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Color name
HEX #B21D49

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B21D49 it is the complementary color #4DE2B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B21D49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B21D49 shade: #B71D44, #C82F57, #D9416A, #EA537D and #FB6590

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B21D49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B21D49 shade: #B21D49, #A10B36, #900023, #7F0010 and #6E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B21D49 shade: #B41D4A, #B41D21 and #B41D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B21D49 shade: #B41D4A, #B41D72, #B41D9B, #A41DB4 and #7C1DB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B21D49 shade matches the following richer shades: #B41D4A and #C50C43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B21D49 shade: #B41D4A, #A32E51, #923F58, #81505F and #706165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B21D49 shade: #B41D9B, #B41D73, #B41D4A, #B41D22 and #B4401D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B21D49 shade: #6D122D, #90173B, #B41D4A, #D72358 and #E04372

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B21D49 shade: #B21D49, #B4A51D and #1D87B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B21D49 shade: #B21D49, #4AB41D and #1D4AB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B21D49 shade: #B21D49, #B4A51D, #1DB487 and #1D2CB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B21D49 shade: #B21D49, #96B41D, #1DB487 and #3B1DB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 59 / 30

HEX #B21D49

RGB 178 29 73

HSL 342.28, 0.72%, 0.41%

LAB 39.28, 59.11, 13.93

 

Complementary color

CMYK 66 / 0 / 19 / 11

HEX #4DE2B6

RGB 77 226 182

HSL 162.28, 0.72%, 0.59%

LAB 81.48, -49.59, 10.08

 

CMYK 0 / 84 / 63 / 28

HEX #B71D44

RGB 183 29 68

HSL 344.81, 0.73%, 0.42%

LAB 40.19, 60.14, 18.49

 

CMYK 0 / 77 / 57 / 22

HEX #C82F57

RGB 200 47 87

HSL 344.31, 0.62%, 0.48%

LAB 45.63, 61.21, 14.52

 

CMYK 0 / 70 / 51 / 15

HEX #D9416A

RGB 217 65 106

HSL 343.82, 0.67%, 0.55%

LAB 51.35, 61.5, 11.32

 

CMYK 0 / 65 / 47 / 8

HEX #EA537D

RGB 234 83 125

HSL 343.31, 0.78%, 0.62%

LAB 57.23, 61.3, 8.7

 

CMYK 0 / 60 / 43 / 2

HEX #FB6590

RGB 251 101 144

HSL 342.8, 0.95%, 0.69%

LAB 63.2, 60.81, 6.53

 

CMYK 0 / 84 / 59 / 30

HEX #B21D49

RGB 178 29 73

HSL 342.28, 0.72%, 0.41%

LAB 39.28, 59.11, 13.93

 

CMYK 0 / 93 / 66 / 37

HEX #A10B36

RGB 161 11 54

HSL 342.8, 0.87%, 0.34%

LAB 34.15, 56.89, 18.72

 

CMYK 0 / 100 / 76 / 44

HEX #900023

RGB 144 0 35

HSL 345.42, 1%, 0.28%

LAB 29.54, 53.17, 24.58

 

CMYK 0 / 100 / 87 / 50

HEX #7F0010

RGB 127 0 16

HSL 352.44, 1%, 0.25%

LAB 25.41, 48.1, 30.91

 

CMYK 0 / 100 / 100 / 57

HEX #6E0000

RGB 110 0 0

HSL 0, 1%, 0.22%

LAB 21.26, 43.12, 32.36

 

CMYK 0 / 84 / 59 / 29

HEX #B41D4A

RGB 180 29 74

HSL 342.12, 0.72%, 0.41%

LAB 39.71, 59.72, 13.93

 

CMYK 0 / 84 / 82 / 29

HEX #B41D21

RGB 180 29 33

HSL 358.41, 0.72%, 0.41%

LAB 39.06, 57.77, 38.29

 

CMYK 0 / 84 / 84 / 29

HEX #B41D1D

RGB 180 29 29

HSL 0, 0.72%, 0.41%

LAB 39.02, 57.66, 40.43

 

CMYK 0 / 84 / 59 / 29

HEX #B41D4A

RGB 180 29 74

HSL 342.12, 0.72%, 0.41%

LAB 39.71, 59.72, 13.93

 

CMYK 0 / 84 / 37 / 29

HEX #B41D72

RGB 180 29 114

HSL 326.23, 0.72%, 0.41%

LAB 40.89, 63.16, -9.65

 

CMYK 0 / 84 / 14 / 29

HEX #B41D9B

RGB 180 29 155

HSL 309.93, 0.72%, 0.41%

LAB 42.69, 68.16, -32.04

 

CMYK 9 / 84 / 0 / 29

HEX #A41DB4

RGB 164 29 180

HSL 293.64, 0.72%, 0.41%

LAB 41.32, 68.9, -49.31

 

CMYK 31 / 84 / 0 / 29

HEX #7C1DB4

RGB 124 29 180

HSL 277.75, 0.72%, 0.41%

LAB 34.92, 62.17, -59.98

 

CMYK 0 / 84 / 59 / 29

HEX #B41D4A

RGB 180 29 74

HSL 342.12, 0.72%, 0.41%

LAB 39.71, 59.72, 13.93

 

CMYK 0 / 94 / 66 / 23

HEX #C50C43

RGB 197 12 67

HSL 342.16, 0.89%, 0.41%

LAB 42.06, 66.52, 22.11

 

CMYK 0 / 84 / 59 / 29

HEX #B41D4A

RGB 180 29 74

HSL 342.12, 0.72%, 0.41%

LAB 39.71, 59.72, 13.93

 

