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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9876B it is the complementary color #267894. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9876B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9876B shade: #DE8766, #EF9979, #FFAB8C, #FFBD9F and #FFCFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9876B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9876B shade: #D9876B, #C87558, #B76345, #A65132 and #953F1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9876B shade: #D9896D and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9876B shade: #D9896D, #D9A66D, #D9C36D, #D2D96D and #B5D96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9876B shade matches the following richer shades: #D9896D, #E8815E and #F77A4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9876B shade: #D9896D, #CB907C, #BC978B, #AD9E9A and #9EA6A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9876B shade: #D96D8C, #D96D6F, #D9886D, #D9A56D and #D9C26D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9876B shade: #C25732, #D16E4C, #D9896D, #E2A38E and #EABEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9876B shade: #D9876B, #A9D96D and #6D7DD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9876B shade: #D9876B, #6DD988 and #886DD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9876B shade: #D9876B, #A9D96D, #6DBED9 and #9E6DD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9876B shade: #D9876B, #88D96D, #6DBED9 and #BE6DD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 51 / 15

HEX #D9876B

RGB 217 135 107

HSL 15.27, 0.59%, 0.64%

LAB 64.28, 28.47, 28.23

 

Complementary color

CMYK 74 / 19 / 0 / 42

HEX #267894

RGB 38 120 148

HSL 195.27, 0.59%, 0.36%

LAB 46.95, -14.65, -22.21

 

CMYK 0 / 39 / 54 / 13

HEX #DE8766

RGB 222 135 102

HSL 16.5, 0.65%, 0.64%

LAB 64.82, 30.01, 31.8

 

CMYK 0 / 36 / 49 / 6

HEX #EF9979

RGB 239 153 121

HSL 16.27, 0.79%, 0.71%

LAB 71.22, 28.84, 30.19

 

CMYK 0 / 33 / 45 / 0

HEX #FFAB8C

RGB 255 171 140

HSL 16.17, 1%, 0.77%

LAB 77.45, 27.4, 28.55

 

CMYK 0 / 26 / 38 / 0

HEX #FFBD9F

RGB 255 189 159

HSL 18.75, 1%, 0.81%

LAB 81.92, 19.99, 24.47

 

CMYK 0 / 19 / 30 / 0

HEX #FFCFB2

RGB 255 207 178

HSL 22.6, 1%, 0.85%

LAB 86.55, 12.88, 20.8

 

CMYK 0 / 38 / 51 / 15

HEX #D9876B

RGB 217 135 107

HSL 15.27, 0.59%, 0.64%

LAB 64.28, 28.47, 28.23

 

CMYK 0 / 42 / 56 / 22

HEX #C87558

RGB 200 117 88

HSL 15.54, 0.5%, 0.56%

LAB 57.76, 29.71, 29.94

 

CMYK 0 / 46 / 62 / 28

HEX #B76345

RGB 183 99 69

HSL 15.79, 0.45%, 0.49%

LAB 51.18, 31.08, 31.85

 

CMYK 0 / 51 / 70 / 35

HEX #A65132

RGB 166 81 50

HSL 16.03, 0.54%, 0.42%

LAB 44.55, 32.61, 34

 

CMYK 0 / 58 / 79 / 42

HEX #953F1F

RGB 149 63 31

HSL 16.27, 0.66%, 0.35%

LAB 37.92, 34.25, 36.31

 

CMYK 0 / 37 / 50 / 15

HEX #D9896D

RGB 217 137 109

HSL 15.56, 0.59%, 0.64%

LAB 64.76, 27.59, 27.76

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 37 / 50 / 15

HEX #D9896D

RGB 217 137 109

HSL 15.56, 0.59%, 0.64%

LAB 64.76, 27.59, 27.76

 

CMYK 0 / 24 / 50 / 15

HEX #D9A66D

RGB 217 166 109

HSL 31.67, 0.59%, 0.64%

LAB 71.64, 11.96, 36.63

 

CMYK 0 / 10 / 50 / 15

HEX #D9C36D

RGB 217 195 109

HSL 47.78, 0.59%, 0.64%

LAB 78.98, -3.37, 45.72

 

CMYK 3 / 0 / 50 / 15

HEX #D2D96D

RGB 210 217 109

HSL 63.89, 0.59%, 0.64%

LAB 84.19, -17.35, 51.84

 

CMYK 17 / 0 / 50 / 15

HEX #B5D96D

RGB 181 217 109

HSL 80, 0.59%, 0.64%

LAB 82.14, -28.66, 48.9

 

CMYK 0 / 37 / 50 / 15

HEX #D9896D

RGB 217 137 109

HSL 15.56, 0.59%, 0.64%

LAB 64.76, 27.59, 27.76

 

CMYK 0 / 44 / 59 / 9

HEX #E8815E

RGB 232 129 94

HSL 15.22, 0.75%, 0.64%

LAB 64.7, 36.46, 36.27

 

CMYK 0 / 51 / 68 / 3

HEX #F77A4F

RGB 247 122 79

HSL 15.36, 0.91%, 0.64%

LAB 65.17, 44.77, 45.28

 

CMYK 0 / 37 / 50 / 15

HEX #D9896D

RGB 217 137 109

HSL 15.56, 0.59%, 0.64%

LAB 64.76, 27.59, 27.76

 

CMYK 0 / 29 / 39 / 20

HEX #CB907C

RGB 203 144 124

HSL 15.19, 0.43%, 0.64%

LAB 65.04, 19.8, 19.53

 

