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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B18FA7 it is the complementary color #4E7058. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B18FA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B18FA7: #B68FA2, #C7A1B5, #D8B3C8, #E9C5DB and #FAD7EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B18FA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B18FA7: #B18FA7, #A07D94, #8F6B81, #7E596E and #6D475B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 6 / 31

HEX #B18FA7

RGB 177 143 167

HSL 317.65, 0.18%, 0.63%

LAB 63.16, 16.92, -7.76

 

Complementary color

CMYK 30 / 0 / 21 / 56

HEX #4E7058

RGB 78 112 88

HSL 137.65, 0.18%, 0.37%

LAB 44.11, -17.68, 9.5

 

CMYK 0 / 21 / 11 / 29

HEX #B68FA2

RGB 182 143 162

HSL 330.77, 0.21%, 0.64%

LAB 63.51, 17.84, -4.37

 

CMYK 0 / 19 / 9 / 22

HEX #C7A1B5

RGB 199 161 181

HSL 328.42, 0.25%, 0.71%

LAB 70.15, 17.3, -5.01

 

CMYK 0 / 17 / 7 / 15

HEX #D8B3C8

RGB 216 179 200

HSL 325.95, 0.32%, 0.77%

LAB 76.68, 16.81, -5.61

 

CMYK 0 / 15 / 6 / 9

HEX #E9C5DB

RGB 233 197 219

HSL 323.33, 0.45%, 0.84%

LAB 83.11, 16.36, -6.19

 

CMYK 0 / 14 / 5 / 2

HEX #FAD7EE

RGB 250 215 238

HSL 320.57, 0.78%, 0.91%

LAB 89.44, 15.94, -6.74

 

CMYK 0 / 19 / 6 / 31

HEX #B18FA7

RGB 177 143 167

HSL 317.65, 0.18%, 0.63%

LAB 63.16, 16.92, -7.76

 

CMYK 0 / 22 / 7 / 37

HEX #A07D94

RGB 160 125 148

HSL 320.57, 0.16%, 0.56%

LAB 56.37, 17.47, -7.19

 

CMYK 0 / 25 / 10 / 44

HEX #8F6B81

RGB 143 107 129

HSL 323.33, 0.14%, 0.49%

LAB 49.42, 18.09, -6.57

 

CMYK 0 / 29 / 13 / 51

HEX #7E596E

RGB 126 89 110

HSL 325.95, 0.17%, 0.42%

LAB 42.32, 18.78, -5.9

 

CMYK 0 / 35 / 17 / 57

HEX #6D475B

RGB 109 71 91

HSL 328.42, 0.21%, 0.35%

LAB 35.03, 19.56, -5.14

 

CMYK 0 / 19 / 6 / 31

HEX #B18FA7

RGB 177 143 167

HSL 317.65, 0.18%, 0.63%

LAB 63.16, 16.92, -7.76

 

CMYK 0 / 19 / 8 / 31

HEX #B18FA2

RGB 177 143 162

HSL 326.47, 0.18%, 0.63%

LAB 63.01, 16.02, -5.16

 

CMYK 0 / 19 / 12 / 31

HEX #B18F9C

RGB 177 143 156

HSL 337.06, 0.18%, 0.63%

LAB 62.84, 14.96, -2.01

 

CMYK 0 / 19 / 15 / 31

HEX #B18F97

RGB 177 143 151

HSL 345.88, 0.18%, 0.63%

LAB 62.7, 14.11, 0.62

 

CMYK 0 / 19 / 18 / 31

HEX #B18F91

RGB 177 143 145

HSL 356.47, 0.18%, 0.63%

LAB 62.54, 13.12, 3.79

 

CMYK 0 / 19 / 6 / 31

HEX #B18FA7

RGB 177 143 167

HSL 317.65, 0.18%, 0.63%

LAB 63.16, 16.92, -7.76

 

CMYK 0 / 19 / 6 / 11

HEX #E4B8D7

RGB 228 184 215

HSL 317.73, 0.45%, 0.81%

LAB 79.43, 20.89, -9.54

 

CMYK 0 / 21 / 4 / 91

HEX #181317

RGB 24 19 23

HSL 312, 0.12%, 0.08%

LAB 6.52, 3.2, -1.77

 

CMYK 0 / 19 / 5 / 71

HEX #4B3D47

RGB 75 61 71

HSL 317.14, 0.1%, 0.27%

LAB 27.54, 8.12, -3.81

 

CMYK 0 / 19 / 6 / 51

HEX #7E6677

RGB 126 102 119

HSL 317.5, 0.11%, 0.45%

LAB 46, 12.71, -5.87

 

CMYK 0 / 19 / 6 / 31

HEX #B18FA7

RGB 177 143 167

HSL 317.65, 0.18%, 0.63%

LAB 63.16, 16.92, -7.76

 

CMYK 0 / 10 / 19 / 31

HEX #B1A08F

RGB 177 160 143

HSL 30, 0.18%, 0.63%

LAB 66.88, 3.38, 11.12

 

CMYK 19 / 0 / 2 / 31

HEX #8FB1AD

RGB 143 177 173

HSL 172.94, 0.18%, 0.63%

LAB 69.68, -12.34, -1.78

 

CMYK 0 / 19 / 6 / 31

HEX #B18FA7

RGB 177 143 167

HSL 317.65, 0.18%, 0.63%

LAB 63.16, 16.92, -7.76

 

CMYK 5 / 0 / 19 / 31

HEX #A8B18F

RGB 168 177 143

HSL 75.88, 0.18%, 0.63%

LAB 70.7, -9.19, 16.37

 

CMYK 19 / 5 / 0 / 31

HEX #8FA8B1

RGB 143 168 177

HSL 195.88, 0.18%, 0.63%

LAB 67.29, -6.65, -7.53

 

CMYK 0 / 19 / 6 / 31

HEX #B18FA7

RGB 177 143 167

HSL 317.65, 0.18%, 0.63%

LAB 63.16, 16.92, -7.76

 

CMYK 0 / 10 / 19 / 31

HEX #B1A08F

RGB 177 160 143

HSL 30, 0.18%, 0.63%

LAB 66.88, 3.38, 11.12

 

CMYK 19 / 0 / 14 / 31

HEX #8FB199

RGB 143 177 153

HSL 137.65, 0.18%, 0.63%

LAB 69.17, -16.41, 8.49

 

CMYK 19 / 9 / 0 / 31

HEX #8FA1B1

RGB 143 161 177

HSL 208.24, 0.18%, 0.63%

LAB 65.36, -2.83, -10.41

 

CMYK 0 / 19 / 6 / 31

HEX #B18FA7

RGB 177 143 167

HSL 317.65, 0.18%, 0.63%

LAB 63.16, 16.92, -7.76

 

CMYK 0 / 4 / 19 / 31

HEX #B1AA8F

RGB 177 170 143

HSL 47.65, 0.18%, 0.63%

LAB 69.53, -2.05, 14.84

 

CMYK 19 / 0 / 14 / 31

HEX #8FB199

RGB 143 177 153

HSL 137.65, 0.18%, 0.63%

LAB 69.17, -16.41, 8.49

 

CMYK 19 / 15 / 0 / 31

HEX #8F97B1

RGB 143 151 177

HSL 225.88, 0.18%, 0.63%

LAB 62.63, 2.75, -14.51

 

Description

Color code: HEX #B18FA7 | qconv.com Color code: HEX #B18FA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 143 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 143 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 6 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 6% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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