CMYK 0 / 72 / 50 / 36

HEX #A32E51

RGB 163 46 81

HSL 342.05, 0.56%, 0.41%

LAB 38.44, 50.17, 7.21

 

CMYK 0 / 57 / 40 / 43

HEX #923F58

RGB 146 63 88

HSL 341.93, 0.4%, 0.41%

LAB 38.5, 37.63, 2.47

 

CMYK 0 / 38 / 26 / 49

HEX #81505F

RGB 129 80 95

HSL 341.63, 0.23%, 0.41%

LAB 39.97, 22.75, -0.08

 

CMYK 0 / 13 / 10 / 56

HEX #706165

RGB 112 97 101

HSL 344, 0.07%, 0.41%

LAB 42.66, 6.76, -0.06

 

CMYK 0 / 84 / 14 / 29

HEX #B41D9B

RGB 180 29 155

HSL 309.93, 0.72%, 0.41%

LAB 42.69, 68.16, -32.04

 

CMYK 0 / 84 / 36 / 29

HEX #B41D73

RGB 180 29 115

HSL 325.83, 0.72%, 0.41%

LAB 40.93, 63.26, -10.22

 

CMYK 0 / 84 / 59 / 29

HEX #B41D4A

RGB 180 29 74

HSL 342.12, 0.72%, 0.41%

LAB 39.71, 59.72, 13.93

 

CMYK 0 / 84 / 81 / 29

HEX #B41D22

RGB 180 29 34

HSL 358.01, 0.72%, 0.41%

LAB 39.07, 57.8, 37.74

 

CMYK 0 / 64 / 84 / 29

HEX #B4401D

RGB 180 64 29

HSL 13.91, 0.72%, 0.41%

LAB 43.45, 45.45, 44.46

 

CMYK 0 / 83 / 59 / 57

HEX #6D122D

RGB 109 18 45

HSL 342.2, 0.72%, 0.25%

LAB 23.25, 40.38, 8.21

 

CMYK 0 / 84 / 59 / 44

HEX #90173B

RGB 144 23 59

HSL 342.15, 0.72%, 0.33%

LAB 31.48, 50.27, 11.22

 

CMYK 0 / 84 / 59 / 29

HEX #B41D4A

RGB 180 29 74

HSL 342.12, 0.72%, 0.41%

LAB 39.71, 59.72, 13.93

 

CMYK 0 / 84 / 59 / 16

HEX #D72358

RGB 215 35 88

HSL 342.33, 0.72%, 0.49%

LAB 47.44, 68.46, 16.83

 

CMYK 0 / 70 / 49 / 12

HEX #E04372

RGB 224 67 114

HSL 342.04, 0.72%, 0.57%

LAB 53.03, 63.48, 9.05

 

CMYK 0 / 84 / 59 / 30

HEX #B21D49

RGB 178 29 73

HSL 342.28, 0.72%, 0.41%

LAB 39.28, 59.11, 13.93

 

CMYK 0 / 8 / 84 / 29

HEX #B4A51D

RGB 180 165 29

HSL 54.04, 0.72%, 0.41%

LAB 67.05, -8.35, 64.89

 

CMYK 84 / 25 / 0 / 29

HEX #1D87B4

RGB 29 135 180

HSL 197.88, 0.72%, 0.41%

LAB 52.82, -12.7, -31.73

 

CMYK 0 / 84 / 59 / 30

HEX #B21D49

RGB 178 29 73

HSL 342.28, 0.72%, 0.41%

LAB 39.28, 59.11, 13.93

 

CMYK 59 / 0 / 84 / 29

HEX #4AB41D

RGB 74 180 29

HSL 102.12, 0.72%, 0.41%

LAB 65.11, -55.39, 60.73

 

CMYK 84 / 59 / 0 / 29

HEX #1D4AB4

RGB 29 74 180

HSL 222.12, 0.72%, 0.41%

LAB 34.91, 25.64, -60.33

 

CMYK 0 / 84 / 59 / 30

HEX #B21D49

RGB 178 29 73

HSL 342.28, 0.72%, 0.41%

LAB 39.28, 59.11, 13.93

 

CMYK 0 / 8 / 84 / 29

HEX #B4A51D

RGB 180 165 29

HSL 54.04, 0.72%, 0.41%

LAB 67.05, -8.35, 64.89

 

CMYK 84 / 0 / 25 / 29

HEX #1DB487

RGB 29 180 135

HSL 162.12, 0.72%, 0.41%

LAB 65.48, -47.96, 12.55

 

CMYK 84 / 76 / 0 / 29

HEX #1D2CB4

RGB 29 44 180

HSL 234.04, 0.72%, 0.41%

LAB 27.73, 44.73, -72.14

 

CMYK 0 / 84 / 59 / 30

HEX #B21D49

RGB 178 29 73

HSL 342.28, 0.72%, 0.41%

LAB 39.28, 59.11, 13.93

 

CMYK 17 / 0 / 84 / 29

HEX #96B41D

RGB 150 180 29

HSL 71.92, 0.72%, 0.41%

LAB 68.91, -28.9, 65.53

 

CMYK 84 / 0 / 25 / 29

HEX #1DB487

RGB 29 180 135

HSL 162.12, 0.72%, 0.41%

LAB 65.48, -47.96, 12.55

 

CMYK 67 / 84 / 0 / 29

HEX #3B1DB4

RGB 59 29 180

HSL 251.92, 0.72%, 0.41%

LAB 27.03, 54.3, -73.24

 

Description

Color code: HEX #B21D49 | qconv.com Color code: HEX #B21D49 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 29 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 29 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 59 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 59% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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