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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 4 / 20 / 0 / 29 it is the complementary color CMYK 26 / 0 / 33 / 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 4 / 20 / 0 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 4 / 20 / 0 / 29: CMYK 0 / 19 / 2 / 30, CMYK 0 / 17 / 1 / 23, CMYK 0 / 15 / 0 / 16, CMYK 1 / 15 / 0 / 9 and CMYK 2 / 14 / 0 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 4 / 20 / 0 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 4 / 20 / 0 / 29: CMYK 4 / 20 / 0 / 29, CMYK 3 / 22 / 0 / 36, CMYK 2 / 24 / 0 / 44, CMYK 1 / 27 / 0 / 51 and CMYK 0 / 31 / 1 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 20 / 0 / 29

HEX #AE91B5

RGB 174 145 181

HSL 288.33, 0.2%, 0.64%

LAB 63.82, 17.43, -14.71

 

Complementary color

CMYK 26 / 0 / 33 / 57

HEX #516E4A

RGB 81 110 74

HSL 108.33, 0.2%, 0.36%

LAB 43.35, -18.19, 16.77

 

CMYK 0 / 19 / 2 / 30

HEX #B391B0

RGB 179 145 176

HSL 305.29, 0.18%, 0.64%

LAB 64.14, 18.19, -11.37

 

CMYK 0 / 17 / 1 / 23

HEX #C4A3C3

RGB 196 163 195

HSL 301.82, 0.22%, 0.7%

LAB 70.78, 17.69, -11.85

 

CMYK 0 / 15 / 0 / 16

HEX #D5B5D6

RGB 213 181 214

HSL 298.18, 0.29%, 0.77%

LAB 77.31, 17.22, -12.31

 

CMYK 1 / 15 / 0 / 9

HEX #E6C7E9

RGB 230 199 233

HSL 294.71, 0.44%, 0.85%

LAB 83.73, 16.79, -12.77

 

CMYK 2 / 14 / 0 / 1

HEX #F7D9FC

RGB 247 217 252

HSL 291.43, 0.85%, 0.92%

LAB 90.06, 16.39, -13.21

 

CMYK 4 / 20 / 0 / 29

HEX #AE91B5

RGB 174 145 181

HSL 288.33, 0.2%, 0.64%

LAB 63.82, 17.43, -14.71

 

CMYK 3 / 22 / 0 / 36

HEX #9D7FA2

RGB 157 127 162

HSL 291.43, 0.16%, 0.57%

LAB 57.03, 17.96, -14.3

 

CMYK 2 / 24 / 0 / 44

HEX #8C6D8F

RGB 140 109 143

HSL 294.71, 0.13%, 0.49%

LAB 50.09, 18.55, -13.89

 

CMYK 1 / 27 / 0 / 51

HEX #7B5B7C

RGB 123 91 124

HSL 298.18, 0.15%, 0.42%

LAB 42.99, 19.2, -13.46

 

CMYK 0 / 31 / 1 / 58

HEX #6A4969

RGB 106 73 105

HSL 301.82, 0.18%, 0.35%

LAB 35.69, 19.93, -13.01

 

CMYK 4 / 20 / 0 / 29

HEX #AE91B5

RGB 174 145 181

HSL 288.33, 0.2%, 0.64%

LAB 63.82, 17.43, -14.71

 

CMYK 1 / 20 / 0 / 29

HEX #B490B5

RGB 180 144 181

HSL 298.38, 0.2%, 0.64%

LAB 64.15, 20.06, -14.16

 

CMYK 0 / 20 / 3 / 29

HEX #B590B0

RGB 181 144 176

HSL 308.11, 0.2%, 0.64%

LAB 64.08, 19.45, -11.43

 

CMYK 0 / 20 / 6 / 29

HEX #B590AA

RGB 181 144 170

HSL 317.84, 0.2%, 0.64%

LAB 63.89, 18.34, -8.33

 

CMYK 0 / 20 / 9 / 29

HEX #B590A4

RGB 181 144 164

HSL 327.57, 0.2%, 0.64%

LAB 63.71, 17.26, -5.21

 

