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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B220DB it is the complementary color #4DDF24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B220DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B220DB shade: #B720D6, #C832E9, #D944FC, #EA56FF and #FB68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B220DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B220DB shade: #B220DB, #A10EC8, #9000B5, #7F00A2 and #6E008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B220DB shade: #B21FDB, #DB1FD1, #DB1F9F, #DB1F6C and #DB1F3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B220DB shade: #B21FDB, #7F1FDB, #4C1FDB and #1F1FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B220DB shade matches the following richer shades: #B21FDB and #BD0BEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B220DB shade: #B21FDB, #A633C6, #9B48B2, #905C9E and #84708A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B220DB shade: #4B1FDB, #7D1FDB, #AF1FDB, #DB1FD4 and #DB1FA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B220DB shade: #771592, #941AB7, #B21FDB, #C040E4 and #CC64E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B220DB shade: #B220DB, #DB1F25 and #1FDB64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B220DB shade: #B220DB, #DBAF1F and #1FDBAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B220DB shade: #B220DB, #DB1F25, #4BDB1F and #1FDBD4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B220DB shade: #B220DB, #DB511F, #4BDB1F and #1FA9DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 85 / 0 / 14

HEX #B220DB

RGB 178 32 219

HSL 286.84, 0.75%, 0.49%

LAB 46.46, 77.38, -63.56

 

Complementary color

CMYK 65 / 0 / 84 / 13

HEX #4DDF24

RGB 77 223 36

HSL 106.84, 0.75%, 0.51%

LAB 78.74, -68.82, 71.3

 

CMYK 14 / 85 / 0 / 16

HEX #B720D6

RGB 183 32 214

HSL 289.78, 0.74%, 0.48%

LAB 46.92, 77.31, -59.93

 

CMYK 14 / 79 / 0 / 9

HEX #C832E9

RGB 200 50 233

HSL 289.18, 0.81%, 0.55%

LAB 52.34, 79.11, -61.86

 

CMYK 14 / 73 / 0 / 1

HEX #D944FC

RGB 217 68 252

HSL 288.59, 0.97%, 0.63%

LAB 57.96, 80.1, -63.3

 

CMYK 8 / 66 / 0 / 0

HEX #EA56FF

RGB 234 86 255

HSL 292.54, 1%, 0.67%

LAB 62.82, 77.71, -57.04

 

CMYK 2 / 59 / 0 / 0

HEX #FB68FF

RGB 251 104 255

HSL 298.41, 1%, 0.7%

LAB 67.75, 74.47, -49.08

 

CMYK 19 / 85 / 0 / 14

HEX #B220DB

RGB 178 32 219

HSL 286.84, 0.75%, 0.49%

LAB 46.46, 77.38, -63.56

 

CMYK 20 / 93 / 0 / 22

HEX #A10EC8

RGB 161 14 200

HSL 287.42, 0.87%, 0.42%

LAB 41.31, 74.51, -61.08

 

CMYK 20 / 100 / 0 / 29

HEX #9000B5

RGB 144 0 181

HSL 287.73, 1%, 0.35%

LAB 36.49, 70.36, -57.87

 

CMYK 22 / 100 / 0 / 36

HEX #7F00A2

RGB 127 0 162

HSL 287.04, 1%, 0.32%

LAB 32.08, 64.6, -53.78

 

CMYK 23 / 100 / 0 / 44

HEX #6E008F

RGB 110 0 143

HSL 286.15, 1%, 0.28%

LAB 27.57, 58.7, -49.61

 

CMYK 19 / 86 / 0 / 14

HEX #B21FDB

RGB 178 31 219

HSL 286.91, 0.75%, 0.49%

LAB 46.39, 77.59, -63.68

 

CMYK 0 / 86 / 5 / 14

HEX #DB1FD1

RGB 219 31 209

HSL 303.19, 0.75%, 0.49%

LAB 52.56, 82.94, -47.69

 

CMYK 0 / 86 / 27 / 14

HEX #DB1F9F

RGB 219 31 159

HSL 319.15, 0.75%, 0.49%

LAB 50.15, 76.51, -22.28

 

CMYK 0 / 86 / 51 / 14

HEX #DB1F6C

RGB 219 31 108

HSL 335.43, 0.75%, 0.49%

LAB 48.41, 71.67, 6

 

CMYK 0 / 86 / 74 / 14

HEX #DB1F3A

RGB 219 31 58

HSL 351.38, 0.75%, 0.49%

LAB 47.42, 68.81, 35.19

 

CMYK 19 / 86 / 0 / 14

HEX #B21FDB

RGB 178 31 219

HSL 286.91, 0.75%, 0.49%

LAB 46.39, 77.59, -63.68

 

CMYK 42 / 86 / 0 / 14

HEX #7F1FDB

RGB 127 31 219

HSL 270.64, 0.75%, 0.49%

LAB 38.91, 70.45, -76.2

 

CMYK 65 / 86 / 0 / 14

HEX #4C1FDB

RGB 76 31 219

HSL 254.36, 0.75%, 0.49%

LAB 33.2, 65.47, -85.82

 

CMYK 86 / 86 / 0 / 14

HEX #1F1FDB

RGB 31 31 219

HSL 240, 0.75%, 0.49%

LAB 30.37, 63.2, -90.61

 

CMYK 19 / 86 / 0 / 14

HEX #B21FDB

RGB 178 31 219

HSL 286.91, 0.75%, 0.49%

LAB 46.39, 77.59, -63.68

 

CMYK 21 / 95 / 0 / 6

HEX #BD0BEF

RGB 189 11 239

HSL 286.84, 0.91%, 0.49%

LAB 48.62, 85.5, -71.33

 

