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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 14 / 40 / 7 it is the complementary color CMYK 84 / 55 / 0 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 14 / 40 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 14 / 40 / 7: CMYK 0 / 16 / 43 / 5, CMYK 0 / 13 / 39 / 0, CMYK 0 / 6 / 31 / 0, CMYK 0 / 0 / 24 / 0 and CMYK 0 / 0 / 16 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 14 / 40 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 14 / 40 / 7: CMYK 0 / 14 / 40 / 7, CMYK 0 / 15 / 44 / 14, CMYK 0 / 17 / 49 / 20, CMYK 0 / 19 / 54 / 27 and CMYK 0 / 22 / 61 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 40 / 7

HEX #EDCC8E

RGB 237 204 142

HSL 39.16, 0.73%, 0.74%

LAB 83.52, 3.27, 35.18

 

Complementary color

CMYK 84 / 55 / 0 / 56

HEX #123371

RGB 18 51 113

HSL 219.16, 0.73%, 0.26%

LAB 22.61, 13.28, -39.19

 

CMYK 0 / 16 / 43 / 5

HEX #F2CC89

RGB 242 204 137

HSL 38.29, 0.8%, 0.74%

LAB 83.9, 4.73, 38.32

 

CMYK 0 / 13 / 39 / 0

HEX #FFDE9C

RGB 255 222 156

HSL 40, 1%, 0.81%

LAB 89.81, 2.55, 36.58

 

CMYK 0 / 6 / 31 / 0

HEX #FFF0AF

RGB 255 240 175

HSL 48.75, 1%, 0.84%

LAB 94.6, -4.37, 33.3

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 14 / 40 / 7

HEX #EDCC8E

RGB 237 204 142

HSL 39.16, 0.73%, 0.74%

LAB 83.52, 3.27, 35.18

 

CMYK 0 / 15 / 44 / 14

HEX #DCBA7B

RGB 220 186 123

HSL 38.97, 0.58%, 0.67%

LAB 77.14, 3.9, 36.41

 

CMYK 0 / 17 / 49 / 20

HEX #CBA868

RGB 203 168 104

HSL 38.79, 0.49%, 0.6%

LAB 70.66, 4.64, 37.7

 

CMYK 0 / 19 / 54 / 27

HEX #BA9655

RGB 186 150 85

HSL 38.61, 0.42%, 0.53%

LAB 64.09, 5.5, 39.05

 

CMYK 0 / 22 / 61 / 34

HEX #A98442

RGB 169 132 66

HSL 38.45, 0.44%, 0.46%

LAB 57.4, 6.52, 40.42

 

CMYK 0 / 14 / 40 / 7

HEX #EDCC8E

RGB 237 204 142

HSL 39.16, 0.73%, 0.74%

LAB 83.52, 3.27, 35.18

 

CMYK 0 / 8 / 41 / 7

HEX #EDDB8C

RGB 237 219 140

HSL 48.87, 0.73%, 0.74%

LAB 87.27, -4.64, 41.04

 

CMYK 0 / 1 / 41 / 7

HEX #EDEB8C

RGB 237 235 140

HSL 58.76, 0.73%, 0.74%

LAB 91.38, -12.66, 46.24

 

CMYK 6 / 0 / 41 / 7

HEX #DEED8C

RGB 222 237 140

HSL 69.28, 0.73%, 0.74%

LAB 90.78, -19.4, 45.25

 

CMYK 13 / 0 / 41 / 7

HEX #CEED8C

RGB 206 237 140

HSL 79.18, 0.73%, 0.74%

LAB 89.67, -25.42, 43.61

 

CMYK 0 / 14 / 40 / 7

HEX #EDCC8E

RGB 237 204 142

HSL 39.16, 0.73%, 0.74%

LAB 83.52, 3.27, 35.18

 

CMYK 0 / 15 / 39 / 87

HEX #211C14

RGB 33 28 20

HSL 36.92, 0.25%, 0.1%

LAB 10.59, 0.8, 6.35

 

CMYK 0 / 14 / 40 / 67

HEX #544832

RGB 84 72 50

HSL 38.82, 0.25%, 0.26%

LAB 31.23, 1.4, 15.08

 

CMYK 0 / 14 / 40 / 47

HEX #877451

RGB 135 116 81

HSL 38.89, 0.25%, 0.42%

LAB 49.78, 2.11, 22.08

 

CMYK 0 / 14 / 40 / 27

HEX #BAA06F

RGB 186 160 111

HSL 39.2, 0.35%, 0.58%

LAB 67.07, 2.65, 29.07

 

CMYK 0 / 14 / 40 / 7

HEX #EDCC8E

RGB 237 204 142

HSL 39.16, 0.73%, 0.74%

LAB 83.52, 3.27, 35.18

 

CMYK 35 / 0 / 41 / 7

HEX #9AED8C

RGB 154 237 140

HSL 111.34, 0.73%, 0.74%

LAB 86.67, -43.41, 39.17

 

CMYK 31 / 41 / 0 / 7

HEX #A48CED

RGB 164 140 237

HSL 254.85, 0.73%, 0.74%

LAB 63.97, 29.92, -45.8

 

CMYK 0 / 14 / 40 / 7

HEX #EDCC8E

RGB 237 204 142

HSL 39.16, 0.73%, 0.74%

LAB 83.52, 3.27, 35.18

 

CMYK 41 / 0 / 14 / 7

HEX #8CEDCB

RGB 140 237 203

HSL 158.97, 0.73%, 0.74%

LAB 87.22, -36.29, 7.54

 

CMYK 14 / 41 / 0 / 7

HEX #CB8CED

RGB 203 140 237

HSL 278.97, 0.73%, 0.74%

LAB 67.7, 40.94, -39.68

 

CMYK 0 / 14 / 40 / 7

HEX #EDCC8E

RGB 237 204 142

HSL 39.16, 0.73%, 0.74%

LAB 83.52, 3.27, 35.18

 

CMYK 35 / 0 / 41 / 7

HEX #9AED8C

RGB 154 237 140

HSL 111.34, 0.73%, 0.74%

LAB 86.67, -43.41, 39.17

 

CMYK 41 / 27 / 0 / 7

HEX #8CAEED

RGB 140 174 237

HSL 218.97, 0.73%, 0.74%

LAB 70.84, 4.19, -35.18

 

CMYK 6 / 41 / 0 / 7

HEX #DE8CED

RGB 222 140 237

HSL 290.72, 0.73%, 0.74%

LAB 69.75, 46.49, -36.33

 

CMYK 0 / 14 / 40 / 7

HEX #EDCC8E

RGB 237 204 142

HSL 39.16, 0.73%, 0.74%

LAB 83.52, 3.27, 35.18

 

CMYK 41 / 0 / 35 / 7

HEX #8CED9A

RGB 140 237 154

HSL 128.66, 0.73%, 0.74%

LAB 86.24, -45.51, 31.49

 

CMYK 41 / 27 / 0 / 7

HEX #8CAEED

RGB 140 174 237

HSL 218.97, 0.73%, 0.74%

LAB 70.84, 4.19, -35.18

 

CMYK 0 / 41 / 6 / 7

HEX #ED8CDE

RGB 237 140 222

HSL 309.28, 0.73%, 0.74%

LAB 70.89, 48.3, -26.17

 

Description

Color code: CMYK 0 / 14 / 40 / 7 | qconv.com Color code: CMYK 0 / 14 / 40 / 7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 204 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 204 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 40 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 40% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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