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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B49559 it is the complementary color #4B6AA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B49559. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B49559 shade: #B99554, #CAA767, #DBB97A, #ECCB8D and #FDDDA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B49559. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B49559 shade: #B49559, #A38346, #927133, #815F20 and #704D0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B49559 shade: #B5965A, #B57D5A, #B5655A and #B55A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B49559 shade: #B5965A, #B5AE5A, #A3B55A, #8AB55A and #71B55A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B49559 shade matches the following richer shades: #B5965A, #C89C46, #DBA233 and #EFA81F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B49559 shade: #B5965A, #A18F6D, #8E8980, #7B8394 and #677DA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B49559 shade: #B5645A, #B57D5A, #B5955A, #B5AD5A and #A4B55A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B49559 shade: #82693A, #9E8047, #B5965A, #C1A876 and #CEBA93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B49559 shade: #B49559, #67B55A and #705AB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B49559 shade: #B49559, #5AB595 and #955AB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B49559 shade: #B49559, #67B55A, #5A79B5 and #A75AB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B49559 shade: #B49559, #5AB567, #5A79B5 and #B55AA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 51 / 29

HEX #B49559

RGB 180 149 89

HSL 39.56, 0.38%, 0.53%

LAB 63.28, 3.84, 35.84

 

Complementary color

CMYK 55 / 36 / 0 / 35

HEX #4B6AA6

RGB 75 106 166

HSL 219.56, 0.38%, 0.47%

LAB 45.02, 6.81, -35.72

 

CMYK 0 / 19 / 55 / 27

HEX #B99554

RGB 185 149 84

HSL 38.61, 0.42%, 0.53%

LAB 63.71, 5.53, 39.09

 

CMYK 0 / 17 / 49 / 21

HEX #CAA767

RGB 202 167 103

HSL 38.79, 0.48%, 0.6%

LAB 70.3, 4.66, 37.74

 

CMYK 0 / 16 / 44 / 14

HEX #DBB97A

RGB 219 185 122

HSL 38.97, 0.57%, 0.67%

LAB 76.78, 3.93, 36.44

 

CMYK 0 / 14 / 40 / 7

HEX #ECCB8D

RGB 236 203 141

HSL 39.16, 0.71%, 0.74%

LAB 83.16, 3.29, 35.21

 

CMYK 0 / 13 / 37 / 1

HEX #FDDDA0

RGB 253 221 160

HSL 39.35, 0.96%, 0.81%

LAB 89.46, 2.74, 34.04

 

CMYK 0 / 17 / 51 / 29

HEX #B49559

RGB 180 149 89

HSL 39.56, 0.38%, 0.53%

LAB 63.28, 3.84, 35.84

 

CMYK 0 / 20 / 57 / 36

HEX #A38346

RGB 163 131 70

HSL 39.35, 0.4%, 0.46%

LAB 56.55, 4.75, 37.21

 

CMYK 0 / 23 / 65 / 43

HEX #927133

RGB 146 113 51

HSL 39.16, 0.48%, 0.39%

LAB 49.69, 5.87, 38.57

 

CMYK 0 / 26 / 75 / 49

HEX #815F20

RGB 129 95 32

HSL 38.97, 0.6%, 0.32%

LAB 42.7, 7.27, 39.74

 

CMYK 0 / 31 / 88 / 56

HEX #704D0D

RGB 112 77 13

HSL 38.79, 0.79%, 0.25%

LAB 35.56, 9.05, 40.12

 

CMYK 0 / 17 / 50 / 29

HEX #B5965A

RGB 181 150 90

HSL 39.56, 0.38%, 0.53%

LAB 63.65, 3.81, 35.8

 

CMYK 0 / 31 / 50 / 29

HEX #B57D5A

RGB 181 125 90

HSL 23.08, 0.38%, 0.53%

LAB 57.3, 17.68, 27.76

 

CMYK 0 / 44 / 50 / 29

HEX #B5655A

RGB 181 101 90

HSL 7.25, 0.38%, 0.53%

LAB 51.69, 30.95, 20.39

 

