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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2634A it is the complementary color #4D9CB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2634A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2634A shade: #B76345, #C87558, #D9876B, #EA997E and #FBAB91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2634A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2634A shade: #B2634A, #A15137, #903F24, #7F2D11 and #6E1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2634A shade: #B0624A and #B04A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2634A shade: #B0624A, #B07E4A, #B09A4A, #ABB04A and #8FB04A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2634A shade matches the following richer shades: #B0624A, #C45836, #D94D21 and #ED430D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2634A shade: #B0624A, #9C6D5E, #887772, #748286 and #5F8C9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2634A shade: #B04A68, #B04A4D, #B0624A, #B07D4A and #B0984A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2634A shade: #764231, #93523E, #B0624A, #BE7A65 and #CB9382

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2634A shade: #B2634A, #84B04A and #4A5BB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2634A shade: #B2634A, #4AB062 and #624AB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2634A shade: #B2634A, #84B04A, #4A98B0 and #764AB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2634A shade: #B2634A, #65B04A, #4A98B0 and #954AB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 58 / 30

HEX #B2634A

RGB 178 99 74

HSL 14.42, 0.41%, 0.49%

LAB 50.55, 29.43, 28.09

 

Complementary color

CMYK 57 / 14 / 0 / 29

HEX #4D9CB5

RGB 77 156 181

HSL 194.42, 0.41%, 0.51%

LAB 60.51, -16.9, -20.33

 

CMYK 0 / 46 / 62 / 28

HEX #B76345

RGB 183 99 69

HSL 15.79, 0.45%, 0.49%

LAB 51.18, 31.08, 31.85

 

CMYK 0 / 42 / 56 / 22

HEX #C87558

RGB 200 117 88

HSL 15.54, 0.5%, 0.56%

LAB 57.76, 29.71, 29.94

 

CMYK 0 / 38 / 51 / 15

HEX #D9876B

RGB 217 135 107

HSL 15.27, 0.59%, 0.64%

LAB 64.28, 28.47, 28.23

 

CMYK 0 / 35 / 46 / 8

HEX #EA997E

RGB 234 153 126

HSL 15, 0.72%, 0.71%

LAB 70.72, 27.37, 26.7

 

CMYK 0 / 32 / 42 / 2

HEX #FBAB91

RGB 251 171 145

HSL 14.72, 0.93%, 0.78%

LAB 77.09, 26.38, 25.31

 

CMYK 0 / 44 / 58 / 30

HEX #B2634A

RGB 178 99 74

HSL 14.42, 0.41%, 0.49%

LAB 50.55, 29.43, 28.09

 

CMYK 0 / 50 / 66 / 37

HEX #A15137

RGB 161 81 55

HSL 14.72, 0.49%, 0.42%

LAB 43.85, 30.88, 30.17

 

CMYK 0 / 56 / 75 / 44

HEX #903F24

RGB 144 63 36

HSL 15, 0.6%, 0.35%

LAB 37.14, 32.47, 32.53

 

CMYK 0 / 65 / 87 / 50

HEX #7F2D11

RGB 127 45 17

HSL 15.27, 0.76%, 0.28%

LAB 30.47, 34.09, 34.94

 

CMYK 0 / 75 / 100 / 57

HEX #6E1B00

RGB 110 27 0

HSL 14.73, 1%, 0.22%

LAB 24, 35.4, 35.2

 

CMYK 0 / 44 / 58 / 31

HEX #B0624A

RGB 176 98 74

HSL 14.12, 0.41%, 0.49%

LAB 50.05, 29.16, 27.4

 

CMYK 0 / 58 / 58 / 31

HEX #B04A4A

RGB 176 74 74

HSL 0, 0.41%, 0.49%

LAB 45.11, 41.66, 21.03

 

CMYK 0 / 44 / 58 / 31

HEX #B0624A

RGB 176 98 74

HSL 14.12, 0.41%, 0.49%

LAB 50.05, 29.16, 27.4

 

CMYK 0 / 28 / 58 / 31

HEX #B07E4A

RGB 176 126 74

HSL 30.59, 0.41%, 0.49%

LAB 56.73, 13.57, 35.66

 

CMYK 0 / 13 / 58 / 31

HEX #B09A4A

RGB 176 154 74

HSL 47.06, 0.41%, 0.49%

LAB 64.03, -1.9, 44.27

 

CMYK 3 / 0 / 58 / 31

HEX #ABB04A

RGB 171 176 74

HSL 62.94, 0.41%, 0.49%

LAB 69.61, -15.64, 50.49

 

CMYK 19 / 0 / 58 / 31

HEX #8FB04A

RGB 143 176 74

HSL 79.41, 0.41%, 0.49%

LAB 67.56, -27.15, 47.62

 

CMYK 0 / 44 / 58 / 31

HEX #B0624A

RGB 176 98 74

HSL 14.12, 0.41%, 0.49%

LAB 50.05, 29.16, 27.4

 

CMYK 0 / 55 / 72 / 23

HEX #C45836

RGB 196 88 54

HSL 14.37, 0.57%, 0.49%

LAB 50.67, 41.01, 39.97

 

CMYK 0 / 65 / 85 / 15

HEX #D94D21

RGB 217 77 33

HSL 14.35, 0.74%, 0.49%

LAB 52.03, 52.95, 52.69

 

CMYK 0 / 72 / 95 / 7

HEX #ED430D

RGB 237 67 13

HSL 14.46, 0.9%, 0.49%

LAB 54.08, 63.04, 62.6

 

CMYK 0 / 44 / 58 / 31

HEX #B0624A

RGB 176 98 74

HSL 14.12, 0.41%, 0.49%

LAB 50.05, 29.16, 27.4

 

