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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B58126 it is the complementary color #4A7ED9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B58126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B58126 shade: #BA8121, #CB9334, #DCA547, #EDB75A and #FEC96D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B58126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B58126 shade: #B58126, #A46F13, #935D00, #824B00 and #713900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B58126 shade: #B58126, #B55B26, #B53426 and #B52626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B58126 shade: #B58126, #B5A826, #9CB526, #75B526 and #4FB526

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B58126 shade matches the following richer shades: #B58126, #C78615 and #D88B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B58126 shade: #B58126, #A37C38, #91774A, #80735C and #6E6E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B58126 shade: #B53526, #B55B26, #B58126, #B5A726 and #9DB526

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B58126 shade: #715118, #93691F, #B58126, #D39831 and #DBA953

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B58126 shade: #B58126, #3EB526 and #4826B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B58126 shade: #B58126, #26B581 and #8126B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B58126 shade: #B58126, #3EB526, #265BB5 and #9D26B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B58126 shade: #B58126, #26B539, #265BB5 and #B526A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

Complementary color

CMYK 66 / 42 / 0 / 15

HEX #4A7ED9

RGB 74 126 217

HSL 218.18, 0.65%, 0.57%

LAB 53.37, 11.7, -51.83

 

CMYK 0 / 31 / 82 / 27

HEX #BA8121

RGB 186 129 33

HSL 37.65, 0.7%, 0.43%

LAB 58.27, 14.03, 56.39

 

CMYK 0 / 28 / 74 / 20

HEX #CB9334

RGB 203 147 52

HSL 37.75, 0.59%, 0.5%

LAB 64.81, 12.36, 55.94

 

CMYK 0 / 25 / 68 / 14

HEX #DCA547

RGB 220 165 71

HSL 37.85, 0.68%, 0.57%

LAB 71.27, 10.94, 54.96

 

CMYK 0 / 23 / 62 / 7

HEX #EDB75A

RGB 237 183 90

HSL 37.96, 0.8%, 0.64%

LAB 77.64, 9.72, 53.77

 

CMYK 0 / 21 / 57 / 0

HEX #FEC96D

RGB 254 201 109

HSL 38.07, 0.99%, 0.71%

LAB 83.94, 8.66, 52.49

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 0 / 32 / 88 / 36

HEX #A46F13

RGB 164 111 19

HSL 38.07, 0.79%, 0.36%

LAB 51.05, 13.82, 53.68

 

CMYK 0 / 37 / 100 / 42

HEX #935D00

RGB 147 93 0

HSL 37.96, 1%, 0.29%

LAB 44.28, 15.95, 52.35

 

CMYK 0 / 42 / 100 / 49

HEX #824B00

RGB 130 75 0

HSL 34.62, 1%, 0.25%

LAB 37.44, 18.53, 46.79

 

CMYK 0 / 50 / 100 / 56

HEX #713900

RGB 113 57 0

HSL 30.27, 1%, 0.22%

LAB 30.49, 21.2, 41.03

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 0 / 50 / 79 / 29

HEX #B55B26

RGB 181 91 38

HSL 22.24, 0.65%, 0.43%

LAB 48.82, 32.86, 45.37

 

CMYK 0 / 71 / 79 / 29

HEX #B53426

RGB 181 52 38

HSL 5.87, 0.65%, 0.43%

LAB 41.88, 51.04, 38.43

 

CMYK 0 / 79 / 79 / 29

HEX #B52626

RGB 181 38 38

HSL 0, 0.65%, 0.43%

LAB 40.16, 55.8, 36.66

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 0 / 7 / 79 / 29

HEX #B5A826

RGB 181 168 38

HSL 54.55, 0.65%, 0.43%

LAB 68, -9.19, 63.2

 

CMYK 14 / 0 / 79 / 29

HEX #9CB526

RGB 156 181 38

HSL 70.49, 0.65%, 0.43%

LAB 69.65, -26.56, 63.94

 

CMYK 35 / 0 / 79 / 29

HEX #75B526

RGB 117 181 38

HSL 86.85, 0.65%, 0.43%

LAB 67.25, -41.91, 60.86

 

CMYK 56 / 0 / 79 / 29

HEX #4FB526

RGB 79 181 38

HSL 102.8, 0.65%, 0.43%

LAB 65.63, -53.98, 58.76

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 0 / 33 / 89 / 22

HEX #C78615

RGB 199 134 21

HSL 38.09, 0.81%, 0.43%

LAB 61, 16.72, 62.81

 

