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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B531FB it is the complementary color #4ACE04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B531FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B531FB: #BA31F6, #CB43FF, #DC55FF, #ED67FF and #FE79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B531FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B531FB: #B531FB, #A41FE8, #930DD5, #8200C2 and #7100AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 80 / 0 / 2

HEX #B531FB

RGB 181 49 251

HSL 279.21, 0.96%, 0.59%

LAB 50.67, 79.57, -74.78

 

Complementary color

CMYK 64 / 0 / 98 / 19

HEX #4ACE04

RGB 74 206 4

HSL 99.21, 0.96%, 0.41%

LAB 73.29, -64.87, 71.58

 

CMYK 24 / 80 / 0 / 4

HEX #BA31F6

RGB 186 49 246

HSL 281.73, 0.92%, 0.58%

LAB 51.02, 79.39, -71.38

 

CMYK 20 / 74 / 0 / 0

HEX #CB43FF

RGB 203 67 255

HSL 283.4, 1%, 0.63%

LAB 56.02, 78.36, -68.19

 

CMYK 14 / 67 / 0 / 0

HEX #DC55FF

RGB 220 85 255

HSL 287.65, 1%, 0.67%

LAB 60.72, 75.11, -60.5

 

CMYK 7 / 60 / 0 / 0

HEX #ED67FF

RGB 237 103 255

HSL 292.89, 1%, 0.7%

LAB 65.69, 71.56, -52.45

 

CMYK 0 / 53 / 0 / 0

HEX #FE79FF

RGB 254 121 255

HSL 299.55, 1%, 0.74%

LAB 70.85, 67.89, -44.18

 

CMYK 28 / 80 / 0 / 2

HEX #B531FB

RGB 181 49 251

HSL 279.21, 0.96%, 0.59%

LAB 50.67, 79.57, -74.78

 

CMYK 29 / 87 / 0 / 9

HEX #A41FE8

RGB 164 31 232

HSL 279.7, 0.81%, 0.52%

LAB 45.22, 77.94, -73.08

 

CMYK 31 / 94 / 0 / 16

HEX #930DD5

RGB 147 13 213

HSL 280.2, 0.88%, 0.44%

LAB 40.07, 75.15, -70.73

 

CMYK 33 / 100 / 0 / 24

HEX #8200C2

RGB 130 0 194

HSL 280.21, 1%, 0.38%

LAB 35.28, 71.01, -67.62

 

CMYK 35 / 100 / 0 / 31

HEX #7100AF

RGB 113 0 175

HSL 278.74, 1%, 0.34%

LAB 30.89, 65.34, -63.65

 

CMYK 28 / 80 / 0 / 2

HEX #B531FB

RGB 181 49 251

HSL 279.21, 0.96%, 0.59%

LAB 50.67, 79.57, -74.78

 

CMYK 14 / 80 / 0 / 2

HEX #D632FA

RGB 214 50 250

HSL 289.2, 0.95%, 0.59%

LAB 55.56, 84.47, -66.06

 

CMYK 1 / 80 / 0 / 2

HEX #F732FA

RGB 247 50 250

HSL 299.1, 0.95%, 0.59%

LAB 60.74, 90.25, -57.47

 

CMYK 0 / 80 / 12 / 2

HEX #FA32DC

RGB 250 50 220

HSL 309, 0.95%, 0.59%

LAB 59.68, 86.57, -42.33

 

CMYK 0 / 80 / 25 / 2

HEX #FA32BB

RGB 250 50 187

HSL 318.9, 0.95%, 0.59%

LAB 58.22, 82.46, -25.78

 

CMYK 28 / 80 / 0 / 2

HEX #B531FB

RGB 181 49 251

HSL 279.21, 0.96%, 0.59%

LAB 50.67, 79.57, -74.78

 

CMYK 28 / 81 / 0 / 82

HEX #22092F

RGB 34 9 47

HSL 279.47, 0.68%, 0.11%

LAB 6.69, 20.86, -19.67

 

CMYK 28 / 81 / 0 / 62

HEX #471362

RGB 71 19 98

HSL 279.49, 0.68%, 0.23%

LAB 18.74, 38.03, -35.47

 

CMYK 28 / 81 / 0 / 42

HEX #6B1D95

RGB 107 29 149

HSL 279, 0.67%, 0.35%

LAB 29.85, 52.7, -49.63

 

CMYK 28 / 81 / 0 / 22

HEX #9027C8

RGB 144 39 200

HSL 279.13, 0.67%, 0.47%

LAB 40.49, 66.5, -62.53

 

CMYK 28 / 80 / 0 / 2

HEX #B531FB

RGB 181 49 251

HSL 279.21, 0.96%, 0.59%

LAB 50.67, 79.57, -74.78

 

CMYK 0 / 80 / 68 / 2

HEX #FA3250

RGB 250 50 80

HSL 351, 0.95%, 0.59%

LAB 55.26, 73.71, 33.08

 

CMYK 80 / 0 / 60 / 2

HEX #32FA64

RGB 50 250 100

HSL 135, 0.95%, 0.59%

LAB 86.98, -76.19, 57.47

 

CMYK 28 / 80 / 0 / 2

HEX #B531FB

RGB 181 49 251

HSL 279.21, 0.96%, 0.59%

LAB 50.67, 79.57, -74.78

 

CMYK 0 / 28 / 80 / 2

HEX #FAB432

RGB 250 180 50

HSL 39, 0.95%, 0.59%

LAB 77.99, 14.83, 70.87

 

CMYK 80 / 0 / 28 / 2

HEX #32FAB4

RGB 50 250 180

HSL 159, 0.95%, 0.59%

LAB 88.13, -62.83, 20.42

 

CMYK 28 / 80 / 0 / 2

HEX #B531FB

RGB 181 49 251

HSL 279.21, 0.96%, 0.59%

LAB 50.67, 79.57, -74.78

 

CMYK 0 / 80 / 68 / 2

HEX #FA3250

RGB 250 50 80

HSL 351, 0.95%, 0.59%

LAB 55.26, 73.71, 33.08

 

CMYK 52 / 0 / 80 / 2

HEX #78FA32

RGB 120 250 50

HSL 99, 0.95%, 0.59%

LAB 88.25, -67.01, 76.94

 

CMYK 80 / 0 / 12 / 2

HEX #32FADC

RGB 50 250 220

HSL 171, 0.95%, 0.59%

LAB 89.02, -53.36, 1

 

CMYK 28 / 80 / 0 / 2

HEX #B531FB

RGB 181 49 251

HSL 279.21, 0.96%, 0.59%

LAB 50.67, 79.57, -74.78

 

CMYK 0 / 68 / 80 / 2

HEX #FA5032

RGB 250 80 50

HSL 9, 0.95%, 0.59%

LAB 58.31, 63.13, 52.73

 

CMYK 52 / 0 / 80 / 2

HEX #78FA32

RGB 120 250 50

HSL 99, 0.95%, 0.59%

LAB 88.25, -67.01, 76.94

 

CMYK 80 / 12 / 0 / 2

HEX #32DCFA

RGB 50 220 250

HSL 189, 0.95%, 0.59%

LAB 81.16, -31.54, -26.53

 

Description

Color code: HEX #B531FB | qconv.com Color code: HEX #B531FB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 49 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 49 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 80 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 80% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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