CMYK 0 / 50 / 50 / 29

HEX #B55A5A

RGB 181 90 90

HSL 0, 0.38%, 0.53%

LAB 49.34, 36.81, 17.23

 

CMYK 0 / 17 / 50 / 29

HEX #B5965A

RGB 181 150 90

HSL 39.56, 0.38%, 0.53%

LAB 63.65, 3.81, 35.8

 

CMYK 0 / 4 / 50 / 29

HEX #B5AE5A

RGB 181 174 90

HSL 55.38, 0.38%, 0.53%

LAB 70.06, -9.06, 43.6

 

CMYK 10 / 0 / 50 / 29

HEX #A3B55A

RGB 163 181 90

HSL 71.87, 0.38%, 0.53%

LAB 70.58, -20.07, 43.88

 

CMYK 24 / 0 / 50 / 29

HEX #8AB55A

RGB 138 181 90

HSL 88.35, 0.38%, 0.53%

LAB 68.89, -29.87, 41.45

 

CMYK 38 / 0 / 50 / 29

HEX #71B55A

RGB 113 181 90

HSL 104.84, 0.38%, 0.53%

LAB 67.5, -38.79, 39.43

 

CMYK 0 / 17 / 50 / 29

HEX #B5965A

RGB 181 150 90

HSL 39.56, 0.38%, 0.53%

LAB 63.65, 3.81, 35.8

 

CMYK 0 / 22 / 65 / 22

HEX #C89C46

RGB 200 156 70

HSL 39.69, 0.54%, 0.53%

LAB 66.9, 7.14, 50.07

 

CMYK 0 / 26 / 77 / 14

HEX #DBA233

RGB 219 162 51

HSL 39.64, 0.7%, 0.53%

LAB 70.27, 11.17, 62.21

 

CMYK 0 / 30 / 87 / 6

HEX #EFA81F

RGB 239 168 31

HSL 39.52, 0.87%, 0.53%

LAB 73.84, 15.97, 72.42

 

CMYK 0 / 17 / 50 / 29

HEX #B5965A

RGB 181 150 90

HSL 39.56, 0.38%, 0.53%

LAB 63.65, 3.81, 35.8

 

CMYK 0 / 11 / 32 / 37

HEX #A18F6D

RGB 161 143 109

HSL 39.23, 0.22%, 0.53%

LAB 60.18, 1.45, 20.58

 

CMYK 0 / 4 / 10 / 44

HEX #8E8980

RGB 142 137 128

HSL 38.57, 0.06%, 0.53%

LAB 57.27, 0.2, 5.48

 

CMYK 17 / 11 / 0 / 42

HEX #7B8394

RGB 123 131 148

HSL 220.8, 0.1%, 0.53%

LAB 54.64, 0.79, -10.11

 

CMYK 38 / 25 / 0 / 35

HEX #677DA7

RGB 103 125 167

HSL 219.38, 0.27%, 0.53%

LAB 52.22, 2.86, -24.94

 

CMYK 0 / 45 / 50 / 29

HEX #B5645A

RGB 181 100 90

HSL 6.59, 0.38%, 0.53%

LAB 51.47, 31.49, 20.09

 

CMYK 0 / 31 / 50 / 29

HEX #B57D5A

RGB 181 125 90

HSL 23.08, 0.38%, 0.53%

LAB 57.3, 17.68, 27.76

 

CMYK 0 / 18 / 50 / 29

HEX #B5955A

RGB 181 149 90

HSL 38.9, 0.38%, 0.53%

LAB 63.39, 4.36, 35.47

 

CMYK 0 / 4 / 50 / 29

HEX #B5AD5A

RGB 181 173 90

HSL 54.73, 0.38%, 0.53%

LAB 69.79, -8.53, 43.28

 

CMYK 9 / 0 / 50 / 29

HEX #A4B55A

RGB 164 181 90

HSL 71.21, 0.38%, 0.53%

LAB 70.65, -19.67, 43.98

 

