 / 0 / 29

HEX #91ABB6

RGB 145 171 182

HSL 197.84, 0.2%, 0.64%

LAB 68.4, -6.51, -8.64

 

CMYK 10 / 20 / 0 / 29

HEX #A391B6

RGB 163 145 182

HSL 269.19, 0.2%, 0.64%

LAB 62.86, 13.9, -16.83

 

CMYK 0 / 14 / 20 / 29

HEX #B59C91

RGB 181 156 145

HSL 18.33, 0.2%, 0.64%

LAB 66.25, 7.43, 9.16

 

CMYK 16 / 0 / 20 / 29

HEX #98B691

RGB 152 182 145

HSL 108.65, 0.2%, 0.64%

LAB 70.99, -17.31, 15.51

 

CMYK 20 / 6 / 0 / 29

HEX #91ABB6

RGB 145 171 182

HSL 197.84, 0.2%, 0.64%

LAB 68.4, -6.51, -8.64

 

CMYK 4 / 20 / 0 / 29

HEX #AE91B6

RGB 174 145 182

HSL 287.03, 0.2%, 0.64%

LAB 63.86, 17.63, -15.22

 

Description

Color code: HEX #B59C91 | qconv.com Color code: HEX #B59C91 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 156 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 156 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 20 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 20% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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