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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 26 / 88 / 0 / 2 it is the complementary color CMYK 69 / 0 / 98 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 26 / 88 / 0 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 26 / 88 / 0 / 2: CMYK 22 / 88 / 0 / 4, CMYK 19 / 81 / 0 / 0, CMYK 12 / 74 / 0 / 0, CMYK 5 / 67 / 0 / 0 and CMYK 0 / 60 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 26 / 88 / 0 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 26 / 88 / 0 / 2: CMYK 26 / 88 / 0 / 2, CMYK 27 / 95 / 0 / 9, CMYK 29 / 100 / 0 / 17, CMYK 31 / 100 / 0 / 24 and CMYK 33 / 100 / 0 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 88 / 0 / 2

HEX #B91EFA

RGB 185 30 250

HSL 282.27, 0.96%, 0.55%

LAB 49.67, 84.39, -75.82

 

Complementary color

CMYK 69 / 0 / 98 / 12

HEX #46E105

RGB 70 225 5

HSL 102.27, 0.96%, 0.45%

LAB 79.14, -71.62, 76.15

 

CMYK 22 / 88 / 0 / 4

HEX #BE1EF5

RGB 190 30 245

HSL 284.65, 0.91%, 0.54%

LAB 50.06, 84.19, -72.36

 

CMYK 19 / 81 / 0 / 0

HEX #CF30FF

RGB 207 48 255

HSL 286.09, 1%, 0.59%

LAB 54.66, 84.68, -70.36

 

CMYK 12 / 74 / 0 / 0

HEX #E042FF

RGB 224 66 255

HSL 290.16, 1%, 0.63%

LAB 58.94, 82.58, -63.33

 

CMYK 5 / 67 / 0 / 0

HEX #F154FF

RGB 241 84 255

HSL 295.09, 1%, 0.66%

LAB 63.56, 79.94, -55.8

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 26 / 88 / 0 / 2

HEX #B91EFA

RGB 185 30 250

HSL 282.27, 0.96%, 0.55%

LAB 49.67, 84.39, -75.82

 

CMYK 27 / 95 / 0 / 9

HEX #A80CE7

RGB 168 12 231

HSL 282.74, 0.9%, 0.48%

LAB 44.74, 81.26, -73.27

 

CMYK 29 / 100 / 0 / 17

HEX #9700D4

RGB 151 0 212

HSL 282.74, 1%, 0.42%

LAB 40.14, 76.88, -70.03

 

CMYK 31 / 100 / 0 / 24

HEX #8600C1

RGB 134 0 193

HSL 281.66, 1%, 0.38%

LAB 35.83, 71.29, -66.12

 

CMYK 33 / 100 / 0 / 32

HEX #7500AE

RGB 117 0 174

HSL 280.34, 1%, 0.34%

LAB 31.44, 65.6, -62.14

 

CMYK 26 / 88 / 0 / 2

HEX #B91EFA

RGB 185 30 250

HSL 282.27, 0.96%, 0.55%

LAB 49.67, 84.39, -75.82

 

CMYK 12 / 88 / 0 / 2

HEX #DD1EFA

RGB 221 30 250

HSL 292.09, 0.96%, 0.55%

LAB 55.28, 89.65, -66.46

 

CMYK 0 / 88 / 3 / 2

HEX #FA1EF3

RGB 250 30 243

HSL 301.91, 0.96%, 0.55%

LAB 59.64, 93.31, -55.31

 

CMYK 0 / 88 / 18 / 2

HEX #FA1ECE

RGB 250 30 206

HSL 312, 0.96%, 0.55%

LAB 57.76, 88.45, -37.4

 

CMYK 0 / 88 / 32 / 2

HEX #FA1EA9

RGB 250 30 169

HSL 322.09, 0.96%, 0.55%

LAB 56.2, 84.3, -18.4

 

CMYK 26 / 88 / 0 / 2

HEX #B91EFA

RGB 185 30 250

HSL 282.27, 0.96%, 0.55%

LAB 49.67, 84.39, -75.82

 

CMYK 26 / 87 / 0 / 82

HEX #22062E

RGB 34 6 46

HSL 282, 0.77%, 0.1%

LAB 6.03, 22.05, -19.97

 

CMYK 26 / 88 / 0 / 62

HEX #480C61

RGB 72 12 97

HSL 282.35, 0.78%, 0.21%

LAB 17.94, 40.59, -36.11

 

CMYK 26 / 88 / 0 / 42

HEX #6E1294

RGB 110 18 148

HSL 282.46, 0.78%, 0.33%

LAB 29.12, 56.28, -50.17

 

CMYK 26 / 88 / 0 / 22

HEX #9318C7

RGB 147 24 199

HSL 282.17, 0.78%, 0.44%

LAB 39.55, 70.65, -63.47

 

CMYK 26 / 88 / 0 / 2

HEX #B91EFA

RGB 185 30 250

HSL 282.27, 0.96%, 0.55%

LAB 49.67, 84.39, -75.82

 

CMYK 0 / 88 / 79 / 2

HEX #FA1E34

RGB 250 30 52

HSL 354, 0.96%, 0.55%

LAB 53.49, 76.74, 46.96

 

CMYK 88 / 0 / 62 / 2

HEX #1EFA60

RGB 30 250 96

HSL 138, 0.96%, 0.55%

LAB 86.75, -78.34, 58.84

 

CMYK 26 / 88 / 0 / 2

HEX #B91EFA

RGB 185 30 250

HSL 282.27, 0.96%, 0.55%

LAB 49.67, 84.39, -75.82

 

CMYK 0 / 26 / 88 / 2

HEX #FAB81E

RGB 250 184 30

HSL 42, 0.96%, 0.55%

LAB 78.87, 12.24, 77.12

 

CMYK 88 / 0 / 26 / 2

HEX #1EFAB8

RGB 30 250 184

HSL 162, 0.96%, 0.55%

LAB 88.02, -63.42, 18.18

 

CMYK 26 / 88 / 0 / 2

HEX #B91EFA

RGB 185 30 250

HSL 282.27, 0.96%, 0.55%

LAB 49.67, 84.39, -75.82

 

CMYK 0 / 88 / 79 / 2

HEX #FA1E34

RGB 250 30 52

HSL 354, 0.96%, 0.55%

LAB 53.49, 76.74, 46.96

 

CMYK 62 / 0 / 88 / 2

HEX #60FA1E

RGB 96 250 30

HSL 102, 0.96%, 0.55%

LAB 87.46, -73.64, 80.27

 

CMYK 88 / 0 / 9 / 2

HEX #1EFAE4

RGB 30 250 228

HSL 174, 0.96%, 0.55%

LAB 89.04, -52.59, -3.17

 

CMYK 26 / 88 / 0 / 2

HEX #B91EFA

RGB 185 30 250

HSL 282.27, 0.96%, 0.55%

LAB 49.67, 84.39, -75.82

 

CMYK 0 / 70 / 88 / 2

HEX #FA4A1E

RGB 250 74 30

HSL 12, 0.96%, 0.55%

LAB 57.38, 64.86, 60.62

 

CMYK 62 / 0 / 88 / 2

HEX #60FA1E

RGB 96 250 30

HSL 102, 0.96%, 0.55%

LAB 87.46, -73.64, 80.27

 

CMYK 88 / 18 / 0 / 2

HEX #1ECEFA

RGB 30 206 250

HSL 192, 0.96%, 0.55%

LAB 76.87, -26.05, -33.14

 

Description

Color code: CMYK 26 / 88 / 0 / 2 | qconv.com Color code: CMYK 26 / 88 / 0 / 2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 30 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 30 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 88 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 88% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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