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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4CC00 it is the complementary color #4B33FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4CC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B4CC00: #B9CC00, #CADE0E, #DBF021, #ECFF34 and #FDFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4CC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B4CC00: #B4CC00, #A3BA00, #92A800, #819600 and #708400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 100 / 20

HEX #B4CC00

RGB 180 204 0

HSL 67.06, 1%, 0.4%

LAB 77.81, -28.36, 77.7

 

Complementary color

CMYK 71 / 80 / 0 / 0

HEX #4B33FF

RGB 75 51 255

HSL 247.06, 1%, 0.6%

LAB 39.72, 67.45, -95.43

 

CMYK 9 / 0 / 100 / 20

HEX #B9CC00

RGB 185 204 0

HSL 65.59, 1%, 0.4%

LAB 78.17, -26.28, 78.13

 

CMYK 9 / 0 / 94 / 13

HEX #CADE0E

RGB 202 222 14

HSL 65.77, 0.88%, 0.46%

LAB 84.4, -27.62, 82.07

 

CMYK 9 / 0 / 86 / 6

HEX #DBF021

RGB 219 240 33

HSL 66.09, 0.87%, 0.54%

LAB 90.55, -28.8, 84.72

 

CMYK 7 / 0 / 80 / 0

HEX #ECFF34

RGB 236 255 52

HSL 65.62, 1%, 0.6%

LAB 95.83, -28.42, 85.54

 

CMYK 1 / 0 / 72 / 0

HEX #FDFF47

RGB 253 255 71

HSL 60.65, 1%, 0.64%

LAB 97.17, -20.88, 81.8

 

CMYK 12 / 0 / 100 / 20

HEX #B4CC00

RGB 180 204 0

HSL 67.06, 1%, 0.4%

LAB 77.81, -28.36, 77.7

 

CMYK 12 / 0 / 100 / 27

HEX #A3BA00

RGB 163 186 0

HSL 67.42, 1%, 0.36%

LAB 71.49, -26.89, 72.44

 

CMYK 13 / 0 / 100 / 34

HEX #92A800

RGB 146 168 0

HSL 67.86, 1%, 0.33%

LAB 65.05, -25.4, 67.08

 

CMYK 14 / 0 / 100 / 41

HEX #819600

RGB 129 150 0

HSL 68.4, 1%, 0.29%

LAB 58.49, -23.88, 61.62

 

CMYK 15 / 0 / 100 / 48

HEX #708400

RGB 112 132 0

HSL 69.09, 1%, 0.26%

LAB 51.78, -22.34, 56.03

 

CMYK 12 / 0 / 100 / 20

HEX #B4CC00

RGB 180 204 0

HSL 67.06, 1%, 0.4%

LAB 77.81, -28.36, 77.7

 

CMYK 28 / 0 / 100 / 20

HEX #92CC00

RGB 146 204 0

HSL 77.06, 1%, 0.4%

LAB 75.64, -41.98, 75.1

 

CMYK 45 / 0 / 100 / 20

HEX #70CC00

RGB 112 204 0

HSL 87.06, 1%, 0.4%

LAB 73.95, -53.95, 73.07

 

CMYK 62 / 0 / 100 / 20

HEX #4ECC00

RGB 78 204 0

HSL 97.06, 1%, 0.4%

LAB 72.76, -63.38, 71.63

 

CMYK 78 / 0 / 100 / 20

HEX #2CCC00

RGB 44 204 0

HSL 107.06, 1%, 0.4%

LAB 72.04, -69.59, 70.75

 

CMYK 12 / 0 / 100 / 20

HEX #B4CC00

RGB 180 204 0

HSL 67.06, 1%, 0.4%

LAB 77.81, -28.36, 77.7

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 12 / 0 / 100 / 80

HEX #2D3300

RGB 45 51 0

HSL 67.06, 1%, 0.1%

LAB 19.74, -10.16, 27.67

 

CMYK 12 / 0 / 100 / 60

HEX #5A6600

RGB 90 102 0

HSL 67.06, 1%, 0.2%

LAB 40.7, -16.76, 46.98

 

CMYK 12 / 0 / 100 / 40

HEX #879900

RGB 135 153 0

HSL 67.06, 1%, 0.3%

LAB 59.83, -22.75, 62.82

 

CMYK 12 / 0 / 100 / 20

HEX #B4CC00

RGB 180 204 0

HSL 67.06, 1%, 0.4%

LAB 77.81, -28.36, 77.7

 

CMYK 100 / 0 / 69 / 20

HEX #00CC40

RGB 0 204 64

HSL 138.82, 1%, 0.4%

LAB 71.93, -69.62, 55.53

 

CMYK 28 / 100 / 0 / 20

HEX #9200CC

RGB 146 0 204

HSL 282.94, 1%, 0.4%

LAB 38.67, 74.79, -67.81

 

CMYK 12 / 0 / 100 / 20

HEX #B4CC00

RGB 180 204 0

HSL 67.06, 1%, 0.4%

LAB 77.81, -28.36, 77.7

 

CMYK 100 / 12 / 0 / 20

HEX #00B4CC

RGB 0 180 204

HSL 187.06, 1%, 0.4%

LAB 67.28, -29.38, -22.93

 

CMYK 0 / 100 / 12 / 20

HEX #CC00B4

RGB 204 0 180

HSL 307.06, 1%, 0.4%

LAB 47.15, 79.73, -39.6

 

CMYK 12 / 0 / 100 / 20

HEX #B4CC00

RGB 180 204 0

HSL 67.06, 1%, 0.4%

LAB 77.81, -28.36, 77.7

 

CMYK 100 / 0 / 69 / 20

HEX #00CC40

RGB 0 204 64

HSL 138.82, 1%, 0.4%

LAB 71.93, -69.62, 55.53

 

CMYK 89 / 100 / 0 / 20

HEX #1700CC

RGB 23 0 204

HSL 246.76, 1%, 0.4%

LAB 25.39, 67.12, -90.22

 

CMYK 0 / 100 / 32 / 20

HEX #CC008B

RGB 204 0 139

HSL 319.12, 1%, 0.4%

LAB 45.22, 74.88, -18.05

 

CMYK 12 / 0 / 100 / 20

HEX #B4CC00

RGB 180 204 0

HSL 67.06, 1%, 0.4%

LAB 77.81, -28.36, 77.7

 

CMYK 100 / 0 / 39 / 20

HEX #00CC7D

RGB 0 204 125

HSL 156.76, 1%, 0.4%

LAB 72.67, -60.59, 27.71

 

CMYK 89 / 100 / 0 / 20

HEX #1700CC

RGB 23 0 204

HSL 246.76, 1%, 0.4%

LAB 25.39, 67.12, -90.22

 

CMYK 0 / 100 / 62 / 20

HEX #CC004E

RGB 204 0 78

HSL 337.06, 1%, 0.4%

LAB 43.34, 69.94, 17.15

 

Description

Color code: HEX #B4CC00 | qconv.com Color code: HEX #B4CC00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 204 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 204 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 100 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 100% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - - Lastehoid Kaheksaj...
Link: http://kaheksajalg.ee

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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