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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39996 it is the complementary color #4C6669. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39996. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B39996: #B89991, #C9ABA4, #DABDB7, #EBCFCA and #FCE1DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39996. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B39996: #B39996, #A28783, #917570, #80635D and #6F514A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 16 / 30

HEX #B39996

RGB 179 153 150

HSL 6.21, 0.16%, 0.65%

LAB 65.41, 9.13, 5.14

 

Complementary color

CMYK 28 / 3 / 0 / 59

HEX #4C6669

RGB 76 102 105

HSL 186.21, 0.16%, 0.35%

LAB 41.31, -8.79, -4.83

 

CMYK 0 / 17 / 21 / 28

HEX #B89991

RGB 184 153 145

HSL 12.31, 0.22%, 0.65%

LAB 65.76, 10.24, 8.5

 

CMYK 0 / 15 / 18 / 21

HEX #C9ABA4

RGB 201 171 164

HSL 11.35, 0.26%, 0.72%

LAB 72.38, 9.77, 7.64

 

CMYK 0 / 13 / 16 / 15

HEX #DABDB7

RGB 218 189 183

HSL 10.29, 0.32%, 0.79%

LAB 78.88, 9.35, 6.83

 

CMYK 0 / 12 / 14 / 8

HEX #EBCFCA

RGB 235 207 202

HSL 9.09, 0.45%, 0.86%

LAB 85.28, 8.97, 6.06

 

CMYK 0 / 11 / 12 / 1

HEX #FCE1DD

RGB 252 225 221

HSL 7.74, 0.84%, 0.93%

LAB 91.58, 8.62, 5.33

 

CMYK 0 / 15 / 16 / 30

HEX #B39996

RGB 179 153 150

HSL 6.21, 0.16%, 0.65%

LAB 65.41, 9.13, 5.14

 

CMYK 0 / 17 / 19 / 36

HEX #A28783

RGB 162 135 131

HSL 7.74, 0.14%, 0.57%

LAB 58.65, 9.59, 5.98

 

CMYK 0 / 19 / 23 / 43

HEX #917570

RGB 145 117 112

HSL 9.09, 0.13%, 0.5%

LAB 51.74, 10.12, 6.89

 

CMYK 0 / 23 / 27 / 50

HEX #80635D

RGB 128 99 93

HSL 10.29, 0.16%, 0.43%

LAB 44.66, 10.74, 7.89

 

CMYK 0 / 27 / 33 / 56

HEX #6F514A

RGB 111 81 74

HSL 11.35, 0.2%, 0.36%

LAB 37.41, 11.48, 9.03

 

CMYK 0 / 15 / 16 / 30

HEX #B39996

RGB 179 153 150

HSL 6.21, 0.16%, 0.65%

LAB 65.41, 9.13, 5.14

 

CMYK 0 / 12 / 16 / 29

HEX #B49F97

RGB 180 159 151

HSL 16.55, 0.16%, 0.65%

LAB 67.08, 6.35, 6.98

 

CMYK 0 / 9 / 16 / 29

HEX #B4A397

RGB 180 163 151

HSL 24.83, 0.16%, 0.65%

LAB 68.12, 4.16, 8.47

 

CMYK 0 / 7 / 16 / 29

HEX #B4A897

RGB 180 168 151

HSL 35.17, 0.16%, 0.65%

LAB 69.43, 1.44, 10.34

 

CMYK 0 / 4 / 16 / 29

HEX #B4AD97

RGB 180 173 151

HSL 45.52, 0.16%, 0.65%

LAB 70.75, -1.26, 12.2

 

CMYK 0 / 15 / 16 / 30

HEX #B39996

RGB 179 153 150

HSL 6.21, 0.16%, 0.65%

LAB 65.41, 9.13, 5.14

 

CMYK 0 / 14 / 16 / 10

HEX #E6C5C1

RGB 230 197 193

HSL 6.49, 0.43%, 0.83%

LAB 82.17, 11.02, 6.32

 

CMYK 0 / 15 / 15 / 90

HEX #1A1616

RGB 26 22 22

HSL 0, 0.08%, 0.09%

LAB 7.69, 1.98, 0.7

 

CMYK 0 / 14 / 16 / 70

HEX #4D4241

RGB 77 66 65

HSL 5, 0.08%, 0.28%

LAB 29.05, 4.51, 2.34

 

CMYK 0 / 15 / 16 / 50

HEX #806D6B

RGB 128 109 107

HSL 5.71, 0.09%, 0.46%

LAB 47.74, 7.12, 3.88

 

CMYK 0 / 15 / 16 / 30

HEX #B39996

RGB 179 153 150

HSL 6.21, 0.16%, 0.65%

LAB 65.41, 9.13, 5.14

 

CMYK 5 / 0 / 16 / 29

HEX #ABB497

RGB 171 180 151

HSL 78.62, 0.16%, 0.65%

LAB 71.92, -8.35, 13.74

 

CMYK 16 / 11 / 0 / 29

HEX #97A0B4

RGB 151 160 180

HSL 221.38, 0.16%, 0.65%

LAB 65.76, 1.02, -11.43

 

CMYK 0 / 15 / 16 / 30

HEX #B39996

RGB 179 153 150

HSL 6.21, 0.16%, 0.65%

LAB 65.41, 9.13, 5.14

 

CMYK 16 / 0 / 14 / 29

HEX #97B49A

RGB 151 180 154

HSL 126.21, 0.16%, 0.65%

LAB 70.56, -15.02, 9.99

 

CMYK 14 / 16 / 0 / 29

HEX #9A97B4

RGB 154 151 180

HSL 246.21, 0.16%, 0.65%

LAB 63.59, 7.05, -14.67

 

CMYK 0 / 15 / 16 / 30

HEX #B39996

RGB 179 153 150

HSL 6.21, 0.16%, 0.65%

LAB 65.41, 9.13, 5.14

 

CMYK 5 / 0 / 16 / 29

HEX #ABB497

RGB 171 180 151

HSL 78.62, 0.16%, 0.65%

LAB 71.92, -8.35, 13.74

 

CMYK 16 / 2 / 0 / 29

HEX #97B1B4

RGB 151 177 180

HSL 186.21, 0.16%, 0.65%

LAB 70.4, -8.24, -4.53

 

CMYK 11 / 16 / 0 / 29

HEX #A097B4

RGB 160 151 180

HSL 258.62, 0.16%, 0.65%

LAB 64.08, 9.07, -13.88

 

CMYK 0 / 15 / 16 / 30

HEX #B39996

RGB 179 153 150

HSL 6.21, 0.16%, 0.65%

LAB 65.41, 9.13, 5.14

 

CMYK 10 / 0 / 16 / 29

HEX #A2B497

RGB 162 180 151

HSL 97.24, 0.16%, 0.65%

LAB 71.25, -11.65, 12.72

 

CMYK 16 / 2 / 0 / 29

HEX #97B1B4

RGB 151 177 180

HSL 186.21, 0.16%, 0.65%

LAB 70.4, -8.24, -4.53

 

CMYK 7 / 16 / 0 / 29

HEX #A897B4

RGB 168 151 180

HSL 275.17, 0.16%, 0.65%

LAB 64.77, 11.79, -12.78

 

Description

Color code: HEX #B39996 | qconv.com Color code: HEX #B39996 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 153 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 153 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 16 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 16% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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