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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB2DAC it is the complementary color #24D253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB2DAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB2DAC shade: #E02DA7, #F13FBA, #FF51CD, #FF63E0 and #FF75F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB2DAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB2DAC shade: #DB2DAC, #CA1B99, #B90986, #A80073 and #970060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB2DAC shade: #DB2DAC, #DB2D7D, #DB2D4E and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB2DAC shade: #DB2DAC, #DB2DDB, #AC2DDB, #7D2DDB and #4E2DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB2DAC shade matches the following richer shades: #DB2DAC and #EF19B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB2DAC shade: #DB2DAC, #C741A3, #B3559A, #A06991 and #8C7C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB2DAC shade: #AD2DDB, #DB2DDB, #DB2DAD, #DB2D7E and #DB2D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB2DAC shade: #9C1A79, #BF2094, #DB2DAC, #E150BA and #E774C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB2DAC shade: #DB2DAC, #DB7E2D and #2DDBC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB2DAC shade: #DB2DAC, #ADDB2D and #2DADDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB2DAC shade: #DB2DAC, #DB7E2D, #2DDB5C and #2D8ADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB2DAC shade: #DB2DAC, #DBB22D, #2DDB5C and #2D56DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

Complementary color

CMYK 83 / 0 / 60 / 18

HEX #24D253

RGB 36 210 83

HSL 136.21, 0.71%, 0.48%

LAB 74.25, -67.22, 50.2

 

CMYK 0 / 80 / 25 / 12

HEX #E02DA7

RGB 224 45 167

HSL 319.11, 0.74%, 0.53%

LAB 52.41, 75.56, -23.45

 

CMYK 0 / 74 / 23 / 5

HEX #F13FBA

RGB 241 63 186

HSL 318.54, 0.86%, 0.6%

LAB 57.85, 76.84, -25.9

 

CMYK 0 / 68 / 20 / 0

HEX #FF51CD

RGB 255 81 205

HSL 317.24, 1%, 0.66%

LAB 62.97, 76.77, -28.66

 

CMYK 0 / 61 / 12 / 0

HEX #FF63E0

RGB 255 99 224

HSL 311.92, 1%, 0.69%

LAB 66.19, 72.65, -34.35

 

CMYK 0 / 54 / 5 / 0

HEX #FF75F3

RGB 255 117 243

HSL 305.22, 1%, 0.73%

LAB 69.79, 67.95, -39.25

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 87 / 24 / 21

HEX #CA1B99

RGB 202 27 153

HSL 316.8, 0.76%, 0.45%

LAB 46.5, 72.92, -24.59

 

CMYK 0 / 95 / 28 / 27

HEX #B90986

RGB 185 9 134

HSL 317.39, 0.91%, 0.38%

LAB 41.58, 69.62, -20.91

 

CMYK 0 / 100 / 32 / 34

HEX #A80073

RGB 168 0 115

HSL 318.93, 1%, 0.33%

LAB 37.05, 64.95, -16.34

 

CMYK 0 / 100 / 36 / 41

HEX #970060

RGB 151 0 96

HSL 321.85, 1%, 0.3%

LAB 32.75, 59.3, -11.07

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 79 / 43 / 14

HEX #DB2D7D

RGB 219 45 125

HSL 332.41, 0.71%, 0.52%

LAB 50, 69.95, -2.08

 

CMYK 0 / 79 / 64 / 14

HEX #DB2D4E

RGB 219 45 78

HSL 348.62, 0.71%, 0.52%

LAB 48.87, 66.51, 24.97

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDB

RGB 219 45 219

HSL 300, 0.71%, 0.52%

LAB 54.08, 81.58, -50.97

 

CMYK 21 / 79 / 0 / 14

HEX #AC2DDB

RGB 172 45 219

HSL 283.79, 0.71%, 0.52%

LAB 46.66, 73.11, -63.29

 

CMYK 43 / 79 / 0 / 14

HEX #7D2DDB

RGB 125 45 219

HSL 267.59, 0.71%, 0.52%

LAB 40.17, 65.75, -74.15

 

CMYK 64 / 79 / 0 / 14

HEX #4E2DDB

RGB 78 45 219

HSL 251.38, 0.71%, 0.52%

LAB 35.22, 60.18, -82.46

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 90 / 24 / 6

HEX #EF19B5

RGB 239 25 181

HSL 316.26, 0.87%, 0.52%

LAB 54.43, 84.04, -28.31

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 67 / 18 / 22

HEX #C741A3

RGB 199 65 163

HSL 316.12, 0.54%, 0.52%

LAB 50.18, 62.79, -24.89

 

