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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3742C it is the complementary color #4C8BD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3742C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3742C shade: #B87427, #C9863A, #DA984D, #EBAA60 and #FCBC73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3742C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3742C shade: #B3742C, #A26219, #915006, #803E00 and #6F2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3742C shade: #B5752C, #B5502C and #B52C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3742C shade: #B5752C, #B59A2C, #ABB52C, #86B52C and #61B52C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3742C shade matches the following richer shades: #B5752C, #C7761A and #D97707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3742C shade: #B5752C, #A2743E, #907250, #7E7162 and #6C7074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3742C shade: #B52C2C, #B5502C, #B5752C, #B5992C and #ACB52C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3742C shade: #724A1C, #935F24, #B5752C, #CF8A3A and #D79E5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3742C shade: #B3742C, #50B52C and #3E2CB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3742C shade: #B3742C, #2CB575 and #752CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3742C shade: #B3742C, #50B52C, #2C6CB5 and #902CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3742C shade: #B3742C, #2CB530, #2C6CB5 and #B52CB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 75 / 30

HEX #B3742C

RGB 179 116 44

HSL 32, 0.61%, 0.44%

LAB 54.3, 18.59, 47.97

 

Complementary color

CMYK 64 / 34 / 0 / 17

HEX #4C8BD3

RGB 76 139 211

HSL 212, 0.61%, 0.56%

LAB 56.79, 2.17, -43.02

 

CMYK 0 / 37 / 79 / 28

HEX #B87427

RGB 184 116 39

HSL 31.86, 0.65%, 0.44%

LAB 54.89, 20.56, 50.92

 

CMYK 0 / 33 / 71 / 21

HEX #C9863A

RGB 201 134 58

HSL 31.89, 0.57%, 0.51%

LAB 61.46, 18.88, 49.81

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 0 / 28 / 59 / 8

HEX #EBAA60

RGB 235 170 96

HSL 31.94, 0.78%, 0.65%

LAB 74.35, 16.17, 47.01

 

CMYK 0 / 25 / 54 / 1

HEX #FCBC73

RGB 252 188 115

HSL 31.97, 0.96%, 0.72%

LAB 80.68, 15.07, 45.6

 

CMYK 0 / 35 / 75 / 30

HEX #B3742C

RGB 179 116 44

HSL 32, 0.61%, 0.44%

LAB 54.3, 18.59, 47.97

 

CMYK 0 / 40 / 85 / 36

HEX #A26219

RGB 162 98 25

HSL 31.97, 0.73%, 0.37%

LAB 47.61, 20.44, 48.75

 

CMYK 0 / 45 / 96 / 43

HEX #915006

RGB 145 80 6

HSL 31.94, 0.92%, 0.3%

LAB 40.85, 22.61, 48.27

 

CMYK 0 / 52 / 100 / 50

HEX #803E00

RGB 128 62 0

HSL 29.06, 1%, 0.25%

LAB 34.05, 25.11, 44.55

 

CMYK 0 / 60 / 100 / 56

HEX #6F2C00

RGB 111 44 0

HSL 23.78, 1%, 0.22%

LAB 27.24, 27.64, 38.29

 

CMYK 0 / 35 / 76 / 29

HEX #B5752C

RGB 181 117 44

HSL 31.97, 0.61%, 0.44%

LAB 54.79, 18.91, 48.54

 

CMYK 0 / 56 / 76 / 29

HEX #B5502C

RGB 181 80 44

HSL 15.77, 0.61%, 0.44%

LAB 46.64, 38.77, 40.19

 

CMYK 0 / 76 / 76 / 29

HEX #B52C2C

RGB 181 44 44

HSL 0, 0.61%, 0.44%

LAB 40.91, 54.13, 34.01

 

CMYK 0 / 35 / 76 / 29

HEX #B5752C

RGB 181 117 44

HSL 31.97, 0.61%, 0.44%

LAB 54.79, 18.91, 48.54

 

CMYK 0 / 15 / 76 / 29

HEX #B59A2C

RGB 181 154 44

HSL 48.18, 0.61%, 0.44%

LAB 64.26, -1.51, 57.73

 

CMYK 6 / 0 / 76 / 29

HEX #ABB52C

RGB 171 181 44

HSL 64.38, 0.61%, 0.44%

LAB 70.79, -19.96, 63.54

 

CMYK 26 / 0 / 76 / 29

HEX #86B52C

RGB 134 181 44

HSL 80.58, 0.61%, 0.44%

LAB 68.24, -35.19, 60.23

 

CMYK 46 / 0 / 76 / 29

HEX #61B52C

RGB 97 181 44

HSL 96.79, 0.61%, 0.44%

LAB 66.34, -48.37, 57.75

 

CMYK 0 / 35 / 76 / 29

HEX #B5752C

RGB 181 117 44

HSL 31.97, 0.61%, 0.44%

LAB 54.79, 18.91, 48.54

 

CMYK 0 / 41 / 87 / 22

HEX #C7761A

RGB 199 118 26

HSL 31.91, 0.77%, 0.44%

LAB 57.24, 25.55, 58.47

 

CMYK 0 / 45 / 97 / 15

HEX #D97707

RGB 217 119 7

HSL 32, 0.94%, 0.44%

LAB 59.85, 32.28, 65.77

 

CMYK 0 / 35 / 76 / 29

HEX #B5752C

RGB 181 117 44

HSL 31.97, 0.61%, 0.44%

LAB 54.79, 18.91, 48.54

 

