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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B25C6E it is the complementary color #4DA391. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B25C6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B25C6E: #B75C69, #C86E7C, #D9808F, #EA92A2 and #FBA4B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B25C6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B25C6E: #B25C6E, #A14A5B, #903848, #7F2635 and #6E1422

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 38 / 30

HEX #B25C6E

RGB 178 92 110

HSL 347.44, 0.36%, 0.53%

LAB 49.79, 36.78, 5.83

 

Complementary color

CMYK 53 / 0 / 11 / 36

HEX #4DA391

RGB 77 163 145

HSL 167.44, 0.36%, 0.47%

LAB 61.5, -30.48, 1.45

 

CMYK 0 / 50 / 43 / 28

HEX #B75C69

RGB 183 92 105

HSL 351.43, 0.39%, 0.54%

LAB 50.38, 38.05, 9.76

 

CMYK 0 / 45 / 38 / 22

HEX #C86E7C

RGB 200 110 124

HSL 350.67, 0.45%, 0.61%

LAB 56.96, 37.04, 8.21

 

CMYK 0 / 41 / 34 / 15

HEX #D9808F

RGB 217 128 143

HSL 349.89, 0.54%, 0.68%

LAB 63.49, 36.08, 6.87

 

CMYK 0 / 38 / 31 / 8

HEX #EA92A2

RGB 234 146 162

HSL 349.09, 0.68%, 0.75%

LAB 69.94, 35.17, 5.7

 

CMYK 0 / 35 / 28 / 2

HEX #FBA4B5

RGB 251 164 181

HSL 348.28, 0.92%, 0.81%

LAB 76.31, 34.33, 4.65

 

CMYK 0 / 48 / 38 / 30

HEX #B25C6E

RGB 178 92 110

HSL 347.44, 0.36%, 0.53%

LAB 49.79, 36.78, 5.83

 

CMYK 0 / 54 / 43 / 37

HEX #A14A5B

RGB 161 74 91

HSL 348.28, 0.37%, 0.46%

LAB 43.11, 37.76, 7.51

 

CMYK 0 / 61 / 50 / 44

HEX #903848

RGB 144 56 72

HSL 349.09, 0.44%, 0.39%

LAB 36.41, 38.67, 9.61

 

CMYK 0 / 70 / 58 / 50

HEX #7F2635

RGB 127 38 53

HSL 349.89, 0.54%, 0.32%

LAB 29.8, 39.32, 12.35

 

CMYK 0 / 82 / 69 / 57

HEX #6E1422

RGB 110 20 34

HSL 350.67, 0.69%, 0.25%

LAB 23.44, 39.27, 16.08

 

CMYK 0 / 48 / 38 / 30

HEX #B25C6E

RGB 178 92 110

HSL 347.44, 0.36%, 0.53%

LAB 49.79, 36.78, 5.83

 

CMYK 0 / 48 / 46 / 30

HEX #B25C60

RGB 178 92 96

HSL 357.21, 0.36%, 0.53%

LAB 49.45, 35.21, 13.73

 

CMYK 0 / 43 / 48 / 30

HEX #B2665C

RGB 178 102 92

HSL 6.98, 0.36%, 0.53%

LAB 51.54, 29.41, 18.95

 

CMYK 0 / 35 / 48 / 30

HEX #B2745C

RGB 178 116 92

HSL 16.74, 0.36%, 0.53%

LAB 54.79, 21.66, 23.29

 

CMYK 0 / 27 / 48 / 30

HEX #B2825C

RGB 178 130 92

HSL 26.51, 0.36%, 0.53%

LAB 58.23, 13.82, 27.78

 

CMYK 0 / 48 / 38 / 30

HEX #B25C6E

RGB 178 92 110

HSL 347.44, 0.36%, 0.53%

LAB 49.79, 36.78, 5.83

 

CMYK 0 / 48 / 38 / 10

HEX #E5768E

RGB 229 118 142

HSL 347.03, 0.68%, 0.68%

LAB 62.98, 45.38, 6.94

 

CMYK 0 / 48 / 40 / 90

HEX #190D0F

RGB 25 13 15

HSL 350, 0.32%, 0.07%

LAB 4.78, 5.25, 0.79

 

CMYK 0 / 49 / 38 / 70

HEX #4C272F

RGB 76 39 47

HSL 347.03, 0.32%, 0.23%

LAB 20.8, 18.42, 2.49

 

CMYK 0 / 48 / 39 / 50

HEX #7F424E

RGB 127 66 78

HSL 348.2, 0.32%, 0.38%

LAB 35.9, 27.63, 4.69

 

CMYK 0 / 48 / 38 / 30

HEX #B25C6E

RGB 178 92 110

HSL 347.44, 0.36%, 0.53%

LAB 49.79, 36.78, 5.83

 

CMYK 0 / 1 / 48 / 30

HEX #B2B05C

RGB 178 176 92

HSL 58.6, 0.36%, 0.53%

LAB 70.38, -11.17, 42.93

 

CMYK 48 / 19 / 0 / 30

HEX #5C91B2

RGB 92 145 178

HSL 203.02, 0.36%, 0.53%

LAB 57.79, -8.41, -22.74

 

CMYK 0 / 48 / 38 / 30

HEX #B25C6E

RGB 178 92 110

HSL 347.44, 0.36%, 0.53%

LAB 49.79, 36.78, 5.83

 

CMYK 38 / 0 / 48 / 30

HEX #6EB25C

RGB 110 178 92

HSL 107.44, 0.36%, 0.53%

LAB 66.47, -38.19, 37.13

 

CMYK 48 / 38 / 0 / 30

HEX #5C6EB2

RGB 92 110 178

HSL 227.44, 0.36%, 0.53%

LAB 47.81, 12.24, -38.28

 

CMYK 0 / 48 / 38 / 30

HEX #B25C6E

RGB 178 92 110

HSL 347.44, 0.36%, 0.53%

LAB 49.79, 36.78, 5.83

 

CMYK 0 / 1 / 48 / 30

HEX #B2B05C

RGB 178 176 92

HSL 58.6, 0.36%, 0.53%

LAB 70.38, -11.17, 42.93

 

CMYK 48 / 0 / 11 / 30

HEX #5CB29F

RGB 92 178 159

HSL 166.74, 0.36%, 0.53%

LAB 66.99, -30.7, 1.7

 

CMYK 48 / 48 / 0 / 30

HEX #5C5DB2

RGB 92 93 178

HSL 239.3, 0.36%, 0.53%

LAB 43.24, 22.81, -45.53

 

CMYK 0 / 48 / 38 / 30

HEX #B25C6E

RGB 178 92 110

HSL 347.44, 0.36%, 0.53%

LAB 49.79, 36.78, 5.83

 

CMYK 14 / 0 / 48 / 30

HEX #99B25C

RGB 153 178 92

HSL 77.44, 0.36%, 0.53%

LAB 69.03, -22.37, 40.86

 

CMYK 48 / 0 / 11 / 30

HEX #5CB29F

RGB 92 178 159

HSL 166.74, 0.36%, 0.53%

LAB 66.99, -30.7, 1.7

 

CMYK 35 / 48 / 0 / 30

HEX #745CB2

RGB 116 92 178

HSL 256.74, 0.36%, 0.53%

LAB 45.06, 29.52, -42.52

 

Description

Color code: HEX #B25C6E | qconv.com Color code: HEX #B25C6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 92 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 92 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 38 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 38% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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