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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4DC9C it is the complementary color #4B2363. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4DC9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B4DC9C: #B9DC97, #CAEEAA, #DBFFBD, #ECFFD0 and #FDFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4DC9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B4DC9C: #B4DC9C, #A3CA89, #92B876, #81A663 and #709450

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 29 / 14

HEX #B4DC9C

RGB 180 220 156

HSL 97.5, 0.48%, 0.74%

LAB 83.59, -24.54, 27.28

 

Complementary color

CMYK 24 / 65 / 0 / 61

HEX #4B2363

RGB 75 35 99

HSL 277.5, 0.48%, 0.26%

LAB 22.3, 31.26, -30.38

 

CMYK 16 / 0 / 31 / 14

HEX #B9DC97

RGB 185 220 151

HSL 90.43, 0.5%, 0.73%

LAB 83.83, -23.5, 30.22

 

CMYK 15 / 0 / 29 / 7

HEX #CAEEAA

RGB 202 238 170

HSL 91.76, 0.67%, 0.8%

LAB 90.14, -23.44, 29.18

 

CMYK 14 / 0 / 26 / 0

HEX #DBFFBD

RGB 219 255 189

HSL 92.73, 1%, 0.87%

LAB 96.1, -22.89, 27.82

 

CMYK 7 / 0 / 18 / 0

HEX #ECFFD0

RGB 236 255 208

HSL 84.26, 1%, 0.91%

LAB 97.59, -14.15, 20.41

 

CMYK 1 / 0 / 11 / 0

HEX #FDFFE3

RGB 253 255 227

HSL 64.29, 1%, 0.95%

LAB 99.2, -5.33, 13.16

 

CMYK 18 / 0 / 29 / 14

HEX #B4DC9C

RGB 180 220 156

HSL 97.5, 0.48%, 0.74%

LAB 83.59, -24.54, 27.28

 

CMYK 19 / 0 / 32 / 21

HEX #A3CA89

RGB 163 202 137

HSL 96, 0.38%, 0.66%

LAB 77.18, -24.65, 28.35

 

CMYK 21 / 0 / 36 / 28

HEX #92B876

RGB 146 184 118

HSL 94.55, 0.32%, 0.59%

LAB 70.66, -24.76, 29.47

 

CMYK 22 / 0 / 40 / 35

HEX #81A663

RGB 129 166 99

HSL 93.13, 0.27%, 0.52%

LAB 64.03, -24.85, 30.65

 

CMYK 24 / 0 / 46 / 42

HEX #709450

RGB 112 148 80

HSL 91.76, 0.3%, 0.45%

LAB 57.27, -24.92, 31.88

 

CMYK 18 / 0 / 29 / 14

HEX #B4DC9C

RGB 180 220 156

HSL 97.5, 0.48%, 0.74%

LAB 83.59, -24.54, 27.28

 

CMYK 23 / 0 / 29 / 14

HEX #AADC9C

RGB 170 220 156

HSL 106.88, 0.48%, 0.74%

LAB 82.98, -28.01, 26.35

 

CMYK 27 / 0 / 29 / 14

HEX #A0DC9C

RGB 160 220 156

HSL 116.25, 0.48%, 0.74%

LAB 82.41, -31.36, 25.48

 

CMYK 29 / 0 / 25 / 14

HEX #9CDCA4

RGB 156 220 164

HSL 127.5, 0.48%, 0.74%

LAB 82.34, -31.32, 21.18

 

CMYK 29 / 0 / 21 / 14

HEX #9CDCAE

RGB 156 220 174

HSL 136.88, 0.48%, 0.74%

LAB 82.55, -29.53, 16.22

 

CMYK 18 / 0 / 29 / 14

HEX #B4DC9C

RGB 180 220 156

HSL 97.5, 0.48%, 0.74%

LAB 83.59, -24.54, 27.28

 

CMYK 19 / 0 / 31 / 94

HEX #0D100B

RGB 13 16 11

HSL 96, 0.19%, 0.05%

LAB 4.34, -1.84, 1.94

 

CMYK 18 / 0 / 28 / 74

HEX #374330

RGB 55 67 48

HSL 97.89, 0.17%, 0.23%

LAB 26.85, -9.1, 9.97

 

CMYK 18 / 0 / 29 / 54

HEX #617654

RGB 97 118 84

HSL 97.06, 0.17%, 0.4%

LAB 47.16, -14.55, 16.26

 

CMYK 18 / 0 / 29 / 34

HEX #8AA978

RGB 138 169 120

HSL 97.96, 0.22%, 0.57%

LAB 65.85, -19.89, 21.89

 

CMYK 18 / 0 / 29 / 14

HEX #B4DC9C

RGB 180 220 156

HSL 97.5, 0.48%, 0.74%

LAB 83.59, -24.54, 27.28

 

CMYK 29 / 0 / 5 / 14

HEX #9CDCD0

RGB 156 220 208

HSL 168.75, 0.48%, 0.74%

LAB 83.34, -22.72, -0.61

 

CMYK 0 / 29 / 6 / 14

HEX #DC9CCE

RGB 220 156 206

HSL 313.13, 0.48%, 0.74%

LAB 71.86, 31.66, -16.06

 

CMYK 18 / 0 / 29 / 14

HEX #B4DC9C

RGB 180 220 156

HSL 97.5, 0.48%, 0.74%

LAB 83.59, -24.54, 27.28

 

CMYK 29 / 18 / 0 / 14

HEX #9CB5DC

RGB 156 181 220

HSL 216.56, 0.48%, 0.74%

LAB 73.08, 0.33, -22.4

 

CMYK 0 / 29 / 18 / 14

HEX #DC9CB5

RGB 220 156 181

HSL 336.56, 0.48%, 0.74%

LAB 71.1, 27.52, -3.37

 

CMYK 18 / 0 / 29 / 14

HEX #B4DC9C

RGB 180 220 156

HSL 97.5, 0.48%, 0.74%

LAB 83.59, -24.54, 27.28

 

CMYK 29 / 0 / 5 / 14

HEX #9CDCD0

RGB 156 220 208

HSL 168.75, 0.48%, 0.74%

LAB 83.34, -22.72, -0.61

 

CMYK 11 / 29 / 0 / 14

HEX #C49CDC

RGB 196 156 220

HSL 277.5, 0.48%, 0.74%

LAB 69.95, 26.51, -26.9

 

CMYK 0 / 29 / 24 / 14

HEX #DC9CA8

RGB 220 156 168

HSL 348.75, 0.48%, 0.74%

LAB 70.75, 25.56, 3.33

 

CMYK 18 / 0 / 29 / 14

HEX #B4DC9C

RGB 180 220 156

HSL 97.5, 0.48%, 0.74%

LAB 83.59, -24.54, 27.28

 

CMYK 29 / 3 / 0 / 14

HEX #9CD5DC

RGB 156 213 220

HSL 186.56, 0.48%, 0.74%

LAB 81.74, -16.54, -9.36

 

CMYK 11 / 29 / 0 / 14

HEX #C49CDC

RGB 196 156 220

HSL 277.5, 0.48%, 0.74%

LAB 69.95, 26.51, -26.9

 

CMYK 0 / 25 / 29 / 14

HEX #DCA49C

RGB 220 164 156

HSL 7.5, 0.48%, 0.74%

LAB 72.34, 19.57, 12.24

 

Description

Color code: HEX #B4DC9C | qconv.com Color code: HEX #B4DC9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 220 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 220 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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