CMYK 0 / 19 / 55 / 49

HEX #82693A

RGB 130 105 58

HSL 39.17, 0.38%, 0.37%

LAB 45.85, 3.76, 29.95

 

CMYK 0 / 19 / 55 / 38

HEX #9E8047

RGB 158 128 71

HSL 39.31, 0.38%, 0.45%

LAB 55.24, 4.32, 34.99

 

CMYK 0 / 17 / 50 / 29

HEX #B5965A

RGB 181 150 90

HSL 39.56, 0.38%, 0.53%

LAB 63.65, 3.81, 35.8

 

CMYK 0 / 13 / 39 / 24

HEX #C1A876

RGB 193 168 118

HSL 40, 0.38%, 0.61%

LAB 69.93, 1.99, 29.19

 

CMYK 0 / 10 / 29 / 19

HEX #CEBA93

RGB 206 186 147

HSL 39.66, 0.38%, 0.69%

LAB 76.28, 1.18, 22.39

 

CMYK 0 / 17 / 51 / 29

HEX #B49559

RGB 180 149 89

HSL 39.56, 0.38%, 0.53%

LAB 63.28, 3.84, 35.84

 

CMYK 43 / 0 / 50 / 29

HEX #67B55A

RGB 103 181 90

HSL 111.43, 0.38%, 0.53%

LAB 67.03, -42.01, 38.75

 

CMYK 38 / 50 / 0 / 29

HEX #705AB5

RGB 112 90 181

HSL 254.51, 0.38%, 0.53%

LAB 44.37, 30.5, -45.39

 

CMYK 0 / 17 / 51 / 29

HEX #B49559

RGB 180 149 89

HSL 39.56, 0.38%, 0.53%

LAB 63.28, 3.84, 35.84

 

CMYK 50 / 0 / 18 / 29

HEX #5AB595

RGB 90 181 149

HSL 158.9, 0.38%, 0.53%

LAB 67.57, -34.95, 8.04

 

CMYK 18 / 50 / 0 / 29

HEX #955AB5

RGB 149 90 181

HSL 278.9, 0.38%, 0.53%

LAB 48.31, 40.55, -38.89

 

CMYK 0 / 17 / 51 / 29

HEX #B49559

RGB 180 149 89

HSL 39.56, 0.38%, 0.53%

LAB 63.28, 3.84, 35.84

 

CMYK 43 / 0 / 50 / 29

HEX #67B55A

RGB 103 181 90

HSL 111.43, 0.38%, 0.53%

LAB 67.03, -42.01, 38.75

 

CMYK 50 / 33 / 0 / 29

HEX #5A79B5

RGB 90 121 181

HSL 219.56, 0.38%, 0.53%

LAB 50.9, 5.99, -35.15

 

CMYK 8 / 50 / 0 / 29

HEX #A75AB5

RGB 167 90 181

HSL 290.77, 0.38%, 0.53%

LAB 50.53, 45.67, -35.24

 

CMYK 0 / 17 / 51 / 29

HEX #B49559

RGB 180 149 89

HSL 39.56, 0.38%, 0.53%

LAB 63.28, 3.84, 35.84

 

CMYK 50 / 0 / 43 / 29

HEX #5AB567

RGB 90 181 103

HSL 128.57, 0.38%, 0.53%

LAB 66.67, -43.92, 31.57

 

CMYK 50 / 33 / 0 / 29

HEX #5A79B5

RGB 90 121 181

HSL 219.56, 0.38%, 0.53%

LAB 50.9, 5.99, -35.15

 

CMYK 0 / 50 / 8 / 29

HEX #B55AA7

RGB 181 90 167

HSL 309.23, 0.38%, 0.53%

LAB 51.75, 47.2, -25.03

 

Description

Color code: HEX #B49559 | qconv.com Color code: HEX #B49559 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 149 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 149 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 51 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 51% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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