CMYK 0 / 28 / 62 / 36

HEX #A2743E

RGB 162 116 62

HSL 32.4, 0.45%, 0.44%

LAB 52.42, 12.15, 36.5

 

CMYK 0 / 21 / 44 / 44

HEX #907250

RGB 144 114 80

HSL 31.88, 0.29%, 0.44%

LAB 50.15, 7.06, 23.31

 

CMYK 0 / 10 / 22 / 51

HEX #7E7162

RGB 126 113 98

HSL 32.14, 0.13%, 0.44%

LAB 48.42, 2.45, 10.17

 

CMYK 7 / 3 / 0 / 55

HEX #6C7074

RGB 108 112 116

HSL 210, 0.04%, 0.44%

LAB 47.02, -0.67, -2.75

 

CMYK 0 / 76 / 76 / 29

HEX #B52C2C

RGB 181 44 44

HSL 0, 0.61%, 0.44%

LAB 40.91, 54.13, 34.01

 

CMYK 0 / 56 / 76 / 29

HEX #B5502C

RGB 181 80 44

HSL 15.77, 0.61%, 0.44%

LAB 46.64, 38.77, 40.19

 

CMYK 0 / 35 / 76 / 29

HEX #B5752C

RGB 181 117 44

HSL 31.97, 0.61%, 0.44%

LAB 54.79, 18.91, 48.54

 

CMYK 0 / 15 / 76 / 29

HEX #B5992C

RGB 181 153 44

HSL 47.74, 0.61%, 0.44%

LAB 63.99, -0.97, 57.48

 

CMYK 5 / 0 / 76 / 29

HEX #ACB52C

RGB 172 181 44

HSL 63.94, 0.61%, 0.44%

LAB 70.87, -19.54, 63.64

 

CMYK 0 / 35 / 75 / 55

HEX #724A1C

RGB 114 74 28

HSL 32.09, 0.61%, 0.28%

LAB 35.12, 12.49, 33.3

 

CMYK 0 / 35 / 76 / 42

HEX #935F24

RGB 147 95 36

HSL 31.89, 0.61%, 0.36%

LAB 44.96, 15.83, 40.89

 

CMYK 0 / 35 / 76 / 29

HEX #B5752C

RGB 181 117 44

HSL 31.97, 0.61%, 0.44%

LAB 54.79, 18.91, 48.54

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A3A

RGB 207 138 58

HSL 32.21, 0.61%, 0.52%

LAB 63.13, 19.27, 51.79

 

CMYK 0 / 27 / 57 / 16

HEX #D79E5C

RGB 215 158 92

HSL 32.2, 0.61%, 0.6%

LAB 69.24, 13.99, 42.4

 

CMYK 0 / 35 / 75 / 30

HEX #B3742C

RGB 179 116 44

HSL 32, 0.61%, 0.44%

LAB 54.3, 18.59, 47.97

 

CMYK 56 / 0 / 76 / 29

HEX #50B52C

RGB 80 181 44

HSL 104.23, 0.61%, 0.44%

LAB 65.7, -53.34, 56.89

 

CMYK 66 / 76 / 0 / 29

HEX #3E2CB5

RGB 62 44 181

HSL 247.88, 0.61%, 0.44%

LAB 29.82, 47.85, -69.22

 

CMYK 0 / 35 / 75 / 30

HEX #B3742C

RGB 179 116 44

HSL 32, 0.61%, 0.44%

LAB 54.3, 18.59, 47.97

 

CMYK 76 / 0 / 35 / 29

HEX #2CB575

RGB 44 181 117

HSL 151.97, 0.61%, 0.44%

LAB 65.65, -50.74, 22.59

 

CMYK 35 / 76 / 0 / 29

HEX #752CB5

RGB 117 44 181

HSL 271.97, 0.61%, 0.44%

LAB 35.83, 55.96, -59.13

 

CMYK 0 / 35 / 75 / 30

HEX #B3742C

RGB 179 116 44

HSL 32, 0.61%, 0.44%

LAB 54.3, 18.59, 47.97

 

CMYK 56 / 0 / 76 / 29

HEX #50B52C

RGB 80 181 44

HSL 104.23, 0.61%, 0.44%

LAB 65.7, -53.34, 56.89

 

CMYK 76 / 40 / 0 / 29

HEX #2C6CB5

RGB 44 108 181

HSL 211.97, 0.61%, 0.44%

LAB 45.08, 5.38, -44.5

 

CMYK 20 / 76 / 0 / 29

HEX #902CB5

RGB 144 44 181

HSL 283.8, 0.61%, 0.44%

LAB 39.69, 60.98, -52.69

 

CMYK 0 / 35 / 75 / 30

HEX #B3742C

RGB 179 116 44

HSL 32, 0.61%, 0.44%

LAB 54.3, 18.59, 47.97

 

CMYK 76 / 0 / 73 / 29

HEX #2CB530

RGB 44 181 48

HSL 121.75, 0.61%, 0.44%

LAB 64.8, -60.64, 54.29

 

CMYK 76 / 40 / 0 / 29

HEX #2C6CB5

RGB 44 108 181

HSL 211.97, 0.61%, 0.44%

LAB 45.08, 5.38, -44.5

 

CMYK 0 / 76 / 3 / 29

HEX #B52CB0

RGB 181 44 176

HSL 302.19, 0.61%, 0.44%

LAB 45.3, 67.63, -40.42

 

Description

Color code: HEX #B3742C | qconv.com Color code: HEX #B3742C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 116 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 116 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 75 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 75% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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