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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4098B it is the complementary color #4BF674. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4098B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4098B shade: #B90986, #CA1B99, #DB2DAC, #EC3FBF and #FD51D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4098B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4098B shade: #B4098B, #A30078, #920065, #810052 and #70003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4098B shade: #B3098B, #B3095D, #B3092F and #B30909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4098B shade: #B3098B, #AE09B3, #8009B3, #5309B3 and #2509B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4098B shade matches the following richer shades: #B3098B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4098B shade: #B3098B, #A41983, #95287B, #853773 and #76466B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4098B shade: #8009B3, #AE09B3, #B3098C, #B3095E and #B30931

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4098B shade: #65054E, #8C076C, #B3098B, #DA0BA9 and #F31CC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4098B shade: #B4098B, #B35309 and #09B397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4098B shade: #B4098B, #8CB309 and #098CB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4098B shade: #B4098B, #B35309, #09B331 and #096AB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4098B shade: #B4098B, #B38609, #09B331 and #0937B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 23 / 29

HEX #B4098B

RGB 180 9 139

HSL 314.39, 0.9%, 0.37%

LAB 40.84, 69.19, -25.21

 

Complementary color

CMYK 70 / 0 / 53 / 4

HEX #4BF674

RGB 75 246 116

HSL 134.39, 0.9%, 0.63%

LAB 86.34, -69.54, 49.69

 

CMYK 0 / 95 / 28 / 27

HEX #B90986

RGB 185 9 134

HSL 317.39, 0.91%, 0.38%

LAB 41.58, 69.62, -20.91

 

CMYK 0 / 87 / 24 / 21

HEX #CA1B99

RGB 202 27 153

HSL 316.8, 0.76%, 0.45%

LAB 46.5, 72.92, -24.59

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 73 / 19 / 7

HEX #EC3FBF

RGB 236 63 191

HSL 315.61, 0.82%, 0.59%

LAB 57.22, 76.31, -29.82

 

CMYK 0 / 68 / 17 / 1

HEX #FD51D2

RGB 253 81 210

HSL 315, 0.98%, 0.65%

LAB 62.86, 76.95, -31.68

 

CMYK 0 / 95 / 23 / 29

HEX #B4098B

RGB 180 9 139

HSL 314.39, 0.9%, 0.37%

LAB 40.84, 69.19, -25.21

 

CMYK 0 / 100 / 26 / 36

HEX #A30078

RGB 163 0 120

HSL 315.83, 1%, 0.32%

LAB 36.26, 64.49, -20.79

 

CMYK 0 / 100 / 31 / 43

HEX #920065

RGB 146 0 101

HSL 318.49, 1%, 0.29%

LAB 31.92, 58.77, -15.67

 

CMYK 0 / 100 / 36 / 49

HEX #810052

RGB 129 0 82

HSL 321.86, 1%, 0.25%

LAB 27.51, 52.96, -10.27

 

CMYK 0 / 100 / 44 / 56

HEX #70003F

RGB 112 0 63

HSL 326.25, 1%, 0.22%

LAB 23.01, 47.06, -4.54

 

CMYK 0 / 95 / 22 / 30

HEX #B3098B

RGB 179 9 139

HSL 314.12, 0.9%, 0.37%

LAB 40.64, 68.99, -25.53

 

CMYK 0 / 95 / 48 / 30

HEX #B3095D

RGB 179 9 93

HSL 330.35, 0.9%, 0.37%

LAB 38.85, 64.25, 0.55

 

CMYK 0 / 95 / 74 / 30

HEX #B3092F

RGB 179 9 47

HSL 346.59, 0.9%, 0.37%

LAB 37.81, 61.42, 28.57

 

CMYK 0 / 95 / 95 / 30

HEX #B30909

RGB 179 9 9

HSL 0, 0.9%, 0.37%

LAB 37.48, 60.49, 48.17

 

CMYK 0 / 95 / 22 / 30

HEX #B3098B

RGB 179 9 139

HSL 314.12, 0.9%, 0.37%

LAB 40.64, 68.99, -25.53

 

CMYK 3 / 95 / 0 / 30

HEX #AE09B3

RGB 174 9 179

HSL 298.24, 0.9%, 0.37%

LAB 41.92, 73.62, -47.66

 

CMYK 28 / 95 / 0 / 30

HEX #8009B3

RGB 128 9 179

HSL 282, 0.9%, 0.37%

LAB 34.06, 66.67, -60.75

 

CMYK 54 / 95 / 0 / 30

HEX #5309B3

RGB 83 9 179

HSL 266.12, 0.9%, 0.37%

LAB 27.54, 61.76, -71.71

 

CMYK 79 / 95 / 0 / 30

HEX #2509B3

RGB 37 9 179

HSL 249.88, 0.9%, 0.37%

LAB 23.15, 59.14, -79.14

 

CMYK 0 / 95 / 22 / 30

HEX #B3098B

RGB 179 9 139

HSL 314.12, 0.9%, 0.37%

LAB 40.64, 68.99, -25.53

 

CMYK 0 / 95 / 22 / 30

HEX #B3098B

RGB 179 9 139

HSL 314.12, 0.9%, 0.37%

LAB 40.64, 68.99, -25.53

 

CMYK 0 / 85 / 20 / 36

HEX #A41983

RGB 164 25 131

HSL 314.24, 0.74%, 0.37%

LAB 38.25, 62.35, -24.55

 