CMYK 4 / 20 / 0 / 29

HEX #AE91B5

RGB 174 145 181

HSL 288.33, 0.2%, 0.64%

LAB 63.82, 17.43, -14.71

 

CMYK 4 / 20 / 0 / 9

HEX #DFBAE8

RGB 223 186 232

HSL 288.26, 0.5%, 0.82%

LAB 79.97, 21.25, -17.94

 

CMYK 4 / 21 / 0 / 89

HEX #1B161C

RGB 27 22 28

HSL 290, 0.12%, 0.1%

LAB 8.05, 4, -3.3

 

CMYK 4 / 20 / 0 / 69

HEX #4C3F4F

RGB 76 63 79

HSL 288.75, 0.11%, 0.28%

LAB 28.53, 9.01, -7.56

 

CMYK 4 / 20 / 0 / 49

HEX #7D6882

RGB 125 104 130

HSL 288.46, 0.11%, 0.46%

LAB 46.81, 13.39, -11.28

 

CMYK 4 / 20 / 0 / 29

HEX #AE91B5

RGB 174 145 181

HSL 288.33, 0.2%, 0.64%

LAB 63.82, 17.43, -14.71

 

CMYK 0 / 20 / 20 / 29

HEX #B59090

RGB 181 144 144

HSL 0, 0.2%, 0.64%

LAB 63.16, 13.93, 5.31

 

CMYK 20 / 0 / 12 / 29

HEX #90B59F

RGB 144 181 159

HSL 144.32, 0.2%, 0.64%

LAB 70.51, -16.97, 7.12

 

CMYK 4 / 20 / 0 / 29

HEX #AE91B5

RGB 174 145 181

HSL 288.33, 0.2%, 0.64%

LAB 63.82, 17.43, -14.71

 

CMYK 0 / 4 / 20 / 29

HEX #B5AE90

RGB 181 174 144

HSL 48.65, 0.2%, 0.64%

LAB 70.95, -2.51, 16.32

 

CMYK 20 / 0 / 4 / 29

HEX #90B5AE

RGB 144 181 174

HSL 168.65, 0.2%, 0.64%

LAB 70.89, -13.9, -0.56

 

CMYK 4 / 20 / 0 / 29

HEX #AE91B5

RGB 174 145 181

HSL 288.33, 0.2%, 0.64%

LAB 63.82, 17.43, -14.71

 

CMYK 0 / 20 / 20 / 29

HEX #B59090

RGB 181 144 144

HSL 0, 0.2%, 0.64%

LAB 63.16, 13.93, 5.31

 

CMYK 16 / 0 / 20 / 29

HEX #98B590

RGB 152 181 144

HSL 107.03, 0.2%, 0.64%

LAB 70.69, -16.97, 15.63

 

CMYK 20 / 0 / 0 / 29

HEX #90B5B5

RGB 144 181 181

HSL 180, 0.2%, 0.64%

LAB 71.09, -12.39, -4.12

 

CMYK 4 / 20 / 0 / 29

HEX #AE91B5

RGB 174 145 181

HSL 288.33, 0.2%, 0.64%

LAB 63.82, 17.43, -14.71

 

CMYK 0 / 14 / 20 / 29

HEX #B59B90

RGB 181 155 144

HSL 17.84, 0.2%, 0.64%

LAB 65.97, 7.83, 9.31

 

CMYK 16 / 0 / 20 / 29

HEX #98B590

RGB 152 181 144

HSL 107.03, 0.2%, 0.64%

LAB 70.69, -16.97, 15.63

 

CMYK 20 / 6 / 0 / 29

HEX #90AAB5

RGB 144 170 181

HSL 197.84, 0.2%, 0.64%

LAB 68.03, -6.52, -8.64

 

Description

Color code: CMYK 4 / 20 / 0 / 29 | qconv.com Color code: CMYK 4 / 20 / 0 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 145 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 145 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 20 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 20% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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