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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB4BB5 it is the complementary color #14B44A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB4BB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB4BB5 shade: #F04BB0, #FF5DC3, #FF6FD6, #FF81E9 and #FF93FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB4BB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB4BB5 shade: #EB4BB5, #DA39A2, #C9278F, #B8157C and #A70369

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB4BB5 shade: #EB4BB5, #EB4B8A, #EB4B5F and #EB4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB4BB5 shade: #EB4BB5, #EB4BE0, #CA4BEB, #A04BEB and #754BEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB4BB5 shade matches the following richer shades: #EB4BB5 and #FB3BBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB4BB5 shade: #EB4BB5, #DB5CB0, #CA6CAA, #BA7CA5 and #AA8CA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB4BB5 shade: #CB4BEB, #EB4BE0, #EB4BB6, #EB4B8B and #EB4B61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB4BB5 shade: #CD1690, #E626A6, #EB4BB5, #EF71C4 and #F396D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB4BB5 shade: #EB4BB5, #EBA04B and #4BEBE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB4BB5 shade: #EB4BB5, #B6EB4B and #4BB6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB4BB5 shade: #EB4BB5, #EBA04B, #4BEB81 and #4B96EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB4BB5 shade: #EB4BB5, #EBD04B, #4BEB81 and #4B66EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

Complementary color

CMYK 89 / 0 / 59 / 29

HEX #14B44A

RGB 20 180 74

HSL 140.25, 0.8%, 0.39%

LAB 64.39, -60.21, 42.82

 

CMYK 0 / 69 / 27 / 6

HEX #F04BB0

RGB 240 75 176

HSL 323.27, 0.85%, 0.62%

LAB 58.69, 71.45, -18.85

 

CMYK 0 / 64 / 24 / 0

HEX #FF5DC3

RGB 255 93 195

HSL 322.22, 1%, 0.68%

LAB 64.18, 71.05, -21.13

 

CMYK 0 / 56 / 16 / 0

HEX #FF6FD6

RGB 255 111 214

HSL 317.08, 1%, 0.72%

LAB 67.64, 66.16, -26.53

 

CMYK 0 / 49 / 9 / 0

HEX #FF81E9

RGB 255 129 233

HSL 310.48, 1%, 0.75%

LAB 71.45, 60.85, -31.19

 

CMYK 0 / 42 / 1 / 0

HEX #FF93FC

RGB 255 147 252

HSL 301.67, 1%, 0.79%

LAB 75.55, 55.3, -35.22

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 74 / 26 / 15

HEX #DA39A2

RGB 218 57 162

HSL 320.87, 0.69%, 0.54%

LAB 52.33, 70.22, -20.72

 

CMYK 0 / 81 / 29 / 21

HEX #C9278F

RGB 201 39 143

HSL 321.48, 0.68%, 0.47%

LAB 46.78, 68.96, -18.15

 

CMYK 0 / 89 / 33 / 28

HEX #B8157C

RGB 184 21 124

HSL 322.09, 0.8%, 0.4%

LAB 41.5, 66.73, -14.87

 

CMYK 0 / 98 / 37 / 35

HEX #A70369

RGB 167 3 105

HSL 322.68, 0.96%, 0.33%

LAB 36.56, 63.33, -10.77

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 68 / 41 / 8

HEX #EB4B8A

RGB 235 75 138

HSL 336.38, 0.8%, 0.61%

LAB 56.61, 65.92, 0.17

 

CMYK 0 / 68 / 60 / 8

HEX #EB4B5F

RGB 235 75 95

HSL 352.5, 0.8%, 0.61%

LAB 55.6, 62.4, 24.17

 

CMYK 0 / 68 / 68 / 8

HEX #EB4B4B

RGB 235 75 75

HSL 0, 0.8%, 0.61%

LAB 55.28, 61.25, 35.36

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 68 / 5 / 8

HEX #EB4BE0

RGB 235 75 224

HSL 304.13, 0.8%, 0.61%

LAB 59.96, 76.85, -44.32

 

CMYK 14 / 68 / 0 / 8

HEX #CA4BEB

RGB 202 75 235

HSL 287.63, 0.8%, 0.61%

LAB 55.67, 71.51, -57.61

 

CMYK 32 / 68 / 0 / 8

HEX #A04BEB

RGB 160 75 235

HSL 271.88, 0.8%, 0.61%

LAB 50.1, 62.95, -66.86

 

CMYK 50 / 68 / 0 / 8

HEX #754BEB

RGB 117 75 235

HSL 255.75, 0.8%, 0.61%

LAB 45.38, 55.16, -74.76

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 76 / 26 / 2

HEX #FB3BBA

RGB 251 59 186

HSL 320.31, 0.96%, 0.61%

LAB 59.14, 80.3, -23.77

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 58 / 20 / 14

HEX #DB5CB0

RGB 219 92 176

HSL 320.31, 0.64%, 0.61%

LAB 57.89, 58.91, -20.36

 