CMYK 0 / 73 / 17 / 42

HEX #95287B

RGB 149 40 123

HSL 314.31, 0.58%, 0.37%

LAB 36.63, 53.37, -22.31

 

CMYK 0 / 59 / 14 / 48

HEX #853773

RGB 133 55 115

HSL 313.85, 0.41%, 0.37%

LAB 35.9, 41.18, -18.64

 

CMYK 0 / 41 / 9 / 54

HEX #76466B

RGB 118 70 107

HSL 313.75, 0.26%, 0.37%

LAB 36.54, 26.53, -12.83

 

CMYK 28 / 95 / 0 / 30

HEX #8009B3

RGB 128 9 179

HSL 282, 0.9%, 0.37%

LAB 34.06, 66.67, -60.75

 

CMYK 3 / 95 / 0 / 30

HEX #AE09B3

RGB 174 9 179

HSL 298.24, 0.9%, 0.37%

LAB 41.92, 73.62, -47.66

 

CMYK 0 / 95 / 22 / 30

HEX #B3098C

RGB 179 9 140

HSL 313.76, 0.9%, 0.37%

LAB 40.69, 69.11, -26.07

 

CMYK 0 / 95 / 47 / 30

HEX #B3095E

RGB 179 9 94

HSL 330, 0.9%, 0.37%

LAB 38.88, 64.33, -0.04

 

CMYK 0 / 95 / 73 / 30

HEX #B30931

RGB 179 9 49

HSL 345.88, 0.9%, 0.37%

LAB 37.84, 61.51, 27.35

 

CMYK 0 / 95 / 23 / 60

HEX #65054E

RGB 101 5 78

HSL 314.38, 0.91%, 0.21%

LAB 21.67, 45.15, -17.07

 

CMYK 0 / 95 / 23 / 45

HEX #8C076C

RGB 140 7 108

HSL 314.44, 0.9%, 0.29%

LAB 31.37, 57.32, -21.12

 

CMYK 0 / 95 / 22 / 30

HEX #B3098B

RGB 179 9 139

HSL 314.12, 0.9%, 0.37%

LAB 40.64, 68.99, -25.53

 

CMYK 0 / 95 / 22 / 15

HEX #DA0BA9

RGB 218 11 169

HSL 314.2, 0.9%, 0.45%

LAB 49.51, 80.05, -29.22

 

CMYK 0 / 88 / 21 / 5

HEX #F31CC0

RGB 243 28 192

HSL 314.23, 0.9%, 0.53%

LAB 55.78, 85.7, -32.55

 

CMYK 0 / 95 / 23 / 29

HEX #B4098B

RGB 180 9 139

HSL 314.39, 0.9%, 0.37%

LAB 40.84, 69.19, -25.21

 

CMYK 0 / 54 / 95 / 30

HEX #B35309

RGB 179 83 9

HSL 26.12, 0.9%, 0.37%

LAB 46.7, 35.5, 53.95

 

CMYK 95 / 0 / 16 / 30

HEX #09B397

RGB 9 179 151

HSL 170.12, 0.9%, 0.37%

LAB 65.38, -44.64, 3.58

 

CMYK 0 / 95 / 23 / 29

HEX #B4098B

RGB 180 9 139

HSL 314.39, 0.9%, 0.37%

LAB 40.84, 69.19, -25.21

 

CMYK 22 / 0 / 95 / 30

HEX #8CB309

RGB 140 179 9

HSL 73.76, 0.9%, 0.37%

LAB 67.9, -33.01, 67.96

 

CMYK 95 / 22 / 0 / 30

HEX #098CB3

RGB 9 140 179

HSL 193.76, 0.9%, 0.37%

LAB 54.1, -17.02, -29.19

 

CMYK 0 / 95 / 23 / 29

HEX #B4098B

RGB 180 9 139

HSL 314.39, 0.9%, 0.37%

LAB 40.84, 69.19, -25.21

 

CMYK 0 / 54 / 95 / 30

HEX #B35309

RGB 179 83 9

HSL 26.12, 0.9%, 0.37%

LAB 46.7, 35.5, 53.95

 

CMYK 95 / 0 / 73 / 30

HEX #09B331

RGB 9 179 49

HSL 134.12, 0.9%, 0.37%

LAB 63.77, -63.31, 52.74

 

CMYK 95 / 41 / 0 / 30

HEX #096AB3

RGB 9 106 179

HSL 205.76, 0.9%, 0.37%

LAB 43.68, 2.99, -45.6

 

CMYK 0 / 95 / 23 / 29

HEX #B4098B

RGB 180 9 139

HSL 314.39, 0.9%, 0.37%

LAB 40.84, 69.19, -25.21

 

CMYK 0 / 25 / 95 / 30

HEX #B38609

RGB 179 134 9

HSL 44.12, 0.9%, 0.37%

LAB 58.65, 7.57, 62.38

 

CMYK 95 / 0 / 73 / 30

HEX #09B331

RGB 9 179 49

HSL 134.12, 0.9%, 0.37%

LAB 63.77, -63.31, 52.74

 

CMYK 95 / 69 / 0 / 30

HEX #0937B3

RGB 9 55 179

HSL 223.76, 0.9%, 0.37%

LAB 29.53, 36.75, -68.59

 

Description

Color code: HEX #B4098B | qconv.com Color code: HEX #B4098B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 9 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 9 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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