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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B48B2 it is the complementary color #64B74D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B48B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B48B2 shade: #A048AD, #B15AC0, #C26CD3, #D37EE6 and #E490F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B48B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B48B2 shade: #9B48B2, #8A369F, #79248C, #681279 and #570066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B48B2 shade: #9B48B1, #B148AC, #B14890, #B14873 and #B14857

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B48B2 shade: #9B48B1, #7E48B1, #6248B1 and #4848B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B48B2 shade matches the following richer shades: #9B48B1, #A634C6, #B220DA and #BD0CEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B48B2 shade: #9B48B1, #8F5D9D, #847189, #788575 and #6D9961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B48B2 shade: #6148B1, #7D48B1, #9948B1, #B148AE and #B14892

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B48B2 shade: #683177, #813D94, #9B48B1, #AC64C0 and #BB81CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B48B2 shade: #9B48B2, #B1484C and #48B16F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B48B2 shade: #9B48B2, #B19948 and #48B199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B48B2 shade: #9B48B2, #B1484C, #61B148 and #48B1AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B48B2 shade: #9B48B2, #B16448, #61B148 and #4895B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 60 / 0 / 30

HEX #9B48B2

RGB 155 72 178

HSL 286.98, 0.42%, 0.49%

LAB 45.38, 50.88, -41.72

 

Complementary color

CMYK 45 / 0 / 58 / 28

HEX #64B74D

RGB 100 183 77

HSL 106.98, 0.42%, 0.51%

LAB 67.36, -45.37, 45.38

 

CMYK 8 / 58 / 0 / 32

HEX #A048AD

RGB 160 72 173

HSL 292.28, 0.41%, 0.48%

LAB 45.81, 51.19, -38.06

 

CMYK 8 / 53 / 0 / 25

HEX #B15AC0

RGB 177 90 192

HSL 291.18, 0.45%, 0.55%

LAB 52.36, 50.64, -38.64

 

CMYK 8 / 49 / 0 / 17

HEX #C26CD3

RGB 194 108 211

HSL 290.1, 0.54%, 0.63%

LAB 58.88, 49.96, -39.08

 

CMYK 8 / 45 / 0 / 10

HEX #D37EE6

RGB 211 126 230

HSL 289.04, 0.68%, 0.7%

LAB 65.34, 49.22, -39.43

 

CMYK 8 / 42 / 0 / 2

HEX #E490F9

RGB 228 144 249

HSL 288, 0.9%, 0.77%

LAB 71.74, 48.47, -39.73

 

CMYK 13 / 60 / 0 / 30

HEX #9B48B2

RGB 155 72 178

HSL 286.98, 0.42%, 0.49%

LAB 45.38, 50.88, -41.72

 

CMYK 13 / 66 / 0 / 38

HEX #8A369F

RGB 138 54 159

HSL 288, 0.49%, 0.42%

LAB 38.8, 51.22, -41.04

 

CMYK 14 / 74 / 0 / 45

HEX #79248C

RGB 121 36 140

HSL 289.04, 0.59%, 0.35%

LAB 32.3, 51.05, -40.01

 

CMYK 14 / 85 / 0 / 53

HEX #681279

RGB 104 18 121

HSL 290.1, 0.74%, 0.27%

LAB 26.03, 49.87, -38.34

 

CMYK 15 / 100 / 0 / 60

HEX #570066

RGB 87 0 102

HSL 291.18, 1%, 0.2%

LAB 19.99, 47.55, -35.96

 

CMYK 12 / 59 / 0 / 31

HEX #9B48B1

RGB 155 72 177

HSL 287.43, 0.42%, 0.49%

LAB 45.33, 50.67, -41.22

 

CMYK 0 / 59 / 3 / 31

HEX #B148AC

RGB 177 72 172

HSL 302.86, 0.42%, 0.49%

LAB 48.21, 55.51, -33.52

 

