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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4DF28 it is the complementary color #4B20D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4DF28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B4DF28: #B9DF23, #CAF136, #DBFF49, #ECFF5C and #FDFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4DF28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B4DF28: #B4DF28, #A3CD15, #92BB02, #81A900 and #709700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 82 / 13

HEX #B4DF28

RGB 180 223 40

HSL 74.1, 0.74%, 0.52%

LAB 83.25, -36.39, 76.05

 

Complementary color

CMYK 65 / 85 / 0 / 16

HEX #4B20D7

RGB 75 32 215

HSL 254.1, 0.74%, 0.48%

LAB 32.78, 64, -84.21

 

CMYK 17 / 0 / 84 / 13

HEX #B9DF23

RGB 185 223 35

HSL 72.13, 0.75%, 0.51%

LAB 83.55, -34.57, 77.57

 

CMYK 16 / 0 / 78 / 5

HEX #CAF136

RGB 202 241 54

HSL 72.51, 0.87%, 0.58%

LAB 89.74, -35.4, 78.71

 

CMYK 14 / 0 / 71 / 0

HEX #DBFF49

RGB 219 255 73

HSL 71.87, 1%, 0.64%

LAB 94.76, -34.28, 78.01

 

CMYK 7 / 0 / 64 / 0

HEX #ECFF5C

RGB 236 255 92

HSL 66.99, 1%, 0.68%

LAB 96.05, -26.58, 72.86

 

CMYK 1 / 0 / 56 / 0

HEX #FDFF6F

RGB 253 255 111

HSL 60.83, 1%, 0.72%

LAB 97.45, -18.63, 67.04

 

CMYK 19 / 0 / 82 / 13

HEX #B4DF28

RGB 180 223 40

HSL 74.1, 0.74%, 0.52%

LAB 83.25, -36.39, 76.05

 

CMYK 20 / 0 / 90 / 20

HEX #A3CD15

RGB 163 205 21

HSL 73.7, 0.81%, 0.44%

LAB 76.98, -35.47, 74.18

 

CMYK 22 / 0 / 99 / 27

HEX #92BB02

RGB 146 187 2

HSL 73.3, 0.98%, 0.37%

LAB 70.63, -34.37, 71.06

 

CMYK 24 / 0 / 100 / 34

HEX #81A900

RGB 129 169 0

HSL 74.2, 1%, 0.33%

LAB 64.2, -33.01, 65.93

 

CMYK 26 / 0 / 100 / 41

HEX #709700

RGB 112 151 0

HSL 75.5, 1%, 0.3%

LAB 57.63, -31.6, 60.46

 

CMYK 19 / 0 / 82 / 13

HEX #B4DF28

RGB 180 223 40

HSL 74.1, 0.74%, 0.52%

LAB 83.25, -36.39, 76.05

 

CMYK 33 / 0 / 81 / 13

HEX #96DF2A

RGB 150 223 42

HSL 84.2, 0.74%, 0.52%

LAB 81.53, -47.61, 73.38

 

CMYK 46 / 0 / 81 / 13

HEX #78DF2A

RGB 120 223 42

HSL 94.14, 0.74%, 0.52%

LAB 80.14, -57.57, 71.61

 

CMYK 60 / 0 / 81 / 13

HEX #5ADF2A

RGB 90 223 42

HSL 104.09, 0.74%, 0.52%

LAB 79.11, -65.69, 70.29

 

CMYK 73 / 0 / 81 / 13

HEX #3CDF2A

RGB 60 223 42

HSL 114.03, 0.74%, 0.52%

LAB 78.41, -71.6, 69.38

 

CMYK 19 / 0 / 82 / 13

HEX #B4DF28

RGB 180 223 40

HSL 74.1, 0.74%, 0.52%

LAB 83.25, -36.39, 76.05

 

CMYK 21 / 0 / 84 / 93

HEX #0F1303

RGB 15 19 3

HSL 75, 0.73%, 0.04%

LAB 5.18, -4.06, 6.46

 

CMYK 19 / 0 / 81 / 73

HEX #39460D

RGB 57 70 13

HSL 73.68, 0.69%, 0.16%

LAB 27.52, -14.38, 30.62

 

CMYK 19 / 0 / 82 / 53

HEX #627916

RGB 98 121 22

HSL 73.94, 0.69%, 0.28%

LAB 47.4, -22.33, 47.1

 

CMYK 19 / 0 / 82 / 33

HEX #8BAC1F

RGB 139 172 31

HSL 74.04, 0.69%, 0.4%

LAB 65.82, -29.58, 62.04

 

CMYK 19 / 0 / 82 / 13

HEX #B4DF28

RGB 180 223 40

HSL 74.1, 0.74%, 0.52%

LAB 83.25, -36.39, 76.05

 

CMYK 81 / 0 / 46 / 13

HEX #2ADF78

RGB 42 223 120

HSL 145.86, 0.74%, 0.52%

LAB 78.82, -65.54, 38.32

 

CMYK 14 / 81 / 0 / 13

HEX #C02ADF

RGB 192 42 223

HSL 289.72, 0.74%, 0.52%

LAB 49.73, 78.08, -60.46

 

CMYK 19 / 0 / 82 / 13

HEX #B4DF28

RGB 180 223 40

HSL 74.1, 0.74%, 0.52%

LAB 83.25, -36.39, 76.05

 

CMYK 81 / 19 / 0 / 13

HEX #2AB4DF

RGB 42 180 223

HSL 194.25, 0.74%, 0.52%

LAB 68.36, -20.95, -31.67

 

CMYK 0 / 81 / 19 / 13

HEX #DF2AB4

RGB 223 42 180

HSL 314.25, 0.74%, 0.52%

LAB 52.55, 77.63, -30.87

 

CMYK 19 / 0 / 82 / 13

HEX #B4DF28

RGB 180 223 40

HSL 74.1, 0.74%, 0.52%

LAB 83.25, -36.39, 76.05

 

CMYK 81 / 0 / 46 / 13

HEX #2ADF78

RGB 42 223 120

HSL 145.86, 0.74%, 0.52%

LAB 78.82, -65.54, 38.32

 

CMYK 62 / 81 / 0 / 13

HEX #542ADF

RGB 84 42 223

HSL 253.92, 0.74%, 0.52%

LAB 35.73, 63.11, -83.9

 

CMYK 0 / 81 / 35 / 13

HEX #DF2A90

RGB 223 42 144

HSL 326.19, 0.74%, 0.52%

LAB 51.1, 73.51, -11.8

 

CMYK 19 / 0 / 82 / 13

HEX #B4DF28

RGB 180 223 40

HSL 74.1, 0.74%, 0.52%

LAB 83.25, -36.39, 76.05

 

CMYK 81 / 0 / 22 / 13

HEX #2ADFAE

RGB 42 223 174

HSL 163.76, 0.74%, 0.52%

LAB 79.8, -54.6, 11.83

 

CMYK 62 / 81 / 0 / 13

HEX #542ADF

RGB 84 42 223

HSL 253.92, 0.74%, 0.52%

LAB 35.73, 63.11, -83.9

 

CMYK 0 / 81 / 60 / 13

HEX #DF2A5A

RGB 223 42 90

HSL 344.09, 0.74%, 0.52%

LAB 49.6, 69.05, 18.78

 

Description

Color code: HEX #B4DF28 | qconv.com Color code: HEX #B4DF28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 223 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 223 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 82 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 82% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - Desktop Management &...
Link: http://www.specopssoft.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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