CMYK 19 / 86 / 0 / 14

HEX #B21FDB

RGB 178 31 219

HSL 286.91, 0.75%, 0.49%

LAB 46.39, 77.59, -63.68

 

CMYK 16 / 74 / 0 / 22

HEX #A633C6

RGB 166 51 198

HSL 286.94, 0.59%, 0.49%

LAB 45.01, 66.11, -53.9

 

CMYK 13 / 60 / 0 / 30

HEX #9B48B2

RGB 155 72 178

HSL 286.98, 0.42%, 0.49%

LAB 45.38, 50.88, -41.72

 

CMYK 9 / 42 / 0 / 38

HEX #905C9E

RGB 144 92 158

HSL 287.27, 0.26%, 0.49%

LAB 47.04, 32.92, -27.41

 

CMYK 4 / 19 / 0 / 46

HEX #84708A

RGB 132 112 138

HSL 286.15, 0.1%, 0.49%

LAB 49.89, 12.87, -11.32

 

CMYK 66 / 86 / 0 / 14

HEX #4B1FDB

RGB 75 31 219

HSL 254.04, 0.75%, 0.49%

LAB 33.11, 65.4, -85.96

 

CMYK 43 / 86 / 0 / 14

HEX #7D1FDB

RGB 125 31 219

HSL 270, 0.75%, 0.49%

LAB 38.65, 70.21, -76.64

 

CMYK 20 / 86 / 0 / 14

HEX #AF1FDB

RGB 175 31 219

HSL 285.96, 0.75%, 0.49%

LAB 45.92, 77.12, -64.47

 

CMYK 0 / 86 / 3 / 14

HEX #DB1FD4

RGB 219 31 212

HSL 302.23, 0.75%, 0.49%

LAB 52.72, 83.37, -49.14

 

CMYK 0 / 86 / 26 / 14

HEX #DB1FA2

RGB 219 31 162

HSL 318.19, 0.75%, 0.49%

LAB 50.27, 76.85, -23.87

 

CMYK 18 / 86 / 0 / 43

HEX #771592

RGB 119 21 146

HSL 287.04, 0.75%, 0.33%

LAB 30.72, 56.66, -46.28

 

CMYK 19 / 86 / 0 / 28

HEX #941AB7

RGB 148 26 183

HSL 286.62, 0.75%, 0.41%

LAB 38.64, 67.35, -55.53

 

CMYK 19 / 86 / 0 / 14

HEX #B21FDB

RGB 178 31 219

HSL 286.91, 0.75%, 0.49%

LAB 46.39, 77.59, -63.68

 

CMYK 16 / 72 / 0 / 11

HEX #C040E4

RGB 192 64 228

HSL 286.83, 0.75%, 0.57%

LAB 52.37, 72.27, -59.04

 

CMYK 12 / 57 / 0 / 9

HEX #CC64E9

RGB 204 100 233

HSL 286.92, 0.75%, 0.65%

LAB 59.74, 60.82, -49.99

 

CMYK 19 / 85 / 0 / 14

HEX #B220DB

RGB 178 32 219

HSL 286.84, 0.75%, 0.49%

LAB 46.46, 77.38, -63.56

 

CMYK 0 / 86 / 83 / 14

HEX #DB1F25

RGB 219 31 37

HSL 358.09, 0.75%, 0.49%

LAB 47.2, 68.15, 46.68

 

CMYK 86 / 0 / 54 / 14

HEX #1FDB64

RGB 31 219 100

HSL 142.02, 0.75%, 0.49%

LAB 77.21, -68.28, 45.92

 

CMYK 19 / 85 / 0 / 14

HEX #B220DB

RGB 178 32 219

HSL 286.84, 0.75%, 0.49%

LAB 46.46, 77.38, -63.56

 

CMYK 0 / 20 / 86 / 14

HEX #DBAF1F

RGB 219 175 31

HSL 45.96, 0.75%, 0.49%

LAB 73.43, 3.63, 71.2

 

CMYK 86 / 0 / 20 / 14

HEX #1FDBAF

RGB 31 219 175

HSL 165.96, 0.75%, 0.49%

LAB 78.49, -53.63, 9.42

 

CMYK 19 / 85 / 0 / 14

HEX #B220DB

RGB 178 32 219

HSL 286.84, 0.75%, 0.49%

LAB 46.46, 77.38, -63.56

 

CMYK 0 / 86 / 83 / 14

HEX #DB1F25

RGB 219 31 37

HSL 358.09, 0.75%, 0.49%

LAB 47.2, 68.15, 46.68

 

CMYK 66 / 0 / 86 / 14

HEX #4BDB1F

RGB 75 219 31

HSL 105.96, 0.75%, 0.49%

LAB 77.43, -68.15, 71.22

 

CMYK 86 / 0 / 3 / 14

HEX #1FDBD4

RGB 31 219 212

HSL 177.77, 0.75%, 0.49%

LAB 79.45, -43.78, -8.91

 

CMYK 19 / 85 / 0 / 14

HEX #B220DB

RGB 178 32 219

HSL 286.84, 0.75%, 0.49%

LAB 46.46, 77.38, -63.56

 

CMYK 0 / 63 / 86 / 14

HEX #DB511F

RGB 219 81 31

HSL 15.96, 0.75%, 0.49%

LAB 53, 51.89, 54.47

 

CMYK 66 / 0 / 86 / 14

HEX #4BDB1F

RGB 75 219 31

HSL 105.96, 0.75%, 0.49%

LAB 77.43, -68.15, 71.22

 

CMYK 86 / 23 / 0 / 14

HEX #1FA9DB

RGB 31 169 219

HSL 195.96, 0.75%, 0.49%

LAB 64.79, -17.37, -35.02

 

Description

Color code: HEX #B220DB | qconv.com Color code: HEX #B220DB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 32 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 32 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 85 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 85% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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