CMYK 0 / 59 / 19 / 31

HEX #B14890

RGB 177 72 144

HSL 318.86, 0.42%, 0.49%

LAB 46.97, 50.99, -18.81

 

CMYK 0 / 59 / 35 / 31

HEX #B14873

RGB 177 72 115

HSL 335.43, 0.42%, 0.49%

LAB 45.93, 47.06, -2.81

 

CMYK 0 / 59 / 51 / 31

HEX #B14857

RGB 177 72 87

HSL 351.43, 0.42%, 0.49%

LAB 45.18, 44.08, 13.24

 

CMYK 12 / 59 / 0 / 31

HEX #9B48B1

RGB 155 72 177

HSL 287.43, 0.42%, 0.49%

LAB 45.33, 50.67, -41.22

 

CMYK 29 / 59 / 0 / 31

HEX #7E48B1

RGB 126 72 177

HSL 270.86, 0.42%, 0.49%

LAB 41.6, 43.33, -47.38

 

CMYK 45 / 59 / 0 / 31

HEX #6248B1

RGB 98 72 177

HSL 254.86, 0.42%, 0.49%

LAB 38.56, 36.76, -52.43

 

CMYK 59 / 59 / 0 / 31

HEX #4848B1

RGB 72 72 177

HSL 240, 0.42%, 0.49%

LAB 36.34, 31.51, -56.13

 

CMYK 12 / 59 / 0 / 31

HEX #9B48B1

RGB 155 72 177

HSL 287.43, 0.42%, 0.49%

LAB 45.33, 50.67, -41.22

 

CMYK 16 / 74 / 0 / 22

HEX #A634C6

RGB 166 52 198

HSL 286.85, 0.58%, 0.49%

LAB 45.14, 65.76, -53.7

 

CMYK 18 / 85 / 0 / 15

HEX #B220DA

RGB 178 32 218

HSL 287.1, 0.74%, 0.49%

LAB 46.39, 77.2, -63.11

 

CMYK 21 / 95 / 0 / 7

HEX #BD0CEE

RGB 189 12 238

HSL 286.99, 0.9%, 0.49%

LAB 48.58, 85.24, -70.83

 

CMYK 12 / 59 / 0 / 31

HEX #9B48B1

RGB 155 72 177

HSL 287.43, 0.42%, 0.49%

LAB 45.33, 50.67, -41.22

 

CMYK 9 / 41 / 0 / 38

HEX #8F5D9D

RGB 143 93 157

HSL 286.88, 0.26%, 0.49%

LAB 47.11, 31.82, -26.72

 

CMYK 4 / 18 / 0 / 46

HEX #847189

RGB 132 113 137

HSL 287.5, 0.1%, 0.49%

LAB 50.12, 12.07, -10.38

 

CMYK 10 / 0 / 12 / 48

HEX #788575

RGB 120 133 117

HSL 108.75, 0.06%, 0.49%

LAB 54.08, -7.97, 7.02

 

CMYK 29 / 0 / 37 / 40

HEX #6D9961

RGB 109 153 97

HSL 107.14, 0.22%, 0.49%

LAB 58.88, -26.08, 24.77

 

CMYK 45 / 59 / 0 / 31

HEX #6148B1

RGB 97 72 177

HSL 254.29, 0.42%, 0.49%

LAB 38.46, 36.54, -52.59

 

CMYK 29 / 59 / 0 / 31

HEX #7D48B1

RGB 125 72 177

HSL 270.29, 0.42%, 0.49%

LAB 41.48, 43.09, -47.58

 

CMYK 14 / 59 / 0 / 31

HEX #9948B1

RGB 153 72 177

HSL 286.29, 0.42%, 0.49%

LAB 45.06, 50.16, -41.67

 

CMYK 0 / 59 / 2 / 31

HEX #B148AE

RGB 177 72 174

HSL 301.71, 0.42%, 0.49%

LAB 48.31, 55.86, -34.54

 

CMYK 0 / 59 / 18 / 31

HEX #B14892

RGB 177 72 146

HSL 317.71, 0.42%, 0.49%

LAB 47.05, 51.29, -19.89

 

