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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 23 / 62 / 7 it is the complementary color CMYK 89 / 56 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 23 / 62 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 23 / 62 / 7: CMYK 0 / 24 / 65 / 5, CMYK 0 / 21 / 59 / 0, CMYK 0 / 14 / 52 / 0, CMYK 0 / 7 / 44 / 0 and CMYK 0 / 0 / 37 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 23 / 62 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 23 / 62 / 7: CMYK 0 / 23 / 62 / 7, CMYK 0 / 25 / 68 / 14, CMYK 0 / 28 / 74 / 20, CMYK 0 / 31 / 82 / 27 and CMYK 0 / 34 / 92 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 62 / 7

HEX #EDB75A

RGB 237 183 90

HSL 37.96, 0.8%, 0.64%

LAB 77.64, 9.72, 53.77

 

Complementary color

CMYK 89 / 56 / 0 / 35

HEX #1248A5

RGB 18 72 165

HSL 217.96, 0.8%, 0.36%

LAB 32.88, 20.21, -54.73

 

CMYK 0 / 24 / 65 / 5

HEX #F2B755

RGB 242 183 85

HSL 37.45, 0.86%, 0.64%

LAB 78.11, 11.49, 56.74

 

CMYK 0 / 21 / 59 / 0

HEX #FFC968

RGB 255 201 104

HSL 38.54, 1%, 0.7%

LAB 83.98, 8.71, 54.94

 

CMYK 0 / 14 / 52 / 0

HEX #FFDB7B

RGB 255 219 123

HSL 43.64, 1%, 0.74%

LAB 88.62, 0.92, 51.4

 

CMYK 0 / 7 / 44 / 0

HEX #FFED8E

RGB 255 237 142

HSL 50.44, 1%, 0.78%

LAB 93.36, -6.45, 48.06

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 23 / 62 / 7

HEX #EDB75A

RGB 237 183 90

HSL 37.96, 0.8%, 0.64%

LAB 77.64, 9.72, 53.77

 

CMYK 0 / 25 / 68 / 14

HEX #DCA547

RGB 220 165 71

HSL 37.85, 0.68%, 0.57%

LAB 71.27, 10.94, 54.96

 

CMYK 0 / 28 / 74 / 20

HEX #CB9334

RGB 203 147 52

HSL 37.75, 0.59%, 0.5%

LAB 64.81, 12.36, 55.94

 

CMYK 0 / 31 / 82 / 27

HEX #BA8121

RGB 186 129 33

HSL 37.65, 0.7%, 0.43%

LAB 58.27, 14.03, 56.39

 

CMYK 0 / 34 / 92 / 34

HEX #A96F0E

RGB 169 111 14

HSL 37.55, 0.85%, 0.36%

LAB 51.65, 15.98, 55.71

 

CMYK 0 / 23 / 62 / 7

HEX #EDB75A

RGB 237 183 90

HSL 37.96, 0.8%, 0.64%

LAB 77.64, 9.72, 53.77

 

CMYK 0 / 14 / 62 / 7

HEX #ECCC59

RGB 236 204 89

HSL 46.94, 0.79%, 0.64%

LAB 82.77, -1.68, 59.91

 

CMYK 0 / 3 / 62 / 7

HEX #ECE559

RGB 236 229 89

HSL 57.14, 0.79%, 0.64%

LAB 89.2, -14.27, 66.84

 

CMYK 7 / 0 / 62 / 7

HEX #DBEC59

RGB 219 236 89

HSL 66.94, 0.79%, 0.64%

LAB 89.75, -24.52, 67.04

 

CMYK 17 / 0 / 62 / 7

HEX #C3EC59

RGB 195 236 89

HSL 76.73, 0.79%, 0.64%

LAB 88.12, -33.9, 64.8

 

CMYK 0 / 23 / 62 / 7

HEX #EDB75A

RGB 237 183 90

HSL 37.96, 0.8%, 0.64%

LAB 77.64, 9.72, 53.77

 

CMYK 0 / 24 / 61 / 87

HEX #21190D

RGB 33 25 13

HSL 36, 0.43%, 0.09%

LAB 9.38, 1.86, 8.63

 

CMYK 0 / 23 / 62 / 67

HEX #544120

RGB 84 65 32

HSL 38.08, 0.45%, 0.23%

LAB 28.82, 3.72, 23.02

 

CMYK 0 / 23 / 62 / 47

HEX #876833

RGB 135 104 51

HSL 37.86, 0.45%, 0.36%

LAB 46.03, 6.03, 34.09

 

CMYK 0 / 23 / 62 / 27

HEX #BA9047

RGB 186 144 71

HSL 38.09, 0.45%, 0.5%

LAB 62.37, 7.69, 44.11

 

CMYK 0 / 23 / 62 / 7

HEX #EDB75A

RGB 237 183 90

HSL 37.96, 0.8%, 0.64%

LAB 77.64, 9.72, 53.77

 

CMYK 51 / 0 / 62 / 7

HEX #74EC59

RGB 116 236 89

HSL 108.98, 0.79%, 0.64%

LAB 84.19, -60.29, 59.37

 

CMYK 49 / 62 / 0 / 7

HEX #7959EC

RGB 121 89 236

HSL 253.06, 0.79%, 0.64%

LAB 48.59, 48.62, -70.07

 

CMYK 0 / 23 / 62 / 7

HEX #EDB75A

RGB 237 183 90

HSL 37.96, 0.8%, 0.64%

LAB 77.64, 9.72, 53.77

 

CMYK 62 / 0 / 24 / 7

HEX #59ECB4

RGB 89 236 180

HSL 157.14, 0.79%, 0.64%

LAB 84.69, -52.12, 15.72

 

CMYK 24 / 62 / 0 / 7

HEX #B459EC

RGB 180 89 236

HSL 277.14, 0.79%, 0.64%

LAB 54.97, 60.91, -59.45

 

CMYK 0 / 23 / 62 / 7

HEX #EDB75A

RGB 237 183 90

HSL 37.96, 0.8%, 0.64%

LAB 77.64, 9.72, 53.77

 

CMYK 51 / 0 / 62 / 7

HEX #74EC59

RGB 116 236 89

HSL 108.98, 0.79%, 0.64%

LAB 84.19, -60.29, 59.37

 

CMYK 62 / 38 / 0 / 7

HEX #5992EC

RGB 89 146 236

HSL 216.73, 0.79%, 0.64%

LAB 60.55, 8.73, -50.97

 

CMYK 11 / 62 / 0 / 7

HEX #D159EC

RGB 209 89 236

HSL 288.98, 0.79%, 0.64%

LAB 58.75, 67.53, -53.2

 

CMYK 0 / 23 / 62 / 7

HEX #EDB75A

RGB 237 183 90

HSL 37.96, 0.8%, 0.64%

LAB 77.64, 9.72, 53.77

 

CMYK 62 / 0 / 55 / 7

HEX #59EC6A

RGB 89 236 106

HSL 126.94, 0.79%, 0.64%

LAB 83.52, -64.83, 50.96

 

CMYK 62 / 38 / 0 / 7

HEX #5992EC

RGB 89 146 236

HSL 216.73, 0.79%, 0.64%

LAB 60.55, 8.73, -50.97

 

CMYK 0 / 62 / 7 / 7

HEX #EC59DB

RGB 236 89 219

HSL 306.94, 0.79%, 0.64%

LAB 61.73, 71.11, -38.71

 

Description

Color code: CMYK 0 / 23 / 62 / 7 | qconv.com Color code: CMYK 0 / 23 / 62 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 183 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 183 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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