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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B59526 it is the complementary color #4A6AD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B59526. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B59526 shade: #BA9521, #CBA734, #DCB947, #EDCB5A and #FEDD6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B59526. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B59526 shade: #B59526, #A48313, #937100, #825F00 and #714D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B59526 shade: #B59526, #B56F26, #B54826 and #B52626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B59526 shade: #B59526, #AEB526, #88B526, #62B526 and #3BB526

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B59526 shade matches the following richer shades: #B59526, #C79F15 and #D8A903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B59526 shade: #B59526, #A38B38, #91814A, #80785C and #6E6E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B59526 shade: #B54826, #B56E26, #B59426, #B0B526 and #8AB526

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B59526 shade: #715D18, #93791F, #B59526, #D3AF31 and #DBBC53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B59526 shade: #B59526, #2BB526 and #5B26B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B59526 shade: #B59526, #26B594 and #9426B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B59526 shade: #B59526, #2BB526, #2648B5 and #B026B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B59526 shade: #B59526, #26B54C, #2648B5 and #B5268F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

Complementary color

CMYK 66 / 51 / 0 / 15

HEX #4A6AD9

RGB 74 106 217

HSL 226.57, 0.65%, 0.57%

LAB 47.97, 24.12, -60.49

 

CMYK 0 / 20 / 82 / 27

HEX #BA9521

RGB 186 149 33

HSL 45.49, 0.7%, 0.43%

LAB 63.38, 3.03, 60.86

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 0 / 16 / 68 / 14

HEX #DCB947

RGB 220 185 71

HSL 45.91, 0.68%, 0.57%

LAB 76.29, 0.35, 60.26

 

CMYK 0 / 14 / 62 / 7

HEX #EDCB5A

RGB 237 203 90

HSL 46.12, 0.8%, 0.64%

LAB 82.62, -0.69, 59.32

 

CMYK 0 / 13 / 57 / 0

HEX #FEDD6D

RGB 254 221 109

HSL 46.34, 0.99%, 0.71%

LAB 88.87, -1.59, 58.23

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 0 / 20 / 88 / 36

HEX #A48313

RGB 164 131 19

HSL 46.34, 0.79%, 0.36%

LAB 56.26, 2.55, 57.87

 

CMYK 0 / 23 / 100 / 42

HEX #937100

RGB 147 113 0

HSL 46.12, 1%, 0.29%

LAB 49.51, 4.42, 55.87

 

CMYK 0 / 27 / 100 / 49

HEX #825F00

RGB 130 95 0

HSL 43.85, 1%, 0.25%

LAB 42.66, 6.73, 50.23

 

CMYK 0 / 32 / 100 / 56

HEX #714D00

RGB 113 77 0

HSL 40.88, 1%, 0.22%

LAB 35.63, 9.19, 44.47

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 0 / 39 / 79 / 29

HEX #B56F26

RGB 181 111 38

HSL 30.63, 0.65%, 0.43%

LAB 53.31, 21.99, 49.7

 

CMYK 0 / 60 / 79 / 29

HEX #B54826

RGB 181 72 38

HSL 14.27, 0.65%, 0.43%

LAB 45.08, 42.43, 41.68

 

CMYK 0 / 79 / 79 / 29

HEX #B52626

RGB 181 38 38

HSL 0, 0.65%, 0.43%

LAB 40.16, 55.8, 36.66

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 4 / 0 / 79 / 29

HEX #AEB526

RGB 174 181 38

HSL 62.94, 0.65%, 0.43%

LAB 71, -18.92, 65.65

 

CMYK 25 / 0 / 79 / 29

HEX #88B526

RGB 136 181 38

HSL 78.88, 0.65%, 0.43%

LAB 68.33, -34.7, 62.24

 

CMYK 46 / 0 / 79 / 29

HEX #62B526

RGB 98 181 38

HSL 94.83, 0.65%, 0.43%

LAB 66.35, -48.4, 59.69

 

CMYK 67 / 0 / 79 / 29

HEX #3BB526

RGB 59 181 38

HSL 111.19, 0.65%, 0.43%

LAB 65.06, -58.69, 58.01

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 0 / 20 / 89 / 22

HEX #C79F15

RGB 199 159 21

HSL 46.52, 0.81%, 0.43%

LAB 67.27, 3.13, 67.69

 

CMYK 0 / 22 / 99 / 15

HEX #D8A903

RGB 216 169 3

HSL 46.76, 0.97%, 0.43%

LAB 71.54, 5.08, 74.24

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 0 / 15 / 66 / 36

HEX #A38B38

RGB 163 139 56

HSL 46.54, 0.49%, 0.43%

LAB 58.54, -0.73, 46.38

 

