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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B41DFF it is the complementary color #4BE200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B41DFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B41DFF: #B91DFA, #CA2FFF, #DB41FF, #EC53FF and #FD65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B41DFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B41DFF: #B41DFF, #A30BEC, #9200D9, #8100C6 and #7000B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 89 / 0 / 0

HEX #B41DFF

RGB 180 29 255

HSL 280.09, 1%, 0.56%

LAB 49.26, 84.83, -79.32

 

Complementary color

CMYK 67 / 0 / 100 / 11

HEX #4BE200

RGB 75 226 0

HSL 100.09, 1%, 0.44%

LAB 79.55, -71.05, 76.98

 

CMYK 26 / 88 / 0 / 2

HEX #B91DFA

RGB 185 29 250

HSL 282.35, 0.96%, 0.55%

LAB 49.61, 84.57, -75.92

 

CMYK 21 / 82 / 0 / 0

HEX #CA2FFF

RGB 202 47 255

HSL 284.71, 1%, 0.59%

LAB 53.82, 84.13, -71.74

 

CMYK 14 / 75 / 0 / 0

HEX #DB41FF

RGB 219 65 255

HSL 288.63, 1%, 0.63%

LAB 58.09, 81.96, -64.72

 

CMYK 7 / 67 / 0 / 0

HEX #EC53FF

RGB 236 83 255

HSL 293.37, 1%, 0.66%

LAB 62.71, 79.24, -57.2

 

CMYK 1 / 60 / 0 / 0

HEX #FD65FF

RGB 253 101 255

HSL 299.22, 1%, 0.7%

LAB 67.58, 76.16, -49.32

 

CMYK 29 / 89 / 0 / 0

HEX #B41DFF

RGB 180 29 255

HSL 280.09, 1%, 0.56%

LAB 49.26, 84.83, -79.32

 

CMYK 31 / 95 / 0 / 7

HEX #A30BEC

RGB 163 11 236

HSL 280.53, 0.91%, 0.48%

LAB 44.35, 81.67, -76.77

 

CMYK 33 / 100 / 0 / 15

HEX #9200D9

RGB 146 0 217

HSL 280.37, 1%, 0.43%

LAB 39.78, 77.24, -73.52

 

CMYK 35 / 100 / 0 / 22

HEX #8100C6

RGB 129 0 198

HSL 279.09, 1%, 0.39%

LAB 35.49, 71.68, -69.64

 

CMYK 37 / 100 / 0 / 30

HEX #7000B3

RGB 112 0 179

HSL 277.54, 1%, 0.35%

LAB 31.11, 66.04, -65.69

 

CMYK 29 / 89 / 0 / 0

HEX #B41DFF

RGB 180 29 255

HSL 280.09, 1%, 0.56%

LAB 49.26, 84.83, -79.32

 

CMYK 15 / 88 / 0 / 0

HEX #D91EFF

RGB 217 30 255

HSL 289.87, 1%, 0.56%

LAB 54.97, 89.85, -69.78

 

CMYK 0 / 88 / 0 / 0

HEX #FF1EFF

RGB 255 30 255

HSL 300, 1%, 0.56%

LAB 61.14, 95.83, -59.53

 

CMYK 0 / 88 / 15 / 0

HEX #FF1ED9

RGB 255 30 217

HSL 310.13, 1%, 0.56%

LAB 59.16, 90.75, -41.4

 

CMYK 0 / 88 / 29 / 0

HEX #FF1EB4

RGB 255 30 180

HSL 320, 1%, 0.56%

LAB 57.54, 86.47, -22.69

 

CMYK 29 / 89 / 0 / 0

HEX #B41DFF

RGB 180 29 255

HSL 280.09, 1%, 0.56%

LAB 49.26, 84.83, -79.32

 

CMYK 29 / 88 / 0 / 80

HEX #240633

RGB 36 6 51

HSL 280, 0.79%, 0.11%

LAB 6.72, 24.33, -22.56

 

CMYK 29 / 88 / 0 / 60

HEX #480C66

RGB 72 12 102

HSL 280, 0.79%, 0.22%

LAB 18.36, 41.72, -38.72

 

CMYK 29 / 89 / 0 / 40

HEX #6C1199

RGB 108 17 153

HSL 280.15, 0.8%, 0.33%

LAB 29.13, 57.24, -53.24

 

CMYK 29 / 89 / 0 / 20

HEX #9017CC

RGB 144 23 204

HSL 280.11, 0.8%, 0.45%

LAB 39.41, 71.39, -66.62

 

CMYK 29 / 89 / 0 / 0

HEX #B41DFF

RGB 180 29 255

HSL 280.09, 1%, 0.56%

LAB 49.26, 84.83, -79.32

 

CMYK 0 / 88 / 76 / 0

HEX #FF1E3C

RGB 255 30 60

HSL 352, 1%, 0.56%

LAB 54.57, 78.23, 43.99

 

CMYK 88 / 0 / 65 / 0

HEX #1EFF5A

RGB 30 255 90

HSL 136, 1%, 0.56%

LAB 88.23, -80.45, 62.94

 

CMYK 29 / 89 / 0 / 0

HEX #B41DFF

RGB 180 29 255

HSL 280.09, 1%, 0.56%

LAB 49.26, 84.83, -79.32

 

CMYK 0 / 29 / 88 / 0

HEX #FFB41E

RGB 255 180 30

HSL 40, 1%, 0.56%

LAB 78.46, 16.45, 77.04

 

CMYK 88 / 0 / 29 / 0

HEX #1EFFB4

RGB 30 255 180

HSL 160, 1%, 0.56%

LAB 89.44, -66.12, 22.19

 

CMYK 29 / 89 / 0 / 0

HEX #B41DFF

RGB 180 29 255

HSL 280.09, 1%, 0.56%

LAB 49.26, 84.83, -79.32

 

CMYK 0 / 88 / 76 / 0

HEX #FF1E3C

RGB 255 30 60

HSL 352, 1%, 0.56%

LAB 54.57, 78.23, 43.99

 

CMYK 59 / 0 / 88 / 0

HEX #69FF1E

RGB 105 255 30

HSL 100, 1%, 0.56%

LAB 89.21, -73.21, 81.85

 

CMYK 88 / 0 / 12 / 0

HEX #1EFFE1

RGB 30 255 225

HSL 172, 1%, 0.56%

LAB 90.43, -55.42, 0.42

 

CMYK 29 / 89 / 0 / 0

HEX #B41DFF

RGB 180 29 255

HSL 280.09, 1%, 0.56%

LAB 49.26, 84.83, -79.32

 

CMYK 0 / 73 / 88 / 0

HEX #FF441E

RGB 255 68 30

HSL 10.13, 1%, 0.56%

LAB 57.55, 68.42, 61.14

 

CMYK 59 / 0 / 88 / 0

HEX #69FF1E

RGB 105 255 30

HSL 100, 1%, 0.56%

LAB 89.21, -73.21, 81.85

 

CMYK 88 / 15 / 0 / 0

HEX #1ED9FF

RGB 30 217 255

HSL 190.13, 1%, 0.56%

LAB 80.25, -29.84, -30.61

 

Description

Color code: HEX #B41DFF | qconv.com Color code: HEX #B41DFF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 29 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 29 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 89 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 89% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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