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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBA734 it is the complementary color #3458CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBA734. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBA734 shade: #D0A72F, #E1B942, #F2CB55, #FFDD68 and #FFEF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBA734. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBA734 shade: #CBA734, #BA9521, #A9830E, #987100 and #875F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBA734 shade: #CBA734, #CB7E34, #CB5634 and #CB3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBA734 shade: #CBA734, #C6CB34, #9DCB34, #75CB34 and #4CCB34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBA734 shade matches the following richer shades: #CBA734, #DFB220 and #F4BC0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBA734 shade: #CBA734, #B69C49, #A1915E, #8D8672 and #787C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBA734 shade: #CB5534, #CB7D34, #CBA534, #C8CB34 and #A0CB34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBA734 shade: #897123, #AA8C2C, #CBA734, #D3B555 and #DCC376

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBA734 shade: #CBA734, #3CCB34 and #6934CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBA734 shade: #CBA734, #34CBA5 and #A534CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBA734 shade: #CBA734, #3CCB34, #345ACB and #C334CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBA734 shade: #CBA734, #34CB5A, #345ACB and #CB34A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

Complementary color

CMYK 74 / 57 / 0 / 20

HEX #3458CB

RGB 52 88 203

HSL 225.7, 0.59%, 0.5%

LAB 41.25, 27.49, -63.41

 

CMYK 0 / 20 / 77 / 18

HEX #D0A72F

RGB 208 167 47

HSL 44.72, 0.63%, 0.5%

LAB 70.35, 3.56, 63.32

 

CMYK 0 / 18 / 71 / 12

HEX #E1B942

RGB 225 185 66

HSL 44.91, 0.73%, 0.57%

LAB 76.74, 2.23, 62.91

 

CMYK 0 / 16 / 65 / 5

HEX #F2CB55

RGB 242 203 85

HSL 45.1, 0.86%, 0.64%

LAB 83.04, 1.08, 62.09

 

CMYK 0 / 13 / 59 / 0

HEX #FFDD68

RGB 255 221 104

HSL 46.49, 1%, 0.7%

LAB 88.91, -1.53, 60.56

 

CMYK 0 / 6 / 52 / 0

HEX #FFEF7B

RGB 255 239 123

HSL 52.73, 1%, 0.74%

LAB 93.63, -9.13, 57.39

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 0 / 20 / 82 / 27

HEX #BA9521

RGB 186 149 33

HSL 45.49, 0.7%, 0.43%

LAB 63.38, 3.03, 60.86

 

CMYK 0 / 22 / 92 / 34

HEX #A9830E

RGB 169 131 14

HSL 45.29, 0.85%, 0.36%

LAB 56.78, 4.75, 59.62

 

CMYK 0 / 26 / 100 / 40

HEX #987100

RGB 152 113 0

HSL 44.61, 1%, 0.3%

LAB 50.08, 6.78, 56.53

 

CMYK 0 / 30 / 100 / 47

HEX #875F00

RGB 135 95 0

HSL 42.22, 1%, 0.26%

LAB 43.26, 9.14, 50.93

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 0 / 38 / 74 / 20

HEX #CB7E34

RGB 203 126 52

HSL 29.4, 0.59%, 0.5%

LAB 59.77, 23.8, 50.88

 

CMYK 0 / 58 / 74 / 20

HEX #CB5634

RGB 203 86 52

HSL 13.51, 0.59%, 0.5%

LAB 51.38, 44.52, 42.13

 

CMYK 0 / 74 / 74 / 20

HEX #CB3434

RGB 203 52 52

HSL 0, 0.59%, 0.5%

LAB 46.18, 58.54, 36.42

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 2 / 0 / 74 / 20

HEX #C6CB34

RGB 198 203 52

HSL 61.99, 0.59%, 0.5%

LAB 79.02, -19.12, 69.37

 

CMYK 23 / 0 / 74 / 20

HEX #9DCB34

RGB 157 203 52

HSL 78.28, 0.59%, 0.5%

LAB 76.15, -35.83, 65.63

 

CMYK 42 / 0 / 74 / 20

HEX #75CB34

RGB 117 203 52

HSL 94.17, 0.59%, 0.5%

LAB 74.02, -50.23, 62.85

 

CMYK 63 / 0 / 74 / 20

HEX #4CCB34

RGB 76 203 52

HSL 110.46, 0.59%, 0.5%

LAB 72.56, -61.55, 60.91

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 0 / 20 / 86 / 13

HEX #DFB220

RGB 223 178 32

HSL 45.86, 0.75%, 0.5%

LAB 74.59, 3.81, 72.07

 

CMYK 0 / 23 / 95 / 4

HEX #F4BC0B

RGB 244 188 11

HSL 45.58, 0.91%, 0.5%

LAB 79.17, 7.33, 80.12

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 0 / 14 / 60 / 29

HEX #B69C49

RGB 182 156 73

HSL 45.69, 0.43%, 0.5%

LAB 65.12, -0.45, 46.16

 

