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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3937B it is the complementary color #4C6C84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3937B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B3937B: #B89376, #C9A589, #DAB79C, #EBC9AF and #FCDBC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3937B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B3937B: #B3937B, #A28168, #916F55, #805D42 and #6F4B2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 31 / 30

HEX #B3937B

RGB 179 147 123

HSL 25.71, 0.27%, 0.59%

LAB 63.24, 8.42, 17.22

 

Complementary color

CMYK 42 / 18 / 0 / 48

HEX #4C6C84

RGB 76 108 132

HSL 205.71, 0.27%, 0.41%

LAB 44.13, -4.85, -16.91

 

CMYK 0 / 20 / 36 / 28

HEX #B89376

RGB 184 147 118

HSL 26.36, 0.32%, 0.59%

LAB 63.64, 9.79, 20.63

 

CMYK 0 / 18 / 32 / 21

HEX #C9A589

RGB 201 165 137

HSL 26.25, 0.37%, 0.66%

LAB 70.27, 9.16, 19.49

 

CMYK 0 / 16 / 28 / 15

HEX #DAB79C

RGB 218 183 156

HSL 26.13, 0.46%, 0.73%

LAB 76.78, 8.61, 18.43

 

CMYK 0 / 14 / 26 / 8

HEX #EBC9AF

RGB 235 201 175

HSL 26, 0.6%, 0.8%

LAB 83.19, 8.12, 17.44

 

CMYK 0 / 13 / 23 / 1

HEX #FCDBC2

RGB 252 219 194

HSL 25.86, 0.91%, 0.87%

LAB 89.51, 7.69, 16.5

 

CMYK 0 / 18 / 31 / 30

HEX #B3937B

RGB 179 147 123

HSL 25.71, 0.27%, 0.59%

LAB 63.24, 8.42, 17.22

 

CMYK 0 / 20 / 36 / 36

HEX #A28168

RGB 162 129 104

HSL 25.86, 0.24%, 0.52%

LAB 56.47, 9.06, 18.38

 

CMYK 0 / 23 / 41 / 43

HEX #916F55

RGB 145 111 85

HSL 26, 0.26%, 0.45%

LAB 49.55, 9.82, 19.66

 

CMYK 0 / 27 / 48 / 50

HEX #805D42

RGB 128 93 66

HSL 26.13, 0.32%, 0.38%

LAB 42.48, 10.74, 21.09

 

CMYK 0 / 32 / 58 / 56

HEX #6F4B2F

RGB 111 75 47

HSL 26.25, 0.41%, 0.31%

LAB 35.24, 11.88, 22.71

 

CMYK 0 / 18 / 31 / 30

HEX #B3937B

RGB 179 147 123

HSL 25.71, 0.27%, 0.59%

LAB 63.24, 8.42, 17.22

 

CMYK 0 / 13 / 31 / 30

HEX #B29B7A

RGB 178 155 122

HSL 35.36, 0.27%, 0.59%

LAB 65.21, 3.48, 20.45

 

CMYK 0 / 8 / 31 / 30

HEX #B2A47A

RGB 178 164 122

HSL 45, 0.27%, 0.59%

LAB 67.59, -1.42, 23.68

 

CMYK 0 / 3 / 31 / 30

HEX #B2AD7A

RGB 178 173 122

HSL 54.64, 0.27%, 0.59%

LAB 70.01, -6.24, 26.91

 

CMYK 3 / 0 / 31 / 30

HEX #ADB27A

RGB 173 178 122

HSL 65.36, 0.27%, 0.59%

LAB 70.96, -10.85, 28.1

 

CMYK 0 / 18 / 31 / 30

HEX #B3937B

RGB 179 147 123

HSL 25.71, 0.27%, 0.59%

LAB 63.24, 8.42, 17.22

 

CMYK 0 / 18 / 31 / 10

HEX #E6BD9E

RGB 230 189 158

HSL 25.83, 0.59%, 0.76%

LAB 79.44, 10.29, 21.19

 

CMYK 0 / 19 / 31 / 90

HEX #1A1512

RGB 26 21 18

HSL 22.5, 0.18%, 0.09%

LAB 7.22, 1.78, 2.67

 

CMYK 0 / 18 / 31 / 70

HEX #4D3F35

RGB 77 63 53

HSL 25, 0.18%, 0.25%

LAB 27.82, 4.3, 8.41

 

CMYK 0 / 18 / 31 / 50

HEX #806958

RGB 128 105 88

HSL 25.5, 0.19%, 0.42%

LAB 46.17, 6.44, 13

 

CMYK 0 / 18 / 31 / 30

HEX #B3937B

RGB 179 147 123

HSL 25.71, 0.27%, 0.59%

LAB 63.24, 8.42, 17.22

 

CMYK 20 / 0 / 31 / 30

HEX #8FB27A

RGB 143 178 122

HSL 97.5, 0.27%, 0.59%

LAB 68.81, -22.29, 24.86

 

CMYK 31 / 31 / 0 / 30

HEX #7B7AB2

RGB 123 122 178

HSL 241.07, 0.27%, 0.59%

LAB 53.32, 13.5, -29.47

 

CMYK 0 / 18 / 31 / 30

HEX #B3937B

RGB 179 147 123

HSL 25.71, 0.27%, 0.59%

LAB 63.24, 8.42, 17.22

 

CMYK 31 / 0 / 19 / 30

HEX #7AB291

RGB 122 178 145

HSL 144.64, 0.27%, 0.59%

LAB 68.04, -25.4, 11.1

 

CMYK 19 / 31 / 0 / 30

HEX #917AB2

RGB 145 122 178

HSL 264.64, 0.27%, 0.59%

LAB 55.23, 20.32, -26.37

 

CMYK 0 / 18 / 31 / 30

HEX #B3937B

RGB 179 147 123

HSL 25.71, 0.27%, 0.59%

LAB 63.24, 8.42, 17.22

 

CMYK 20 / 0 / 31 / 30

HEX #8FB27A

RGB 143 178 122

HSL 97.5, 0.27%, 0.59%

LAB 68.81, -22.29, 24.86

 

CMYK 31 / 13 / 0 / 30

HEX #7A9BB2

RGB 122 155 178

HSL 204.64, 0.27%, 0.59%

LAB 62.33, -5.81, -15.66

 

CMYK 12 / 31 / 0 / 30

HEX #9D7AB2

RGB 157 122 178

HSL 277.5, 0.27%, 0.59%

LAB 56.39, 24.2, -24.48

 

CMYK 0 / 18 / 31 / 30

HEX #B3937B

RGB 179 147 123

HSL 25.71, 0.27%, 0.59%

LAB 63.24, 8.42, 17.22

 

CMYK 29 / 0 / 31 / 30

HEX #7EB27A

RGB 126 178 122

HSL 115.71, 0.27%, 0.59%

LAB 67.79, -28.3, 23.3

 

CMYK 31 / 13 / 0 / 30

HEX #7A9BB2

RGB 122 155 178

HSL 204.64, 0.27%, 0.59%

LAB 62.33, -5.81, -15.66

 

CMYK 3 / 31 / 0 / 30

HEX #AD7AB2

RGB 173 122 178

HSL 294.64, 0.27%, 0.59%

LAB 58.05, 29.47, -21.78

 

Description

Color code: HEX #B3937B | qconv.com Color code: HEX #B3937B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 147 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 147 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 31 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 31% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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