CMYK 0 / 36 / 99 / 15

HEX #D88B03

RGB 216 139 3

HSL 38.31, 0.97%, 0.43%

LAB 64.22, 21.17, 69.21

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 0 / 24 / 66 / 36

HEX #A37C38

RGB 163 124 56

HSL 38.13, 0.49%, 0.43%

LAB 54.54, 7.64, 42.01

 

CMYK 0 / 18 / 49 / 43

HEX #91774A

RGB 145 119 74

HSL 38.03, 0.32%, 0.43%

LAB 51.51, 3.98, 28.45

 

CMYK 0 / 10 / 28 / 50

HEX #80735C

RGB 128 115 92

HSL 38.33, 0.16%, 0.43%

LAB 49.04, 1.19, 14.59

 

CMYK 0 / 0 / 1 / 57

HEX #6E6E6D

RGB 110 110 109

HSL 60, 0%, 0.43%

LAB 46.41, -0.2, 0.55

 

CMYK 0 / 71 / 79 / 29

HEX #B53526

RGB 181 53 38

HSL 6.29, 0.65%, 0.43%

LAB 42.02, 50.66, 38.57

 

CMYK 0 / 50 / 79 / 29

HEX #B55B26

RGB 181 91 38

HSL 22.24, 0.65%, 0.43%

LAB 48.82, 32.86, 45.37

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 0 / 8 / 79 / 29

HEX #B5A726

RGB 181 167 38

HSL 54.13, 0.65%, 0.43%

LAB 67.73, -8.67, 62.96

 

CMYK 13 / 0 / 79 / 29

HEX #9DB526

RGB 157 181 38

HSL 70.07, 0.65%, 0.43%

LAB 69.72, -26.14, 64.03

 

CMYK 0 / 28 / 79 / 56

HEX #715118

RGB 113 81 24

HSL 38.43, 0.65%, 0.27%

LAB 36.86, 7.55, 36.93

 

CMYK 0 / 29 / 79 / 42

HEX #93691F

RGB 147 105 31

HSL 38.28, 0.65%, 0.35%

LAB 47.5, 9.82, 45.6

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 0 / 28 / 77 / 17

HEX #D39831

RGB 211 152 49

HSL 38.15, 0.65%, 0.51%

LAB 66.92, 13, 59.48

 

CMYK 0 / 23 / 62 / 14

HEX #DBA953

RGB 219 169 83

HSL 37.94, 0.65%, 0.59%

LAB 72.27, 9.12, 50.48

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 66 / 0 / 79 / 29

HEX #3EB526

RGB 62 181 38

HSL 109.93, 0.65%, 0.43%

LAB 65.13, -58.06, 58.1

 

CMYK 60 / 79 / 0 / 29

HEX #4826B5

RGB 72 38 181

HSL 254.27, 0.65%, 0.43%

LAB 29.66, 51.94, -69.44

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 79 / 0 / 29 / 29

HEX #26B581

RGB 38 181 129

HSL 158.18, 0.65%, 0.43%

LAB 65.78, -48.88, 16.28

 

CMYK 29 / 79 / 0 / 29

HEX #8126B5

RGB 129 38 181

HSL 278.18, 0.65%, 0.43%

LAB 36.72, 60.34, -57.6

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 66 / 0 / 79 / 29

HEX #3EB526

RGB 62 181 38

HSL 109.93, 0.65%, 0.43%

LAB 65.13, -58.06, 58.1

 

CMYK 79 / 50 / 0 / 29

HEX #265BB5

RGB 38 91 181

HSL 217.76, 0.65%, 0.43%

LAB 39.97, 15.59, -52.71

 

CMYK 13 / 79 / 0 / 29

HEX #9D26B5

RGB 157 38 181

HSL 289.93, 0.65%, 0.43%

LAB 41.04, 65.43, -50.41

 

CMYK 0 / 29 / 79 / 29

HEX #B58126

RGB 181 129 38

HSL 38.18, 0.65%, 0.43%

LAB 57.72, 11.97, 53.84

 

CMYK 79 / 0 / 69 / 29

HEX #26B539

RGB 38 181 57

HSL 127.97, 0.65%, 0.43%

LAB 64.77, -60.68, 50.75

 

CMYK 79 / 50 / 0 / 29

HEX #265BB5

RGB 38 91 181

HSL 217.76, 0.65%, 0.43%

LAB 39.97, 15.59, -52.71

 

CMYK 0 / 79 / 10 / 29

HEX #B526A2

RGB 181 38 162

HSL 307.97, 0.65%, 0.43%

LAB 43.97, 67.2, -34.21

 

Description

Color code: HEX #B58126 | qconv.com Color code: HEX #B58126 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 129 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 129 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 79 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 79% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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