CMYK 0 / 10 / 42 / 37

HEX #A1915E

RGB 161 145 94

HSL 45.67, 0.26%, 0.5%

LAB 60.46, -1.52, 29.22

 

CMYK 0 / 5 / 19 / 45

HEX #8D8672

RGB 141 134 114

HSL 44.44, 0.11%, 0.5%

LAB 56.02, -0.89, 11.72

 

CMYK 11 / 8 / 0 / 47

HEX #787C87

RGB 120 124 135

HSL 224, 0.06%, 0.5%

LAB 52.01, 0.85, -6.48

 

CMYK 0 / 58 / 74 / 20

HEX #CB5534

RGB 203 85 52

HSL 13.11, 0.59%, 0.5%

LAB 51.2, 45, 41.93

 

CMYK 0 / 38 / 74 / 20

HEX #CB7D34

RGB 203 125 52

HSL 29.01, 0.59%, 0.5%

LAB 59.54, 24.34, 50.65

 

CMYK 0 / 19 / 74 / 20

HEX #CBA534

RGB 203 165 52

HSL 44.9, 0.59%, 0.5%

LAB 69.37, 2.65, 60.38

 

CMYK 1 / 0 / 74 / 20

HEX #C8CB34

RGB 200 203 52

HSL 61.19, 0.59%, 0.5%

LAB 79.18, -18.27, 69.57

 

CMYK 21 / 0 / 74 / 20

HEX #A0CB34

RGB 160 203 52

HSL 77.09, 0.59%, 0.5%

LAB 76.33, -34.65, 65.88

 

CMYK 0 / 18 / 74 / 46

HEX #897123

RGB 137 113 35

HSL 45.88, 0.59%, 0.34%

LAB 48.57, 0.73, 44.58

 

CMYK 0 / 18 / 74 / 33

HEX #AA8C2C

RGB 170 140 44

HSL 45.71, 0.59%, 0.42%

LAB 59.42, 1.19, 52.7

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 0 / 14 / 60 / 17

HEX #D3B555

RGB 211 181 85

HSL 45.71, 0.59%, 0.58%

LAB 74.54, -0.49, 51.9

 

CMYK 0 / 11 / 46 / 14

HEX #DCC376

RGB 220 195 118

HSL 45.29, 0.59%, 0.66%

LAB 79.36, -1.31, 41.77

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 70 / 0 / 74 / 20

HEX #3CCB34

RGB 60 203 52

HSL 116.82, 0.59%, 0.5%

LAB 72.18, -64.74, 60.4

 

CMYK 48 / 74 / 0 / 20

HEX #6934CB

RGB 105 52 203

HSL 261.06, 0.59%, 0.5%

LAB 37.43, 55.95, -69.49

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 74 / 0 / 19 / 20

HEX #34CBA5

RGB 52 203 165

HSL 164.9, 0.59%, 0.5%

LAB 73.65, -47.64, 7.89

 

CMYK 19 / 74 / 0 / 20

HEX #A534CB

RGB 165 52 203

HSL 284.9, 0.59%, 0.5%

LAB 45.31, 66.52, -56.32

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 70 / 0 / 74 / 20

HEX #3CCB34

RGB 60 203 52

HSL 116.82, 0.59%, 0.5%

LAB 72.18, -64.74, 60.4

 

CMYK 74 / 56 / 0 / 20

HEX #345ACB

RGB 52 90 203

HSL 224.9, 0.59%, 0.5%

LAB 41.77, 26.2, -62.56

 

CMYK 4 / 74 / 0 / 20

HEX #C334CB

RGB 195 52 203

HSL 296.82, 0.59%, 0.5%

LAB 49.94, 72.48, -48.64

 

CMYK 0 / 18 / 74 / 20

HEX #CBA734

RGB 203 167 52

HSL 45.7, 0.59%, 0.5%

LAB 69.88, 1.58, 60.88

 

CMYK 74 / 0 / 56 / 20

HEX #34CB5A

RGB 52 203 90

HSL 135.1, 0.59%, 0.5%

LAB 72.35, -62.1, 44.84

 

CMYK 74 / 56 / 0 / 20

HEX #345ACB

RGB 52 90 203

HSL 224.9, 0.59%, 0.5%

LAB 41.77, 26.2, -62.56

 

CMYK 0 / 74 / 19 / 20

HEX #CB34A5

RGB 203 52 165

HSL 315.1, 0.59%, 0.5%

LAB 49.34, 68.54, -27.32

 

Description

Color code: HEX #CBA734 | qconv.com Color code: HEX #CBA734 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 167 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 167 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 74 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 74% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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