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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA984D it is the complementary color #2567B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA984D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA984D shade: #DF9848, #F0AA5B, #FFBC6E, #FFCE81 and #FFE094

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA984D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA984D shade: #DA984D, #C9863A, #B87427, #A76214 and #965001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA984D shade: #DA984D, #DA724D and #DA4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA984D shade: #DA984D, #DABE4D, #D0DA4D, #AADA4D and #84DA4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA984D shade matches the following richer shades: #DA984D, #EB993B and #FD9A2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA984D shade: #DA984D, #C9975E, #B7966F, #A69581 and #959392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA984D shade: #DA4D4F, #DA704D, #DA964D, #DABB4D and #D3DA4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA984D shade: #B16F24, #D3842B, #DA984D, #E1AC6F and #E8BF91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA984D shade: #DA984D, #75DA4D and #5D4DDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA984D shade: #DA984D, #4DDA96 and #964DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA984D shade: #DA984D, #75DA4D, #4D91DA and #B24DDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA984D shade: #DA984D, #4DDA4F, #4D91DA and #DA4DD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

Complementary color

CMYK 79 / 42 / 0 / 30

HEX #2567B2

RGB 37 103 178

HSL 211.91, 0.66%, 0.42%

LAB 43.22, 6.56, -45.72

 

CMYK 0 / 32 / 68 / 13

HEX #DF9848

RGB 223 152 72

HSL 31.79, 0.7%, 0.58%

LAB 68.47, 19.24, 51.58

 

CMYK 0 / 29 / 62 / 6

HEX #F0AA5B

RGB 240 170 91

HSL 31.81, 0.83%, 0.65%

LAB 74.84, 17.89, 50.18

 

CMYK 0 / 26 / 57 / 0

HEX #FFBC6E

RGB 255 188 110

HSL 32.28, 1%, 0.72%

LAB 80.93, 15.9, 48.46

 

CMYK 0 / 19 / 49 / 0

HEX #FFCE81

RGB 255 206 129

HSL 36.67, 1%, 0.75%

LAB 85.5, 8.1, 44.63

 

CMYK 0 / 12 / 42 / 0

HEX #FFE094

RGB 255 224 148

HSL 42.62, 1%, 0.79%

LAB 90.19, 0.69, 41.09

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 0 / 33 / 71 / 21

HEX #C9863A

RGB 201 134 58

HSL 31.89, 0.57%, 0.51%

LAB 61.46, 18.88, 49.81

 

CMYK 0 / 37 / 79 / 28

HEX #B87427

RGB 184 116 39

HSL 31.86, 0.65%, 0.44%

LAB 54.89, 20.56, 50.92

 

CMYK 0 / 41 / 88 / 35

HEX #A76214

RGB 167 98 20

HSL 31.84, 0.79%, 0.37%

LAB 48.26, 22.52, 51.3

 

CMYK 0 / 47 / 99 / 41

HEX #965001

RGB 150 80 1

HSL 31.81, 0.99%, 0.3%

LAB 41.57, 24.74, 50.54

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 0 / 48 / 65 / 15

HEX #DA724D

RGB 218 114 77

HSL 15.74, 0.66%, 0.58%

LAB 59.41, 37.61, 38.56

 

CMYK 0 / 65 / 65 / 15

HEX #DA4D4D

RGB 218 77 77

HSL 0, 0.66%, 0.58%

LAB 52.67, 55.08, 30.35

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 0 / 13 / 65 / 15

HEX #DABE4D

RGB 218 190 77

HSL 48.09, 0.66%, 0.58%

LAB 77.44, -2.76, 58.87

 

CMYK 5 / 0 / 65 / 15

HEX #D0DA4D

RGB 208 218 77

HSL 64.26, 0.66%, 0.58%

LAB 84.01, -21.04, 65.53

 

CMYK 22 / 0 / 65 / 15

HEX #AADA4D

RGB 170 218 77

HSL 80.43, 0.66%, 0.58%

LAB 81.41, -36.09, 62.01

 

CMYK 39 / 0 / 65 / 15

HEX #84DA4D

RGB 132 218 77

HSL 96.6, 0.66%, 0.58%

LAB 79.38, -49.59, 59.22

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 0 / 35 / 75 / 8

HEX #EB993B

RGB 235 153 59

HSL 32.05, 0.81%, 0.58%

LAB 70.01, 23.09, 59.41

 

CMYK 0 / 39 / 83 / 1

HEX #FD9A2A

RGB 253 154 42

HSL 31.85, 0.98%, 0.58%

LAB 72.34, 29.44, 68.72

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 0 / 25 / 53 / 21

HEX #C9975E

RGB 201 151 94

HSL 31.96, 0.5%, 0.58%

LAB 66.03, 12.09, 37.1

 

