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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B31581 it is the complementary color #4CEA7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B31581. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B31581 shade: #B8157C, #C9278F, #DA39A2, #EB4BB5 and #FC5DC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B31581. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B31581 shade: #B31581, #A2036E, #91005B, #800048 and #6F0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B31581 shade: #B21580, #B21556, #B2152C and #B21515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B31581 shade: #B21580, #B215AB, #8F15B2, #6515B2 and #3A15B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B31581 shade matches the following richer shades: #B21580 and #C20586

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B31581 shade: #B21580, #A2257A, #923574, #82456F and #725569

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B31581 shade: #8D15B2, #B215AD, #B21583, #B21559 and #B2152F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B31581 shade: #680C4B, #8D1166, #B21580, #D7199B and #E732AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B31581 shade: #B31581, #B26315 and #15B2A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B31581 shade: #B31581, #83B215 and #1583B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B31581 shade: #B31581, #B26315, #15B244 and #1563B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B31581 shade: #B31581, #B29315, #15B244 and #1534B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 28 / 30

HEX #B31581

RGB 179 21 129

HSL 318.99, 0.79%, 0.39%

LAB 40.74, 66.18, -19.21

 

Complementary color

CMYK 68 / 0 / 46 / 8

HEX #4CEA7E

RGB 76 234 126

HSL 138.99, 0.79%, 0.61%

LAB 82.85, -63.77, 40.62

 

CMYK 0 / 89 / 33 / 28

HEX #B8157C

RGB 184 21 124

HSL 322.09, 0.8%, 0.4%

LAB 41.5, 66.73, -14.87

 

CMYK 0 / 81 / 29 / 21

HEX #C9278F

RGB 201 39 143

HSL 321.48, 0.68%, 0.47%

LAB 46.78, 68.96, -18.15

 

CMYK 0 / 74 / 26 / 15

HEX #DA39A2

RGB 218 57 162

HSL 320.87, 0.69%, 0.54%

LAB 52.33, 70.22, -20.72

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 63 / 21 / 1

HEX #FC5DC8

RGB 252 93 200

HSL 319.62, 0.96%, 0.68%

LAB 63.91, 70.9, -24.42

 

CMYK 0 / 88 / 28 / 30

HEX #B31581

RGB 179 21 129

HSL 318.99, 0.79%, 0.39%

LAB 40.74, 66.18, -19.21

 

CMYK 0 / 98 / 32 / 36

HEX #A2036E

RGB 162 3 110

HSL 319.62, 0.96%, 0.32%

LAB 35.74, 62.78, -15.29

 

CMYK 0 / 100 / 37 / 43

HEX #91005B

RGB 145 0 91

HSL 322.34, 1%, 0.28%

LAB 31.29, 57.46, -10.15

 

CMYK 0 / 100 / 44 / 50

HEX #800048

RGB 128 0 72

HSL 326.25, 1%, 0.25%

LAB 26.9, 51.71, -4.51

 

CMYK 0 / 100 / 52 / 56

HEX #6F0035

RGB 111 0 53

HSL 331.35, 1%, 0.22%

LAB 22.43, 45.89, 1.54

 

CMYK 0 / 88 / 28 / 30

HEX #B21580

RGB 178 21 128

HSL 319.11, 0.79%, 0.39%

LAB 40.51, 65.85, -18.98

 

CMYK 0 / 88 / 52 / 30

HEX #B21556

RGB 178 21 86

HSL 335.16, 0.79%, 0.39%

LAB 39.02, 61.74, 5.26

 

CMYK 0 / 88 / 75 / 30

HEX #B2152C

RGB 178 21 44

HSL 351.21, 0.79%, 0.39%

LAB 38.17, 59.29, 30.77

 

CMYK 0 / 88 / 88 / 30

HEX #B21515

RGB 178 21 21

HSL 0, 0.79%, 0.39%

LAB 37.94, 58.63, 43.4

 

CMYK 0 / 88 / 28 / 30

HEX #B21580

RGB 178 21 128

HSL 319.11, 0.79%, 0.39%

LAB 40.51, 65.85, -18.98

 

CMYK 0 / 88 / 4 / 30

HEX #B215AB

RGB 178 21 171

HSL 302.68, 0.79%, 0.39%

LAB 42.68, 71.58, -41.66

 

CMYK 20 / 88 / 0 / 30

HEX #8F15B2

RGB 143 21 178

HSL 286.62, 0.79%, 0.39%

LAB 37.1, 66.69, -55.12

 

CMYK 43 / 88 / 0 / 30

HEX #6515B2

RGB 101 21 178

HSL 270.57, 0.79%, 0.39%

LAB 30.68, 60.76, -65.86

 

CMYK 67 / 88 / 0 / 30

HEX #3A15B2

RGB 58 21 178

HSL 254.14, 0.79%, 0.39%

LAB 25.71, 56.63, -74.23

 

CMYK 0 / 88 / 28 / 30

HEX #B21580

RGB 178 21 128

HSL 319.11, 0.79%, 0.39%

LAB 40.51, 65.85, -18.98

 

CMYK 0 / 97 / 31 / 24

HEX #C20586

RGB 194 5 134

HSL 319.05, 0.95%, 0.39%

LAB 43.21, 71.86, -18.25

 

CMYK 0 / 88 / 28 / 30

HEX #B21580

RGB 178 21 128

HSL 319.11, 0.79%, 0.39%

LAB 40.51, 65.85, -18.98

 