CMYK 0 / 30 / 40 / 39

HEX #9C6D5E

RGB 156 109 94

HSL 14.52, 0.25%, 0.49%

LAB 50.47, 16.72, 15.86

 

CMYK 0 / 13 / 16 / 47

HEX #887772

RGB 136 119 114

HSL 13.64, 0.09%, 0.49%

LAB 51.43, 5.69, 5.15

 

CMYK 13 / 3 / 0 / 47

HEX #748286

RGB 116 130 134

HSL 193.33, 0.07%, 0.49%

LAB 53.38, -4.23, -3.91

 

CMYK 39 / 10 / 0 / 39

HEX #5F8C9B

RGB 95 140 155

HSL 195, 0.24%, 0.49%

LAB 55.64, -11.33, -12.83

 

CMYK 0 / 58 / 41 / 31

HEX #B04A68

RGB 176 74 104

HSL 342.35, 0.41%, 0.49%

LAB 45.81, 44.49, 3.7

 

CMYK 0 / 58 / 56 / 31

HEX #B04A4D

RGB 176 74 77

HSL 358.24, 0.41%, 0.49%

LAB 45.17, 41.9, 19.3

 

CMYK 0 / 44 / 58 / 31

HEX #B0624A

RGB 176 98 74

HSL 14.12, 0.41%, 0.49%

LAB 50.05, 29.16, 27.4

 

CMYK 0 / 29 / 58 / 31

HEX #B07D4A

RGB 176 125 74

HSL 30, 0.41%, 0.49%

LAB 56.48, 14.13, 35.36

 

CMYK 0 / 14 / 58 / 31

HEX #B0984A

RGB 176 152 74

HSL 45.88, 0.41%, 0.49%

LAB 63.49, -0.82, 43.66

 

CMYK 0 / 44 / 58 / 54

HEX #764231

RGB 118 66 49

HSL 14.78, 0.41%, 0.33%

LAB 33.92, 20.66, 20.04

 

CMYK 0 / 44 / 58 / 42

HEX #93523E

RGB 147 82 62

HSL 14.12, 0.41%, 0.41%

LAB 42.13, 25.04, 23.5

 

CMYK 0 / 44 / 58 / 31

HEX #B0624A

RGB 176 98 74

HSL 14.12, 0.41%, 0.49%

LAB 50.05, 29.16, 27.4

 

CMYK 0 / 36 / 47 / 25

HEX #BE7A65

RGB 190 122 101

HSL 14.16, 0.41%, 0.57%

LAB 57.85, 24.15, 22.49

 

CMYK 0 / 28 / 36 / 20

HEX #CB9382

RGB 203 147 130

HSL 13.97, 0.41%, 0.65%

LAB 65.89, 18.88, 17.34

 

CMYK 0 / 44 / 58 / 30

HEX #B2634A

RGB 178 99 74

HSL 14.42, 0.41%, 0.49%

LAB 50.55, 29.43, 28.09

 

CMYK 25 / 0 / 58 / 31

HEX #84B04A

RGB 132 176 74

HSL 85.88, 0.41%, 0.49%

LAB 66.86, -31.44, 46.63

 

CMYK 58 / 48 / 0 / 31

HEX #4A5BB0

RGB 74 91 176

HSL 230, 0.41%, 0.49%

LAB 41.33, 19.44, -47.48

 

CMYK 0 / 44 / 58 / 30

HEX #B2634A

RGB 178 99 74

HSL 14.42, 0.41%, 0.49%

LAB 50.55, 29.43, 28.09

 

CMYK 58 / 0 / 44 / 31

HEX #4AB062

RGB 74 176 98

HSL 134.12, 0.41%, 0.49%

LAB 64.47, -46.76, 31.23

 

CMYK 44 / 58 / 0 / 31

HEX #624AB0

RGB 98 74 176

HSL 254.12, 0.41%, 0.49%

LAB 38.95, 35.28, -51.22

 

CMYK 0 / 44 / 58 / 30

HEX #B2634A

RGB 178 99 74

HSL 14.42, 0.41%, 0.49%

LAB 50.55, 29.43, 28.09

 

CMYK 25 / 0 / 58 / 31

HEX #84B04A

RGB 132 176 74

HSL 85.88, 0.41%, 0.49%

LAB 66.86, -31.44, 46.63

 

CMYK 58 / 14 / 0 / 31

HEX #4A98B0

RGB 74 152 176

HSL 194.12, 0.41%, 0.49%

LAB 59.02, -16.88, -19.79

 

CMYK 33 / 58 / 0 / 31

HEX #764AB0

RGB 118 74 176

HSL 265.88, 0.41%, 0.49%

LAB 41.03, 40.01, -47.76

 

CMYK 0 / 44 / 58 / 30

HEX #B2634A

RGB 178 99 74

HSL 14.42, 0.41%, 0.49%

LAB 50.55, 29.43, 28.09

 

CMYK 43 / 0 / 58 / 31

HEX #65B04A

RGB 101 176 74

HSL 104.12, 0.41%, 0.49%

LAB 65.21, -42.45, 44.3

 

CMYK 58 / 14 / 0 / 31

HEX #4A98B0

RGB 74 152 176

HSL 194.12, 0.41%, 0.49%

LAB 59.02, -16.88, -19.79

 

CMYK 15 / 58 / 0 / 31

HEX #954AB0

RGB 149 74 176

HSL 284.12, 0.41%, 0.49%

LAB 44.83, 47.92, -41.47

 

Description

Color code: HEX #B2634A | qconv.com Color code: HEX #B2634A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 99 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 99 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 58 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 58% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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