CMYK 0 / 18 / 39 / 28

HEX #B7966F

RGB 183 150 111

HSL 32.5, 0.33%, 0.58%

LAB 64.18, 6.88, 25.21

 

CMYK 0 / 10 / 22 / 35

HEX #A69581

RGB 166 149 129

HSL 32.43, 0.17%, 0.58%

LAB 62.67, 3, 12.86

 

CMYK 0 / 1 / 2 / 42

HEX #959392

RGB 149 147 146

HSL 20, 0.01%, 0.58%

LAB 61.07, 0.54, 0.78

 

CMYK 0 / 65 / 64 / 15

HEX #DA4D4F

RGB 218 77 79

HSL 359.15, 0.66%, 0.58%

LAB 52.71, 55.2, 29.23

 

CMYK 0 / 49 / 65 / 15

HEX #DA704D

RGB 218 112 77

HSL 14.89, 0.66%, 0.58%

LAB 59, 38.64, 38.07

 

CMYK 0 / 31 / 65 / 15

HEX #DA964D

RGB 218 150 77

HSL 31.06, 0.66%, 0.58%

LAB 67.47, 18.51, 47.91

 

CMYK 0 / 14 / 65 / 15

HEX #DABB4D

RGB 218 187 77

HSL 46.81, 0.66%, 0.58%

LAB 76.67, -1.19, 58.04

 

CMYK 3 / 0 / 65 / 15

HEX #D3DA4D

RGB 211 218 77

HSL 62.98, 0.66%, 0.58%

LAB 84.24, -19.81, 65.84

 

CMYK 0 / 37 / 80 / 31

HEX #B16F24

RGB 177 111 36

HSL 31.91, 0.66%, 0.42%

LAB 52.78, 20.16, 49.85

 

CMYK 0 / 37 / 80 / 17

HEX #D3842B

RGB 211 132 43

HSL 31.79, 0.66%, 0.5%

LAB 62.11, 23.59, 57.29

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 0 / 24 / 51 / 12

HEX #E1AC6F

RGB 225 172 111

HSL 32.11, 0.66%, 0.66%

LAB 73.97, 12.21, 38.7

 

CMYK 0 / 18 / 38 / 9

HEX #E8BF91

RGB 232 191 145

HSL 31.72, 0.65%, 0.74%

LAB 79.88, 8.44, 28.72

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 46 / 0 / 65 / 15

HEX #75DA4D

RGB 117 218 77

HSL 102.98, 0.66%, 0.58%

LAB 78.73, -54.26, 58.33

 

CMYK 57 / 65 / 0 / 15

HEX #5D4DDA

RGB 93 77 218

HSL 246.81, 0.66%, 0.58%

LAB 42.3, 45.21, -70.21

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 65 / 0 / 31 / 15

HEX #4DDA96

RGB 77 218 150

HSL 151.06, 0.66%, 0.58%

LAB 78.42, -53.3, 22.61

 

CMYK 31 / 65 / 0 / 15

HEX #964DDA

RGB 150 77 218

HSL 271.06, 0.66%, 0.58%

LAB 48.08, 56.06, -60.57

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 46 / 0 / 65 / 15

HEX #75DA4D

RGB 117 218 77

HSL 102.98, 0.66%, 0.58%

LAB 78.73, -54.26, 58.33

 

CMYK 65 / 33 / 0 / 15

HEX #4D91DA

RGB 77 145 218

HSL 211.06, 0.66%, 0.58%

LAB 58.87, 1.18, -43.65

 

CMYK 18 / 65 / 0 / 15

HEX #B24DDA

RGB 178 77 218

HSL 282.98, 0.66%, 0.58%

LAB 51.65, 62.19, -54.64

 

CMYK 0 / 30 / 65 / 15

HEX #DA984D

RGB 218 152 77

HSL 31.91, 0.66%, 0.58%

LAB 67.95, 17.43, 48.45

 

CMYK 65 / 0 / 64 / 15

HEX #4DDA4F

RGB 77 218 79

HSL 120.85, 0.66%, 0.58%

LAB 77.45, -64.11, 55.73

 

CMYK 65 / 33 / 0 / 15

HEX #4D91DA

RGB 77 145 218

HSL 211.06, 0.66%, 0.58%

LAB 58.87, 1.18, -43.65

 

CMYK 0 / 65 / 1 / 15

HEX #DA4DD8

RGB 218 77 216

HSL 300.85, 0.66%, 0.58%

LAB 57.24, 70.98, -44.26

 

Description

Color code: HEX #DA984D | qconv.com Color code: HEX #DA984D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 152 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 152 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 65 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 65% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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