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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C82F57 it is the complementary color #37D0A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C82F57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C82F57 shade: #CD2F52, #DE4165, #EF5378, #FF658B and #FF779E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C82F57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C82F57 shade: #C82F57, #B71D44, #A60B31, #95001E and #84000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C82F57 shade: #C62F56 and #C62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C82F57 shade: #C62F56, #C62F7F, #C62FA8, #BC2FC6 and #932FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C82F57 shade matches the following richer shades: #C62F56, #DA1B4D and #EE0743

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C82F57 shade: #C62F56, #B24260, #9F5669, #8B6A73 and #777E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C82F57 shade: #C62FA8, #C62F7F, #C62F57, #C62F2F and #C6572F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C82F57 shade: #831F39, #A52748, #C62F56, #D44A6E and #DC6B89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C82F57 shade: #C82F57, #C6BC2F and #2F94C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C82F57 shade: #C82F57, #57C62F and #2F57C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C82F57 shade: #C82F57, #C6BC2F, #2FC69E and #2F39C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C82F57 shade: #C82F57, #A3C62F, #2FC69E and #522FC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 57 / 22

HEX #C82F57

RGB 200 47 87

HSL 344.31, 0.62%, 0.48%

LAB 45.63, 61.21, 14.52

 

Complementary color

CMYK 74 / 0 / 19 / 18

HEX #37D0A8

RGB 55 208 168

HSL 164.31, 0.62%, 0.52%

LAB 75.3, -48.61, 8.64

 

CMYK 0 / 77 / 60 / 20

HEX #CD2F52

RGB 205 47 82

HSL 346.71, 0.63%, 0.49%

LAB 46.47, 62.28, 18.89

 

CMYK 0 / 71 / 55 / 13

HEX #DE4165

RGB 222 65 101

HSL 346.24, 0.7%, 0.56%

LAB 52.12, 62.58, 15.53

 

CMYK 0 / 65 / 50 / 6

HEX #EF5378

RGB 239 83 120

HSL 345.77, 0.83%, 0.63%

LAB 57.94, 62.39, 12.75

 

CMYK 0 / 60 / 45 / 0

HEX #FF658B

RGB 255 101 139

HSL 345.19, 1%, 0.7%

LAB 63.7, 61.59, 10.19

 

CMYK 0 / 53 / 38 / 0

HEX #FF779E

RGB 255 119 158

HSL 342.79, 1%, 0.73%

LAB 67.22, 55.44, 4.38

 

CMYK 0 / 77 / 57 / 22

HEX #C82F57

RGB 200 47 87

HSL 344.31, 0.62%, 0.48%

LAB 45.63, 61.21, 14.52

 

CMYK 0 / 84 / 63 / 28

HEX #B71D44

RGB 183 29 68

HSL 344.81, 0.73%, 0.42%

LAB 40.19, 60.14, 18.49

 

CMYK 0 / 93 / 70 / 35

HEX #A60B31

RGB 166 11 49

HSL 345.29, 0.88%, 0.35%

LAB 35.14, 57.93, 23.42

 

CMYK 0 / 100 / 80 / 42

HEX #95001E

RGB 149 0 30

HSL 347.92, 1%, 0.29%

LAB 30.6, 54.28, 29.26

 

CMYK 0 / 100 / 92 / 48

HEX #84000B

RGB 132 0 11

HSL 355, 1%, 0.26%

LAB 26.53, 49.33, 34.83

 

CMYK 0 / 76 / 57 / 22

HEX #C62F56

RGB 198 47 86

HSL 344.5, 0.62%, 0.48%

LAB 45.24, 60.57, 14.53

 

CMYK 0 / 76 / 76 / 22

HEX #C62F2F

RGB 198 47 47

HSL 0, 0.62%, 0.48%

LAB 44.58, 58.46, 37.25

 

CMYK 0 / 76 / 57 / 22

HEX #C62F56

RGB 198 47 86

HSL 344.5, 0.62%, 0.48%

LAB 45.24, 60.57, 14.53

 

CMYK 0 / 76 / 36 / 22

HEX #C62F7F

RGB 198 47 127

HSL 328.21, 0.62%, 0.48%

LAB 46.41, 64.24, -9.05

 

CMYK 0 / 76 / 15 / 22

HEX #C62FA8

RGB 198 47 168

HSL 311.92, 0.62%, 0.48%

LAB 48.09, 69.3, -31.11

 

CMYK 5 / 76 / 0 / 22

HEX #BC2FC6

RGB 188 47 198

HSL 296.03, 0.62%, 0.48%

LAB 48.01, 71.75, -48.91

 

CMYK 26 / 76 / 0 / 22

HEX #932FC6

RGB 147 47 198

HSL 279.74, 0.62%, 0.48%

LAB 41.71, 63.92, -59.37

 

CMYK 0 / 76 / 57 / 22

HEX #C62F56

RGB 198 47 86

HSL 344.5, 0.62%, 0.48%

LAB 45.24, 60.57, 14.53

 

CMYK 0 / 88 / 65 / 15

HEX #DA1B4D

RGB 218 27 77

HSL 344.29, 0.78%, 0.48%

LAB 47.27, 70.15, 23.48

 

CMYK 0 / 97 / 72 / 7

HEX #EE0743

RGB 238 7 67

HSL 344.42, 0.94%, 0.48%

LAB 50.37, 76.83, 34.28

 

CMYK 0 / 76 / 57 / 22

HEX #C62F56

RGB 198 47 86

HSL 344.5, 0.62%, 0.48%

LAB 45.24, 60.57, 14.53

 