CMYK 0 / 53 / 14 / 30

HEX #B3559A

RGB 179 85 154

HSL 315.96, 0.38%, 0.52%

LAB 49.99, 46.93, -20.11

 

CMYK 0 / 34 / 9 / 37

HEX #A06991

RGB 160 105 145

HSL 316.36, 0.22%, 0.52%

LAB 51.41, 28.36, -12.87

 

CMYK 0 / 11 / 3 / 45

HEX #8C7C88

RGB 140 124 136

HSL 315, 0.07%, 0.52%

LAB 53.78, 8.37, -4.26

 

CMYK 21 / 79 / 0 / 14

HEX #AD2DDB

RGB 173 45 219

HSL 284.14, 0.71%, 0.52%

LAB 46.81, 73.28, -63.04

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDB

RGB 219 45 219

HSL 300, 0.71%, 0.52%

LAB 54.08, 81.58, -50.97

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAD

RGB 219 45 173

HSL 315.86, 0.71%, 0.52%

LAB 51.79, 75.18, -28.02

 

CMYK 0 / 79 / 42 / 14

HEX #DB2D7E

RGB 219 45 126

HSL 332.07, 0.71%, 0.52%

LAB 50.03, 70.04, -2.64

 

CMYK 0 / 79 / 63 / 14

HEX #DB2D50

RGB 219 45 80

HSL 347.93, 0.71%, 0.52%

LAB 48.9, 66.62, 23.81

 

CMYK 0 / 83 / 22 / 39

HEX #9C1A79

RGB 156 26 121

HSL 316.15, 0.71%, 0.36%

LAB 36.34, 59, -21.4

 

CMYK 0 / 83 / 23 / 25

HEX #BF2094

RGB 191 32 148

HSL 316.23, 0.71%, 0.44%

LAB 44.59, 68.94, -24.7

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 64 / 17 / 12

HEX #E150BA

RGB 225 80 186

HSL 316.14, 0.71%, 0.6%

LAB 57.36, 67, -26.87

 

CMYK 0 / 50 / 13 / 9

HEX #E774C8

RGB 231 116 200

HSL 316.17, 0.71%, 0.68%

LAB 64.68, 54.84, -23.5

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 42 / 79 / 14

HEX #DB7E2D

RGB 219 126 45

HSL 27.93, 0.71%, 0.52%

LAB 61.8, 30.22, 56.59

 

CMYK 79 / 0 / 11 / 14

HEX #2DDBC4

RGB 45 219 196

HSL 172.07, 0.71%, 0.52%

LAB 79.16, -47.15, -0.77

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 21 / 0 / 79 / 14

HEX #ADDB2D

RGB 173 219 45

HSL 75.86, 0.71%, 0.52%

LAB 81.69, -37.15, 73.24

 

CMYK 79 / 21 / 0 / 14

HEX #2DADDB

RGB 45 173 219

HSL 195.86, 0.71%, 0.52%

LAB 66.18, -18.35, -32.84

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 42 / 79 / 14

HEX #DB7E2D

RGB 219 126 45

HSL 27.93, 0.71%, 0.52%

LAB 61.8, 30.22, 56.59

 

CMYK 79 / 0 / 58 / 14

HEX #2DDB5C

RGB 45 219 92

HSL 136.21, 0.71%, 0.52%

LAB 77.28, -68, 49.72

 

CMYK 79 / 37 / 0 / 14

HEX #2D8ADB

RGB 45 138 219

HSL 207.93, 0.71%, 0.52%

LAB 55.94, 1.31, -48.92

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAC

RGB 219 45 172

HSL 316.21, 0.71%, 0.52%

LAB 51.74, 75.05, -27.5

 

CMYK 0 / 19 / 79 / 14

HEX #DBB22D

RGB 219 178 45

HSL 45.86, 0.71%, 0.52%

LAB 74.25, 2.45, 67.94

 

CMYK 79 / 0 / 58 / 14

HEX #2DDB5C

RGB 45 219 92

HSL 136.21, 0.71%, 0.52%

LAB 77.28, -68, 49.72

 

CMYK 79 / 61 / 0 / 14

HEX #2D56DB

RGB 45 86 219

HSL 225.86, 0.71%, 0.52%

LAB 41.73, 33.94, -71.83

 

Description

Color code: HEX #DB2DAC | qconv.com Color code: HEX #DB2DAC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 45 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 45 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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