CMYK 0 / 47 / 16 / 21

HEX #CA6CAA

RGB 202 108 170

HSL 320.43, 0.47%, 0.61%

LAB 58.21, 45.13, -16.63

 

CMYK 0 / 33 / 11 / 27

HEX #BA7CA5

RGB 186 124 165

HSL 320.32, 0.31%, 0.61%

LAB 59.5, 30.37, -12

 

CMYK 0 / 18 / 6 / 33

HEX #AA8CA0

RGB 170 140 160

HSL 320, 0.15%, 0.61%

LAB 61.52, 14.8, -6.31

 

CMYK 14 / 68 / 0 / 8

HEX #CB4BEB

RGB 203 75 235

HSL 288, 0.8%, 0.61%

LAB 55.81, 71.72, -57.37

 

CMYK 0 / 68 / 5 / 8

HEX #EB4BE0

RGB 235 75 224

HSL 304.13, 0.8%, 0.61%

LAB 59.96, 76.85, -44.32

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB6

RGB 235 75 182

HSL 319.88, 0.8%, 0.61%

LAB 58.11, 70.92, -23.28

 

CMYK 0 / 68 / 41 / 8

HEX #EB4B8B

RGB 235 75 139

HSL 336, 0.8%, 0.61%

LAB 56.64, 66.01, -0.38

 

CMYK 0 / 68 / 59 / 8

HEX #EB4B61

RGB 235 75 97

HSL 351.75, 0.8%, 0.61%

LAB 55.64, 62.54, 23.05

 

CMYK 0 / 89 / 30 / 20

HEX #CD1690

RGB 205 22 144

HSL 320, 0.81%, 0.45%

LAB 46.4, 73.34, -19.27

 

CMYK 0 / 83 / 28 / 10

HEX #E626A6

RGB 230 38 166

HSL 320, 0.79%, 0.53%

LAB 52.91, 78.33, -22.01

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 53 / 18 / 6

HEX #EF71C4

RGB 239 113 196

HSL 320.48, 0.8%, 0.69%

LAB 65.08, 58.06, -20.55

 

CMYK 0 / 38 / 13 / 5

HEX #F396D3

RGB 243 150 211

HSL 320.65, 0.79%, 0.77%

LAB 73.27, 43.26, -16.44

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 32 / 68 / 8

HEX #EBA04B

RGB 235 160 75

HSL 31.88, 0.8%, 0.61%

LAB 71.77, 20.15, 54.17

 

CMYK 68 / 0 / 5 / 8

HEX #4BEBE0

RGB 75 235 224

HSL 175.88, 0.8%, 0.61%

LAB 85.15, -43.23, -6.75

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 23 / 0 / 68 / 8

HEX #B6EB4B

RGB 182 235 75

HSL 79.88, 0.8%, 0.61%

LAB 86.93, -39.32, 68.74

 

CMYK 68 / 23 / 0 / 8

HEX #4BB6EB

RGB 75 182 235

HSL 199.88, 0.8%, 0.61%

LAB 70.14, -14.2, -35.4

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 32 / 68 / 8

HEX #EBA04B

RGB 235 160 75

HSL 31.88, 0.8%, 0.61%

LAB 71.77, 20.15, 54.17

 

CMYK 68 / 0 / 45 / 8

HEX #4BEB81

RGB 75 235 129

HSL 140.25, 0.8%, 0.61%

LAB 83.18, -63.82, 39.56

 

CMYK 68 / 36 / 0 / 8

HEX #4B96EB

RGB 75 150 235

HSL 211.88, 0.8%, 0.61%

LAB 61.05, 3.73, -49.66

 

CMYK 0 / 68 / 23 / 8

HEX #EB4BB5

RGB 235 75 181

HSL 320.25, 0.8%, 0.61%

LAB 58.07, 70.79, -22.76

 

CMYK 0 / 11 / 68 / 8

HEX #EBD04B

RGB 235 208 75

HSL 49.88, 0.8%, 0.61%

LAB 83.59, -4.96, 66.59

 

CMYK 68 / 0 / 45 / 8

HEX #4BEB81

RGB 75 235 129

HSL 140.25, 0.8%, 0.61%

LAB 83.18, -63.82, 39.56

 

CMYK 68 / 57 / 0 / 8

HEX #4B66EB

RGB 75 102 235

HSL 229.88, 0.8%, 0.61%

LAB 48.26, 33.02, -70.2

 

Description

Color code: HEX #EB4BB5 | qconv.com Color code: HEX #EB4BB5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 75 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 75 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 23 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 23% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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