CMYK 0 / 63 / 46 / 30

HEX #B24260

RGB 178 66 96

HSL 343.93, 0.46%, 0.48%

LAB 44.53, 48.04, 6.83

 

CMYK 0 / 46 / 34 / 38

HEX #9F5669

RGB 159 86 105

HSL 344.38, 0.3%, 0.48%

LAB 45.7, 32.32, 2.61

 

CMYK 0 / 24 / 17 / 45

HEX #8B6A73

RGB 139 106 115

HSL 343.64, 0.13%, 0.48%

LAB 48.3, 14.65, 0.07

 

CMYK 6 / 0 / 2 / 51

HEX #777E7C

RGB 119 126 124

HSL 162.86, 0.03%, 0.48%

LAB 52.17, -3.01, 0.18

 

CMYK 0 / 76 / 15 / 22

HEX #C62FA8

RGB 198 47 168

HSL 311.92, 0.62%, 0.48%

LAB 48.09, 69.3, -31.11

 

CMYK 0 / 76 / 36 / 22

HEX #C62F7F

RGB 198 47 127

HSL 328.21, 0.62%, 0.48%

LAB 46.41, 64.24, -9.05

 

CMYK 0 / 76 / 56 / 22

HEX #C62F57

RGB 198 47 87

HSL 344.11, 0.62%, 0.48%

LAB 45.26, 60.64, 13.94

 

CMYK 0 / 76 / 76 / 22

HEX #C62F2F

RGB 198 47 47

HSL 0, 0.62%, 0.48%

LAB 44.58, 58.46, 37.25

 

CMYK 0 / 56 / 76 / 22

HEX #C6572F

RGB 198 87 47

HSL 15.89, 0.62%, 0.48%

LAB 50.72, 41.95, 43.76

 

CMYK 0 / 76 / 56 / 49

HEX #831F39

RGB 131 31 57

HSL 344.4, 0.62%, 0.32%

LAB 29.67, 43.75, 9.63

 

CMYK 0 / 76 / 56 / 35

HEX #A52748

RGB 165 39 72

HSL 344.29, 0.62%, 0.4%

LAB 37.7, 52.53, 11.97

 

CMYK 0 / 76 / 57 / 22

HEX #C62F56

RGB 198 47 86

HSL 344.5, 0.62%, 0.48%

LAB 45.24, 60.57, 14.53

 

CMYK 0 / 65 / 48 / 17

HEX #D44A6E

RGB 212 74 110

HSL 344.35, 0.62%, 0.56%

LAB 51.86, 56.83, 9.5

 

CMYK 0 / 51 / 38 / 14

HEX #DC6B89

RGB 220 107 137

HSL 344.07, 0.62%, 0.64%

LAB 59.47, 47.16, 4.6

 

CMYK 0 / 77 / 57 / 22

HEX #C82F57

RGB 200 47 87

HSL 344.31, 0.62%, 0.48%

LAB 45.63, 61.21, 14.52

 

CMYK 0 / 5 / 76 / 22

HEX #C6BC2F

RGB 198 188 47

HSL 56.03, 0.62%, 0.48%

LAB 74.94, -11.78, 67.2

 

CMYK 76 / 25 / 0 / 22

HEX #2F94C6

RGB 47 148 198

HSL 199.87, 0.62%, 0.48%

LAB 57.91, -11.77, -34.01

 

CMYK 0 / 77 / 57 / 22

HEX #C82F57

RGB 200 47 87

HSL 344.31, 0.62%, 0.48%

LAB 45.63, 61.21, 14.52

 

CMYK 56 / 0 / 76 / 22

HEX #57C62F

RGB 87 198 47

HSL 104.11, 0.62%, 0.48%

LAB 71.3, -57.47, 61.44

 

CMYK 76 / 56 / 0 / 22

HEX #2F57C6

RGB 47 87 198

HSL 224.11, 0.62%, 0.48%

LAB 40.41, 25.7, -61.9

 

CMYK 0 / 77 / 57 / 22

HEX #C82F57

RGB 200 47 87

HSL 344.31, 0.62%, 0.48%

LAB 45.63, 61.21, 14.52

 

CMYK 0 / 5 / 76 / 22

HEX #C6BC2F

RGB 198 188 47

HSL 56.03, 0.62%, 0.48%

LAB 74.94, -11.78, 67.2

 

CMYK 76 / 0 / 20 / 22

HEX #2FC69E

RGB 47 198 158

HSL 164.11, 0.62%, 0.48%

LAB 71.87, -47.88, 9.11

 

CMYK 76 / 71 / 0 / 22

HEX #2F39C6

RGB 47 57 198

HSL 236.03, 0.62%, 0.48%

LAB 33.15, 44.61, -73.78

 

CMYK 0 / 77 / 57 / 22

HEX #C82F57

RGB 200 47 87

HSL 344.31, 0.62%, 0.48%

LAB 45.63, 61.21, 14.52

 

CMYK 18 / 0 / 76 / 22

HEX #A3C62F

RGB 163 198 47

HSL 73.91, 0.62%, 0.48%

LAB 75.06, -31.39, 66.35

 

CMYK 76 / 0 / 20 / 22

HEX #2FC69E

RGB 47 198 158

HSL 164.11, 0.62%, 0.48%

LAB 71.87, -47.88, 9.11

 

CMYK 59 / 76 / 0 / 22

HEX #522FC6

RGB 82 47 198

HSL 253.91, 0.62%, 0.48%

LAB 33.78, 53.74, -72.65

 

Description

Color code: HEX #C82F57 | qconv.com Color code: HEX #C82F57 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 47 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 47 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 57 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 57% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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