CMYK 13 / 59 / 0 / 53

HEX #683177

RGB 104 49 119

HSL 287.14, 0.42%, 0.33%

LAB 30.57, 36.37, -29.81

 

CMYK 13 / 59 / 0 / 42

HEX #813D94

RGB 129 61 148

HSL 286.9, 0.42%, 0.41%

LAB 38.1, 43.29, -35.6

 

CMYK 12 / 59 / 0 / 31

HEX #9B48B1

RGB 155 72 177

HSL 287.43, 0.42%, 0.49%

LAB 45.33, 50.67, -41.22

 

CMYK 10 / 48 / 0 / 25

HEX #AC64C0

RGB 172 100 192

HSL 286.96, 0.42%, 0.57%

LAB 53.7, 44.07, -36.58

 

CMYK 8 / 37 / 0 / 20

HEX #BB81CC

RGB 187 129 204

HSL 286.4, 0.42%, 0.65%

LAB 62.19, 35.29, -30.04

 

CMYK 13 / 60 / 0 / 30

HEX #9B48B2

RGB 155 72 178

HSL 286.98, 0.42%, 0.49%

LAB 45.38, 50.88, -41.72

 

CMYK 0 / 59 / 57 / 31

HEX #B1484C

RGB 177 72 76

HSL 357.71, 0.42%, 0.49%

LAB 44.95, 43.14, 19.64

 

CMYK 59 / 0 / 37 / 31

HEX #48B16F

RGB 72 177 111

HSL 142.29, 0.42%, 0.49%

LAB 64.94, -45.34, 24.97

 

CMYK 13 / 60 / 0 / 30

HEX #9B48B2

RGB 155 72 178

HSL 286.98, 0.42%, 0.49%

LAB 45.38, 50.88, -41.72

 

CMYK 0 / 14 / 59 / 31

HEX #B19948

RGB 177 153 72

HSL 46.29, 0.42%, 0.49%

LAB 63.83, -1.08, 45.05

 

CMYK 59 / 0 / 14 / 31

HEX #48B199

RGB 72 177 153

HSL 166.29, 0.42%, 0.49%

LAB 65.84, -36.11, 3.27

 

CMYK 13 / 60 / 0 / 30

HEX #9B48B2

RGB 155 72 178

HSL 286.98, 0.42%, 0.49%

LAB 45.38, 50.88, -41.72

 

CMYK 0 / 59 / 57 / 31

HEX #B1484C

RGB 177 72 76

HSL 357.71, 0.42%, 0.49%

LAB 44.95, 43.14, 19.64

 

CMYK 45 / 0 / 59 / 31

HEX #61B148

RGB 97 177 72

HSL 105.71, 0.42%, 0.49%

LAB 65.32, -44.36, 45.31

 

CMYK 59 / 0 / 2 / 31

HEX #48B1AE

RGB 72 177 174

HSL 178.29, 0.42%, 0.49%

LAB 66.43, -30.57, -7.52

 

CMYK 13 / 60 / 0 / 30

HEX #9B48B2

RGB 155 72 178

HSL 286.98, 0.42%, 0.49%

LAB 45.38, 50.88, -41.72

 

CMYK 0 / 44 / 59 / 31

HEX #B16448

RGB 177 100 72

HSL 16, 0.42%, 0.49%

LAB 50.6, 28.32, 29.27

 

CMYK 45 / 0 / 59 / 31

HEX #61B148

RGB 97 177 72

HSL 105.71, 0.42%, 0.49%

LAB 65.32, -44.36, 45.31

 

CMYK 59 / 16 / 0 / 31

HEX #4895B1

RGB 72 149 177

HSL 196, 0.42%, 0.49%

LAB 58.08, -15.35, -21.79

 

Description

Color code: HEX #9B48B2 | qconv.com Color code: HEX #9B48B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 72 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 72 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 60 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 60% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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