CMYK 0 / 20 / 26 / 26

HEX #BC978B

RGB 188 151 139

HSL 14.69, 0.27%, 0.64%

LAB 65.51, 12, 11.55

 

CMYK 0 / 9 / 11 / 32

HEX #AD9E9A

RGB 173 158 154

HSL 12.63, 0.1%, 0.64%

LAB 66.27, 4.78, 4.06

 

CMYK 6 / 1 / 0 / 34

HEX #9EA6A8

RGB 158 166 168

HSL 192, 0.05%, 0.64%

LAB 67.55, -2.43, -2.02

 

CMYK 0 / 50 / 35 / 15

HEX #D96D8C

RGB 217 109 140

HSL 342.78, 0.59%, 0.64%

LAB 59.51, 45.49, 2.87

 

CMYK 0 / 50 / 49 / 15

HEX #D96D6F

RGB 217 109 111

HSL 358.89, 0.59%, 0.64%

LAB 58.82, 42.42, 18.69

 

CMYK 0 / 37 / 50 / 15

HEX #D9886D

RGB 217 136 109

HSL 15, 0.59%, 0.64%

LAB 64.53, 28.12, 27.47

 

CMYK 0 / 24 / 50 / 15

HEX #D9A56D

RGB 217 165 109

HSL 31.11, 0.59%, 0.64%

LAB 71.4, 12.5, 36.32

 

CMYK 0 / 11 / 50 / 15

HEX #D9C26D

RGB 217 194 109

HSL 47.22, 0.59%, 0.64%

LAB 78.72, -2.85, 45.41

 

CMYK 0 / 55 / 74 / 24

HEX #C25732

RGB 194 87 50

HSL 15.42, 0.59%, 0.48%

LAB 50.12, 40.55, 41.39

 

CMYK 0 / 47 / 64 / 18

HEX #D16E4C

RGB 209 110 76

HSL 15.34, 0.59%, 0.56%

LAB 57.3, 36.1, 36.26

 

CMYK 0 / 37 / 50 / 15

HEX #D9896D

RGB 217 137 109

HSL 15.56, 0.59%, 0.64%

LAB 64.76, 27.59, 27.76

 

CMYK 0 / 28 / 37 / 11

HEX #E2A38E

RGB 226 163 142

HSL 15, 0.59%, 0.72%

LAB 72.44, 20.65, 20.14

 

CMYK 0 / 19 / 25 / 8

HEX #EABEAF

RGB 234 190 175

HSL 15.25, 0.58%, 0.8%

LAB 80.41, 13.55, 13.51

 

CMYK 0 / 38 / 51 / 15

HEX #D9876B

RGB 217 135 107

HSL 15.27, 0.59%, 0.64%

LAB 64.28, 28.47, 28.23

 

CMYK 22 / 0 / 50 / 15

HEX #A9D96D

RGB 169 217 109

HSL 86.67, 0.59%, 0.64%

LAB 81.38, -33.15, 47.81

 

CMYK 50 / 42 / 0 / 15

HEX #6D7DD9

RGB 109 125 217

HSL 231.11, 0.59%, 0.64%

LAB 55, 19.23, -49.12

 

CMYK 0 / 38 / 51 / 15

HEX #D9876B

RGB 217 135 107

HSL 15.27, 0.59%, 0.64%

LAB 64.28, 28.47, 28.23

 

CMYK 50 / 0 / 37 / 15

HEX #6DD988

RGB 109 217 136

HSL 135, 0.59%, 0.64%

LAB 78.84, -48.51, 30.59

 

CMYK 37 / 50 / 0 / 15

HEX #886DD9

RGB 136 109 217

HSL 255, 0.59%, 0.64%

LAB 53.15, 35.22, -51.94

 

CMYK 0 / 38 / 51 / 15

HEX #D9876B

RGB 217 135 107

HSL 15.27, 0.59%, 0.64%

LAB 64.28, 28.47, 28.23

 

CMYK 22 / 0 / 50 / 15

HEX #A9D96D

RGB 169 217 109

HSL 86.67, 0.59%, 0.64%

LAB 81.38, -33.15, 47.81

 

CMYK 50 / 12 / 0 / 15

HEX #6DBED9

RGB 109 190 217

HSL 195, 0.59%, 0.64%

LAB 72.95, -17.52, -21.19

 

CMYK 27 / 50 / 0 / 15

HEX #9E6DD9

RGB 158 109 217

HSL 267.22, 0.59%, 0.64%

LAB 55.29, 40.87, -48.4

 

CMYK 0 / 38 / 51 / 15

HEX #D9876B

RGB 217 135 107

HSL 15.27, 0.59%, 0.64%

LAB 64.28, 28.47, 28.23

 

CMYK 37 / 0 / 50 / 15

HEX #88D96D

RGB 136 217 109

HSL 105, 0.59%, 0.64%

LAB 79.59, -44.58, 45.22

 

CMYK 50 / 12 / 0 / 15

HEX #6DBED9

RGB 109 190 217

HSL 195, 0.59%, 0.64%

LAB 72.95, -17.52, -21.19

 

CMYK 12 / 50 / 0 / 15

HEX #BE6DD9

RGB 190 109 217

HSL 285, 0.59%, 0.64%

LAB 58.88, 49.53, -42.5

 

Description

Color code: HEX #D9876B | qconv.com Color code: HEX #D9876B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 135 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 135 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 51 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 51% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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