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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B526E4 it is the complementary color #4AD91B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B526E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B526E4: #BA26DF, #CB38F2, #DC4AFF, #ED5CFF and #FE6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B526E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B526E4: #B526E4, #A414D1, #9302BE, #8200AB and #710098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 83 / 0 / 11

HEX #B526E4

RGB 181 38 228

HSL 285.16, 0.78%, 0.52%

LAB 48.02, 78.12, -66.14

 

Complementary color

CMYK 66 / 0 / 88 / 15

HEX #4AD91B

RGB 74 217 27

HSL 105.16, 0.78%, 0.48%

LAB 76.78, -67.86, 71.43

 

CMYK 17 / 83 / 0 / 13

HEX #BA26DF

RGB 186 38 223

HSL 288, 0.74%, 0.51%

LAB 48.45, 78.03, -62.57

 

CMYK 16 / 77 / 0 / 5

HEX #CB38F2

RGB 203 56 242

HSL 287.42, 0.88%, 0.58%

LAB 53.96, 79.5, -64.27

 

CMYK 14 / 71 / 0 / 0

HEX #DC4AFF

RGB 220 74 255

HSL 288.4, 1%, 0.65%

LAB 59.28, 79.18, -62.81

 

CMYK 7 / 64 / 0 / 0

HEX #ED5CFF

RGB 237 92 255

HSL 293.37, 1%, 0.68%

LAB 64.06, 76.06, -55.04

 

CMYK 0 / 57 / 0 / 0

HEX #FE6EFF

RGB 254 110 255

HSL 299.59, 1%, 0.72%

LAB 69.07, 72.7, -46.97

 

CMYK 21 / 83 / 0 / 11

HEX #B526E4

RGB 181 38 228

HSL 285.16, 0.78%, 0.52%

LAB 48.02, 78.12, -66.14

 

CMYK 22 / 90 / 0 / 18

HEX #A414D1

RGB 164 20 209

HSL 285.71, 0.83%, 0.45%

LAB 42.76, 75.7, -63.93

 

CMYK 23 / 99 / 0 / 25

HEX #9302BE

RGB 147 2 190

HSL 286.28, 0.98%, 0.38%

LAB 37.78, 72.13, -61.08

 

CMYK 24 / 100 / 0 / 33

HEX #8200AB

RGB 130 0 171

HSL 285.61, 1%, 0.34%

LAB 33.32, 66.65, -57.17

 

CMYK 26 / 100 / 0 / 40

HEX #710098

RGB 113 0 152

HSL 284.61, 1%, 0.3%

LAB 28.84, 60.82, -53.06

 

CMYK 21 / 83 / 0 / 11

HEX #B526E4

RGB 181 38 228

HSL 285.16, 0.78%, 0.52%

LAB 48.02, 78.12, -66.14

 

CMYK 7 / 84 / 0 / 11

HEX #D425E4

RGB 212 37 228

HSL 294.97, 0.78%, 0.52%

LAB 52.86, 83.46, -58.08

 

CMYK 0 / 84 / 7 / 11

HEX #E425D4

RGB 228 37 212

HSL 305.03, 0.78%, 0.52%

LAB 54.63, 83.94, -46.02

 

CMYK 0 / 84 / 21 / 11

HEX #E425B4

RGB 228 37 180

HSL 315.08, 0.78%, 0.52%

LAB 53.07, 79.74, -30

 

CMYK 0 / 84 / 35 / 11

HEX #E42594

RGB 228 37 148

HSL 325.13, 0.78%, 0.52%

LAB 51.79, 76.16, -13.07

 

CMYK 21 / 83 / 0 / 11

HEX #B526E4

RGB 181 38 228

HSL 285.16, 0.78%, 0.52%

LAB 48.02, 78.12, -66.14

 

CMYK 21 / 83 / 0 / 91

HEX #130418

RGB 19 4 24

HSL 285, 0.71%, 0.05%

LAB 2.63, 8.19, -8.27

 

CMYK 20 / 83 / 0 / 71

HEX #3C0D4B

RGB 60 13 75

HSL 285.48, 0.7%, 0.17%

LAB 14.15, 32.77, -27.45

 

CMYK 21 / 83 / 0 / 51

HEX #64157E

RGB 100 21 126

HSL 285.14, 0.71%, 0.29%

LAB 26.02, 49.21, -41.56

 

CMYK 20 / 83 / 0 / 31

HEX #8D1EB1

RGB 141 30 177

HSL 285.31, 0.71%, 0.41%

LAB 37.42, 64.06, -54.02

 

CMYK 21 / 83 / 0 / 11

HEX #B526E4

RGB 181 38 228

HSL 285.16, 0.78%, 0.52%

LAB 48.02, 78.12, -66.14

 

CMYK 0 / 84 / 80 / 11

HEX #E4252E

RGB 228 37 46

HSL 357.17, 0.78%, 0.52%

LAB 49.51, 69.57, 44.77

 

CMYK 84 / 0 / 55 / 11

HEX #25E467

RGB 37 228 103

HSL 140.73, 0.78%, 0.52%

LAB 80.1, -70.22, 48.02

 

CMYK 21 / 83 / 0 / 11

HEX #B526E4

RGB 181 38 228

HSL 285.16, 0.78%, 0.52%

LAB 48.02, 78.12, -66.14

 

CMYK 0 / 21 / 84 / 11

HEX #E4B425

RGB 228 180 37

HSL 44.92, 0.78%, 0.52%

LAB 75.62, 5.05, 71.83

 

CMYK 84 / 0 / 21 / 11

HEX #25E4B4

RGB 37 228 180

HSL 164.92, 0.78%, 0.52%

LAB 81.39, -55.53, 10.92

 

CMYK 21 / 83 / 0 / 11

HEX #B526E4

RGB 181 38 228

HSL 285.16, 0.78%, 0.52%

LAB 48.02, 78.12, -66.14

 

CMYK 0 / 84 / 80 / 11

HEX #E4252E

RGB 228 37 46

HSL 357.17, 0.78%, 0.52%

LAB 49.51, 69.57, 44.77

 

CMYK 63 / 0 / 84 / 11

HEX #54E425

RGB 84 228 37

HSL 105.24, 0.78%, 0.52%

LAB 80.46, -68.92, 72.67

 

CMYK 84 / 0 / 4 / 11

HEX #25E4DA

RGB 37 228 218

HSL 176.86, 0.78%, 0.52%

LAB 82.35, -45.63, -7.79

 

CMYK 21 / 83 / 0 / 11

HEX #B526E4

RGB 181 38 228

HSL 285.16, 0.78%, 0.52%

LAB 48.02, 78.12, -66.14

 

CMYK 0 / 63 / 84 / 11

HEX #E45425

RGB 228 84 37

HSL 14.76, 0.78%, 0.52%

LAB 55.04, 53.87, 54.31

 

CMYK 63 / 0 / 84 / 11

HEX #54E425

RGB 84 228 37

HSL 105.24, 0.78%, 0.52%

LAB 80.46, -68.92, 72.67

 

CMYK 84 / 21 / 0 / 11

HEX #25B4E4

RGB 37 180 228

HSL 195.08, 0.78%, 0.52%

LAB 68.49, -19.67, -34.21

 

Description

Color code: HEX #B526E4 | qconv.com Color code: HEX #B526E4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 38 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 38 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 83 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 83% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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