CMYK 0 / 77 / 25 / 36

HEX #A2257A

RGB 162 37 122

HSL 319.2, 0.63%, 0.39%

LAB 38.57, 57.53, -18.49

 

CMYK 0 / 64 / 21 / 43

HEX #923574

RGB 146 53 116

HSL 319.35, 0.47%, 0.39%

LAB 37.7, 46.23, -16.33

 

CMYK 0 / 47 / 15 / 49

HEX #82456F

RGB 130 69 111

HSL 318.69, 0.31%, 0.39%

LAB 38.11, 32.1, -12.79

 

CMYK 0 / 25 / 8 / 55

HEX #725569

RGB 114 85 105

HSL 318.62, 0.15%, 0.39%

LAB 39.74, 15.62, -6.81

 

CMYK 21 / 88 / 0 / 30

HEX #8D15B2

RGB 141 21 178

HSL 285.86, 0.79%, 0.39%

LAB 36.77, 66.38, -55.66

 

CMYK 0 / 88 / 3 / 30

HEX #B215AD

RGB 178 21 173

HSL 301.91, 0.79%, 0.39%

LAB 42.79, 71.88, -42.67

 

CMYK 0 / 88 / 26 / 30

HEX #B21583

RGB 178 21 131

HSL 317.96, 0.79%, 0.39%

LAB 40.64, 66.2, -20.63

 

CMYK 0 / 88 / 50 / 30

HEX #B21559

RGB 178 21 89

HSL 334.01, 0.79%, 0.39%

LAB 39.11, 61.98, 3.46

 

CMYK 0 / 88 / 74 / 30

HEX #B2152F

RGB 178 21 47

HSL 350.06, 0.79%, 0.39%

LAB 38.21, 59.41, 28.98

 

CMYK 0 / 88 / 28 / 59

HEX #680C4B

RGB 104 12 75

HSL 318.91, 0.79%, 0.23%

LAB 22.7, 43.86, -13.39

 

CMYK 0 / 88 / 28 / 45

HEX #8D1166

RGB 141 17 102

HSL 318.87, 0.78%, 0.31%

LAB 31.86, 55.12, -16.49

 

CMYK 0 / 88 / 28 / 30

HEX #B21580

RGB 178 21 128

HSL 319.11, 0.79%, 0.39%

LAB 40.51, 65.85, -18.98

 

CMYK 0 / 88 / 28 / 16

HEX #D7199B

RGB 215 25 155

HSL 318.95, 0.79%, 0.47%

LAB 48.89, 76.22, -21.89

 

CMYK 0 / 78 / 25 / 9

HEX #E732AE

RGB 231 50 174

HSL 318.9, 0.79%, 0.55%

LAB 54.37, 76.71, -24.44

 

CMYK 0 / 88 / 28 / 30

HEX #B31581

RGB 179 21 129

HSL 318.99, 0.79%, 0.39%

LAB 40.74, 66.18, -19.21

 

CMYK 0 / 44 / 88 / 30

HEX #B26315

RGB 178 99 21

HSL 29.81, 0.79%, 0.39%

LAB 50.03, 26.78, 53.04

 

CMYK 88 / 0 / 9 / 30

HEX #15B2A2

RGB 21 178 162

HSL 173.89, 0.79%, 0.39%

LAB 65.44, -40.6, -2.42

 

CMYK 0 / 88 / 28 / 30

HEX #B31581

RGB 179 21 129

HSL 318.99, 0.79%, 0.39%

LAB 40.74, 66.18, -19.21

 

CMYK 26 / 0 / 88 / 30

HEX #83B215

RGB 131 178 21

HSL 77.96, 0.79%, 0.39%

LAB 67.07, -35.92, 65.22

 

CMYK 88 / 26 / 0 / 30

HEX #1583B2

RGB 21 131 178

HSL 197.96, 0.79%, 0.39%

LAB 51.39, -11.76, -32.83

 

CMYK 0 / 88 / 28 / 30

HEX #B31581

RGB 179 21 129

HSL 318.99, 0.79%, 0.39%

LAB 40.74, 66.18, -19.21

 

CMYK 0 / 44 / 88 / 30

HEX #B26315

RGB 178 99 21

HSL 29.81, 0.79%, 0.39%

LAB 50.03, 26.78, 53.04

 

CMYK 88 / 0 / 62 / 30

HEX #15B244

RGB 21 178 68

HSL 137.96, 0.79%, 0.39%

LAB 63.69, -60.26, 44.77

 

CMYK 88 / 44 / 0 / 30

HEX #1563B2

RGB 21 99 178

HSL 210.19, 0.79%, 0.39%

LAB 41.69, 7.69, -48.2

 

CMYK 0 / 88 / 28 / 30

HEX #B31581

RGB 179 21 129

HSL 318.99, 0.79%, 0.39%

LAB 40.74, 66.18, -19.21

 

CMYK 0 / 17 / 88 / 30

HEX #B29315

RGB 178 147 21

HSL 48.15, 0.79%, 0.39%

LAB 61.99, 0.18, 62.6

 

CMYK 88 / 0 / 62 / 30

HEX #15B244

RGB 21 178 68

HSL 137.96, 0.79%, 0.39%

LAB 63.69, -60.26, 44.77

 

CMYK 88 / 71 / 0 / 30

HEX #1534B2

RGB 21 52 178

HSL 228.15, 0.79%, 0.39%

LAB 28.98, 38.76, -68.89

 

Description

Color code: HEX #B31581 | qconv.com Color code: HEX #B31581 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 21 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 21 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 28 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 28% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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