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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1BE0E it is the complementary color #4E41F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1BE0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B1BE0E: #B6BE09, #C7D01C, #D8E22F, #E9F442 and #FAFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1BE0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B1BE0E: #B1BE0E, #A0AC00, #8F9A00, #7E8800 and #6D7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 93 / 25

HEX #B1BE0E

RGB 177 190 14

HSL 64.43, 0.86%, 0.4%

LAB 73.68, -22.7, 72.99

 

Complementary color

CMYK 68 / 73 / 0 / 5

HEX #4E41F1

RGB 78 65 241

HSL 244.43, 0.86%, 0.6%

LAB 40.82, 56.93, -85.75

 

CMYK 4 / 0 / 95 / 25

HEX #B6BE09

RGB 182 190 9

HSL 62.65, 0.91%, 0.39%

LAB 74.06, -20.63, 74.02

 

CMYK 4 / 0 / 87 / 18

HEX #C7D01C

RGB 199 208 28

HSL 63, 0.76%, 0.46%

LAB 80.37, -21.92, 76.75

 

CMYK 4 / 0 / 79 / 11

HEX #D8E22F

RGB 216 226 47

HSL 63.35, 0.76%, 0.54%

LAB 86.6, -23.01, 78.18

 

CMYK 5 / 0 / 73 / 4

HEX #E9F442

RGB 233 244 66

HSL 63.71, 0.89%, 0.61%

LAB 92.76, -23.94, 78.7

 

CMYK 2 / 0 / 67 / 0

HEX #FAFF55

RGB 250 255 85

HSL 61.76, 1%, 0.67%

LAB 97.02, -21.42, 76.8

 

CMYK 7 / 0 / 93 / 25

HEX #B1BE0E

RGB 177 190 14

HSL 64.43, 0.86%, 0.4%

LAB 73.68, -22.7, 72.99

 

CMYK 7 / 0 / 100 / 33

HEX #A0AC00

RGB 160 172 0

HSL 64.19, 1%, 0.34%

LAB 67.26, -21.31, 69.19

 

CMYK 7 / 0 / 100 / 40

HEX #8F9A00

RGB 143 154 0

HSL 64.29, 1%, 0.3%

LAB 60.74, -19.72, 63.77

 

CMYK 7 / 0 / 100 / 47

HEX #7E8800

RGB 126 136 0

HSL 64.41, 1%, 0.27%

LAB 54.07, -18.09, 58.23

 

CMYK 8 / 0 / 100 / 54

HEX #6D7600

RGB 109 118 0

HSL 64.58, 1%, 0.23%

LAB 47.25, -16.43, 52.55

 

CMYK 7 / 0 / 93 / 25

HEX #B1BE0E

RGB 177 190 14

HSL 64.43, 0.86%, 0.4%

LAB 73.68, -22.7, 72.99

 

CMYK 22 / 0 / 93 / 26

HEX #94BD0E

RGB 148 189 14

HSL 74.06, 0.86%, 0.4%

LAB 71.37, -34.3, 70.3

 

CMYK 37 / 0 / 93 / 26

HEX #77BD0E

RGB 119 189 14

HSL 84, 0.86%, 0.4%

LAB 69.72, -45.38, 68.29

 

CMYK 52 / 0 / 93 / 26

HEX #5ABD0E

RGB 90 189 14

HSL 93.94, 0.86%, 0.4%

LAB 68.46, -54.78, 66.74

 

CMYK 68 / 0 / 93 / 26

HEX #3DBD0E

RGB 61 189 14

HSL 103.89, 0.86%, 0.4%

LAB 67.59, -61.91, 65.66

 

CMYK 7 / 0 / 93 / 25

HEX #B1BE0E

RGB 177 190 14

HSL 64.43, 0.86%, 0.4%

LAB 73.68, -22.7, 72.99

 

CMYK 7 / 0 / 93 / 5

HEX #E1F112

RGB 225 241 18

HSL 64.3, 0.89%, 0.51%

LAB 91.22, -27.08, 87.62

 

CMYK 8 / 0 / 92 / 85

HEX #222503

RGB 34 37 3

HSL 65.29, 0.85%, 0.08%

LAB 13.65, -7.08, 18.7

 

CMYK 7 / 0 / 93 / 65

HEX #525806

RGB 82 88 6

HSL 64.39, 0.87%, 0.18%

LAB 35.57, -12.68, 40.98

 

CMYK 7 / 0 / 93 / 45

HEX #818B0A

RGB 129 139 10

HSL 64.65, 0.87%, 0.29%

LAB 55.23, -18.1, 57.51

 

CMYK 7 / 0 / 93 / 25

HEX #B1BE0E

RGB 177 190 14

HSL 64.43, 0.86%, 0.4%

LAB 73.68, -22.7, 72.99

 

CMYK 93 / 0 / 68 / 26

HEX #0EBD3D

RGB 14 189 61

HSL 136.11, 0.86%, 0.4%

LAB 67.15, -64.9, 51.61

 

CMYK 31 / 93 / 0 / 26

HEX #830EBD

RGB 131 14 189

HSL 280.11, 0.86%, 0.4%

LAB 35.62, 68.31, -64.11

 

CMYK 7 / 0 / 93 / 25

HEX #B1BE0E

RGB 177 190 14

HSL 64.43, 0.86%, 0.4%

LAB 73.68, -22.7, 72.99

 

CMYK 93 / 6 / 0 / 26

HEX #0EB2BD

RGB 14 178 189

HSL 183.77, 0.86%, 0.4%

LAB 66.22, -32.81, -16.24

 

CMYK 0 / 93 / 6 / 26

HEX #BD0EB2

RGB 189 14 178

HSL 303.77, 0.86%, 0.4%

LAB 44.73, 75.55, -42.43

 

CMYK 7 / 0 / 93 / 25

HEX #B1BE0E

RGB 177 190 14

HSL 64.43, 0.86%, 0.4%

LAB 73.68, -22.7, 72.99

 

CMYK 93 / 0 / 68 / 26

HEX #0EBD3D

RGB 14 189 61

HSL 136.11, 0.86%, 0.4%

LAB 67.15, -64.9, 51.61

 

CMYK 87 / 93 / 0 / 26

HEX #190EBD

RGB 25 14 189

HSL 243.77, 0.86%, 0.4%

LAB 24.31, 60.27, -83.19

 

CMYK 0 / 93 / 25 / 26

HEX #BD0E8E

RGB 189 14 142

HSL 316.11, 0.86%, 0.4%

LAB 42.89, 70.84, -23.72

 

CMYK 7 / 0 / 93 / 25

HEX #B1BE0E

RGB 177 190 14

HSL 64.43, 0.86%, 0.4%

LAB 73.68, -22.7, 72.99

 

CMYK 93 / 0 / 40 / 26

HEX #0EBD71

RGB 14 189 113

HSL 153.94, 0.86%, 0.4%

LAB 67.78, -57.16, 27.51

 

CMYK 87 / 93 / 0 / 26

HEX #190EBD

RGB 25 14 189

HSL 243.77, 0.86%, 0.4%

LAB 24.31, 60.27, -83.19

 

CMYK 0 / 93 / 52 / 26

HEX #BD0E5A

RGB 189 14 90

HSL 333.94, 0.86%, 0.4%

LAB 41.01, 65.79, 5.85

 

Description

Color code: HEX #B1BE0E | qconv.com Color code: HEX #B1BE0E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 190 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 190 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 93 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 93% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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