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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B59B93 it is the complementary color #4A646C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B59B93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B59B93: #BA9B8E, #CBADA1, #DCBFB4, #EDD1C7 and #FEE3DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B59B93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B59B93: #B59B93, #A48980, #93776D, #82655A and #715347

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 19 / 29

HEX #B59B93

RGB 181 155 147

HSL 14.12, 0.19%, 0.64%

LAB 66.04, 8.3, 7.74

 

Complementary color

CMYK 31 / 7 / 0 / 58

HEX #4A646C

RGB 74 100 108

HSL 194.12, 0.19%, 0.36%

LAB 40.66, -7.49, -7.64

 

CMYK 0 / 17 / 24 / 27

HEX #BA9B8E

RGB 186 155 142

HSL 17.73, 0.24%, 0.64%

LAB 66.39, 9.46, 11.1

 

CMYK 0 / 15 / 21 / 20

HEX #CBADA1

RGB 203 173 161

HSL 17.14, 0.29%, 0.71%

LAB 73, 8.98, 10.19

 

CMYK 0 / 13 / 18 / 14

HEX #DCBFB4

RGB 220 191 180

HSL 16.5, 0.36%, 0.78%

LAB 79.48, 8.55, 9.33

 

CMYK 0 / 12 / 16 / 7

HEX #EDD1C7

RGB 237 209 199

HSL 15.79, 0.51%, 0.85%

LAB 85.87, 8.17, 8.52

 

CMYK 0 / 11 / 14 / 0

HEX #FEE3DA

RGB 254 227 218

HSL 15, 0.95%, 0.93%

LAB 92.16, 7.82, 7.76

 

CMYK 0 / 14 / 19 / 29

HEX #B59B93

RGB 181 155 147

HSL 14.12, 0.19%, 0.64%

LAB 66.04, 8.3, 7.74

 

CMYK 0 / 16 / 22 / 36

HEX #A48980

RGB 164 137 128

HSL 15, 0.17%, 0.57%

LAB 59.29, 8.77, 8.64

 

CMYK 0 / 19 / 26 / 42

HEX #93776D

RGB 147 119 109

HSL 15.79, 0.15%, 0.5%

LAB 52.4, 9.31, 9.61

 

CMYK 0 / 22 / 31 / 49

HEX #82655A

RGB 130 101 90

HSL 16.5, 0.18%, 0.43%

LAB 45.35, 9.94, 10.69

 

CMYK 0 / 27 / 37 / 56

HEX #715347

RGB 113 83 71

HSL 17.14, 0.23%, 0.36%

LAB 38.11, 10.71, 11.91

 

CMYK 0 / 14 / 19 / 29

HEX #B59B93

RGB 181 155 147

HSL 14.12, 0.19%, 0.64%

LAB 66.04, 8.3, 7.74

 

CMYK 0 / 12 / 19 / 29

HEX #B49F91

RGB 180 159 145

HSL 24, 0.19%, 0.64%

LAB 66.93, 5.4, 10.12

 

CMYK 0 / 8 / 19 / 29

HEX #B4A591

RGB 180 165 145

HSL 34.29, 0.19%, 0.64%

LAB 68.5, 2.12, 12.34

 

CMYK 0 / 5 / 19 / 29

HEX #B4AB91

RGB 180 171 145

HSL 44.57, 0.19%, 0.64%

LAB 70.09, -1.13, 14.56

 

CMYK 0 / 2 / 19 / 29

HEX #B4B191

RGB 180 177 145

HSL 54.86, 0.19%, 0.64%

LAB 71.69, -4.34, 16.79

 

CMYK 0 / 14 / 19 / 29

HEX #B59B93

RGB 181 155 147

HSL 14.12, 0.19%, 0.64%

LAB 66.04, 8.3, 7.74

 

CMYK 0 / 14 / 19 / 9

HEX #E8C7BC

RGB 232 199 188

HSL 15, 0.49%, 0.82%

LAB 82.72, 9.93, 9.81

 

CMYK 0 / 14 / 18 / 89

HEX #1C1817

RGB 28 24 23

HSL 12, 0.1%, 0.1%

LAB 8.67, 1.75, 1.42

 

CMYK 0 / 14 / 19 / 69

HEX #4F4440

RGB 79 68 64

HSL 16, 0.1%, 0.28%

LAB 29.83, 3.92, 4.14

 

CMYK 0 / 15 / 18 / 49

HEX #826F6A

RGB 130 111 106

HSL 12.5, 0.1%, 0.46%

LAB 48.46, 6.58, 5.53

 

CMYK 0 / 14 / 19 / 29

HEX #B59B93

RGB 181 155 147

HSL 14.12, 0.19%, 0.64%

LAB 66.04, 8.3, 7.74

 

CMYK 8 / 0 / 19 / 29

HEX #A5B491

RGB 165 180 145

HSL 85.71, 0.19%, 0.64%

LAB 71.34, -11.56, 16.14

 

CMYK 19 / 16 / 0 / 29

HEX #9197B4

RGB 145 151 180

HSL 229.71, 0.19%, 0.64%

LAB 62.88, 4.09, -15.8

 

CMYK 0 / 14 / 19 / 29

HEX #B59B93

RGB 181 155 147

HSL 14.12, 0.19%, 0.64%

LAB 66.04, 8.3, 7.74

 

CMYK 19 / 0 / 15 / 29

HEX #91B499

RGB 145 180 153

HSL 133.71, 0.19%, 0.64%

LAB 70.15, -17.28, 9.9

 

CMYK 15 / 19 / 0 / 29

HEX #9991B4

RGB 153 145 180

HSL 253.71, 0.19%, 0.64%

LAB 61.93, 10.12, -17.19

 

CMYK 0 / 14 / 19 / 29

HEX #B59B93

RGB 181 155 147

HSL 14.12, 0.19%, 0.64%

LAB 66.04, 8.3, 7.74

 

CMYK 8 / 0 / 19 / 29

HEX #A5B491

RGB 165 180 145

HSL 85.71, 0.19%, 0.64%

LAB 71.34, -11.56, 16.14

 

CMYK 19 / 4 / 0 / 29

HEX #91ACB4

RGB 145 172 180

HSL 193.71, 0.19%, 0.64%

LAB 68.62, -7.5, -7.21

 

CMYK 11 / 19 / 0 / 29

HEX #A091B4

RGB 160 145 180

HSL 265.71, 0.19%, 0.64%

LAB 62.52, 12.46, -16.23

 

CMYK 0 / 14 / 19 / 29

HEX #B59B93

RGB 181 155 147

HSL 14.12, 0.19%, 0.64%

LAB 66.04, 8.3, 7.74

 

CMYK 14 / 0 / 19 / 29

HEX #9BB491

RGB 155 180 145

HSL 102.86, 0.19%, 0.64%

LAB 70.63, -15.21, 15.04

 

CMYK 19 / 4 / 0 / 29

HEX #91ACB4

RGB 145 172 180

HSL 193.71, 0.19%, 0.64%

LAB 68.62, -7.5, -7.21

 

CMYK 5 / 19 / 0 / 29

HEX #AB91B4

RGB 171 145 180

HSL 284.57, 0.19%, 0.64%

LAB 63.51, 16.2, -14.64

 

Description

Color code: HEX #B59B93 | qconv.com Color code: HEX #B59B93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 155 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 155 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 19 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 19% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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