CMYK 0 / 11 / 49 / 43

HEX #91814A

RGB 145 129 74

HSL 46.48, 0.32%, 0.43%

LAB 54.25, -1.69, 31.89

 

CMYK 0 / 6 / 28 / 50

HEX #80785C

RGB 128 120 92

HSL 46.67, 0.16%, 0.43%

LAB 50.45, -1.69, 16.52

 

CMYK 0 / 0 / 1 / 57

HEX #6E6E6D

RGB 110 110 109

HSL 60, 0%, 0.43%

LAB 46.41, -0.2, 0.55

 

CMYK 0 / 60 / 79 / 29

HEX #B54826

RGB 181 72 38

HSL 14.27, 0.65%, 0.43%

LAB 45.08, 42.43, 41.68

 

CMYK 0 / 39 / 79 / 29

HEX #B56E26

RGB 181 110 38

HSL 30.21, 0.65%, 0.43%

LAB 53.08, 22.54, 49.48

 

CMYK 0 / 18 / 79 / 29

HEX #B59426

RGB 181 148 38

HSL 46.15, 0.65%, 0.43%

LAB 62.63, 1.5, 58.36

 

CMYK 3 / 0 / 79 / 29

HEX #B0B526

RGB 176 181 38

HSL 62.1, 0.65%, 0.43%

LAB 71.16, -18.06, 65.85

 

CMYK 24 / 0 / 79 / 29

HEX #8AB526

RGB 138 181 38

HSL 78.04, 0.65%, 0.43%

LAB 68.45, -33.91, 62.4

 

CMYK 0 / 18 / 79 / 56

HEX #715D18

RGB 113 93 24

HSL 46.52, 0.65%, 0.27%

LAB 40.25, 0.36, 40.21

 

CMYK 0 / 18 / 79 / 42

HEX #93791F

RGB 147 121 31

HSL 46.55, 0.65%, 0.35%

LAB 51.81, 0.67, 49.64

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 0 / 17 / 77 / 17

HEX #D3AF31

RGB 211 175 49

HSL 46.67, 0.65%, 0.51%

LAB 72.71, 0.7, 64.92

 

CMYK 0 / 14 / 62 / 14

HEX #DBBC53

RGB 219 188 83

HSL 46.32, 0.65%, 0.59%

LAB 77.07, -0.91, 55.85

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 76 / 0 / 79 / 29

HEX #2BB526

RGB 43 181 38

HSL 117.9, 0.65%, 0.43%

LAB 64.72, -61.51, 57.57

 

CMYK 50 / 79 / 0 / 29

HEX #5B26B5

RGB 91 38 181

HSL 262.24, 0.65%, 0.43%

LAB 31.68, 54.36, -66.04

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 79 / 0 / 18 / 29

HEX #26B594

RGB 38 181 148

HSL 166.15, 0.65%, 0.43%

LAB 66.21, -44.29, 6.47

 

CMYK 18 / 79 / 0 / 29

HEX #9426B5

RGB 148 38 181

HSL 286.15, 0.65%, 0.43%

LAB 39.61, 63.74, -52.79

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 76 / 0 / 79 / 29

HEX #2BB526

RGB 43 181 38

HSL 117.9, 0.65%, 0.43%

LAB 64.72, -61.51, 57.57

 

CMYK 79 / 60 / 0 / 29

HEX #2648B5

RGB 38 72 181

HSL 225.73, 0.65%, 0.43%

LAB 34.77, 28.16, -61.15

 

CMYK 3 / 79 / 0 / 29

HEX #B026B5

RGB 176 38 181

HSL 297.9, 0.65%, 0.43%

LAB 44.16, 69.1, -45.23

 

CMYK 0 / 18 / 79 / 29

HEX #B59526

RGB 181 149 38

HSL 46.57, 0.65%, 0.43%

LAB 62.89, 0.96, 58.6

 

CMYK 79 / 0 / 58 / 29

HEX #26B54C

RGB 38 181 76

HSL 135.94, 0.65%, 0.43%

LAB 64.95, -58.48, 42.58

 

CMYK 79 / 60 / 0 / 29

HEX #2648B5

RGB 38 72 181

HSL 225.73, 0.65%, 0.43%

LAB 34.77, 28.16, -61.15

 

CMYK 0 / 79 / 21 / 29

HEX #B5268F

RGB 181 38 143

HSL 315.94, 0.65%, 0.43%

LAB 43.05, 64.57, -24.19

 

Description

Color code: HEX #B59526 | qconv.com Color code: HEX #B59526 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 149 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 149 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 79 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 79% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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