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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B17940 it is the complementary color #4E86BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B17940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B17940 shade: #B6793B, #C78B4E, #D89D61, #E9AF74 and #FAC187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B17940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B17940 shade: #B17940, #A0672D, #8F551A, #7E4307 and #6D3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B17940 shade: #B07840, #B05A40 and #B04040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B17940 shade: #B07840, #B09740, #ABB040, #8DB040 and #6EB040

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B17940 shade matches the following richer shades: #B07840, #C4792C, #D77919 and #EA7905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B17940 shade: #B07840, #9D7853, #897866, #76787A and #63788D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B17940 shade: #B04043, #B05A40, #B07840, #B09640 and #ACB040

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B17940 shade: #744F2A, #926435, #B07840, #C28D57 and #CDA275

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B17940 shade: #B17940, #61B040 and #4B40B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B17940 shade: #B17940, #40B078 and #7840B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B17940 shade: #B17940, #61B040, #4078B0 and #8E40B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B17940 shade: #B17940, #40B040, #4078B0 and #B040B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 64 / 31

HEX #B17940

RGB 177 121 64

HSL 30.27, 0.47%, 0.47%

LAB 55.47, 16.06, 39.46

 

Complementary color

CMYK 59 / 30 / 0 / 25

HEX #4E86BF

RGB 78 134 191

HSL 210.27, 0.47%, 0.53%

LAB 54.48, -1.19, -35.32

 

CMYK 0 / 34 / 68 / 29

HEX #B6793B

RGB 182 121 59

HSL 30.24, 0.51%, 0.47%

LAB 56.02, 17.91, 42.78

 

CMYK 0 / 30 / 61 / 22

HEX #C78B4E

RGB 199 139 78

HSL 30.25, 0.52%, 0.54%

LAB 62.64, 16.53, 41.26

 

CMYK 0 / 27 / 55 / 15

HEX #D89D61

RGB 216 157 97

HSL 30.25, 0.6%, 0.61%

LAB 69.17, 15.35, 39.77

 

CMYK 0 / 25 / 50 / 9

HEX #E9AF74

RGB 233 175 116

HSL 30.26, 0.73%, 0.68%

LAB 75.6, 14.32, 38.34

 

CMYK 0 / 23 / 46 / 2

HEX #FAC187

RGB 250 193 135

HSL 30.26, 0.92%, 0.75%

LAB 81.95, 13.43, 36.99

 

CMYK 0 / 32 / 64 / 31

HEX #B17940

RGB 177 121 64

HSL 30.27, 0.47%, 0.47%

LAB 55.47, 16.06, 39.46

 

CMYK 0 / 36 / 72 / 37

HEX #A0672D

RGB 160 103 45

HSL 30.26, 0.56%, 0.4%

LAB 48.71, 17.56, 40.98

 

CMYK 0 / 41 / 82 / 44

HEX #8F551A

RGB 143 85 26

HSL 30.26, 0.69%, 0.33%

LAB 41.86, 19.36, 42.21

 

CMYK 0 / 47 / 94 / 51

HEX #7E4307

RGB 126 67 7

HSL 30.25, 0.89%, 0.26%

LAB 34.93, 21.51, 42.42

 

CMYK 0 / 55 / 100 / 57

HEX #6D3100

RGB 109 49 0

HSL 26.97, 1%, 0.21%

LAB 27.97, 24, 38.77

 

CMYK 0 / 32 / 64 / 31

HEX #B07840

RGB 176 120 64

HSL 30, 0.47%, 0.47%

LAB 55.11, 16.18, 39.01

 

CMYK 0 / 49 / 64 / 31

HEX #B05A40

RGB 176 90 64

HSL 13.93, 0.47%, 0.47%

LAB 48.15, 32.73, 30.75

 

CMYK 0 / 64 / 64 / 31

HEX #B04040

RGB 176 64 64

HSL 0, 0.47%, 0.47%

LAB 43.16, 45.63, 24.56

 

CMYK 0 / 32 / 64 / 31

HEX #B07840

RGB 176 120 64

HSL 30, 0.47%, 0.47%

LAB 55.11, 16.18, 39.01

 

CMYK 0 / 14 / 64 / 31

HEX #B09740

RGB 176 151 64

HSL 46.61, 0.47%, 0.47%

LAB 63.12, -1, 48.02

 

CMYK 3 / 0 / 64 / 31

HEX #ABB040

RGB 171 176 64

HSL 62.68, 0.47%, 0.47%

LAB 69.53, -16.35, 54.78

 

CMYK 20 / 0 / 64 / 31

HEX #8DB040

RGB 141 176 64

HSL 78.75, 0.47%, 0.47%

LAB 67.34, -28.78, 51.79

 

CMYK 38 / 0 / 64 / 31

HEX #6EB040

RGB 110 176 64

HSL 95.36, 0.47%, 0.47%

LAB 65.54, -40.44, 49.32

 

CMYK 0 / 32 / 64 / 31

HEX #B07840

RGB 176 120 64

HSL 30, 0.47%, 0.47%

LAB 55.11, 16.18, 39.01

 

CMYK 0 / 38 / 78 / 23

HEX #C4792C

RGB 196 121 44

HSL 30.39, 0.63%, 0.47%

LAB 57.65, 23.2, 51.99

 

CMYK 0 / 44 / 88 / 16

HEX #D77919

RGB 215 121 25

HSL 30.32, 0.79%, 0.47%

LAB 60.06, 30.66, 61.92

 

CMYK 0 / 48 / 98 / 8

HEX #EA7905

RGB 234 121 5

HSL 30.39, 0.96%, 0.47%

LAB 62.66, 38.12, 69.07

 

CMYK 0 / 32 / 64 / 31

HEX #B07840

RGB 176 120 64

HSL 30, 0.47%, 0.47%

LAB 55.11, 16.18, 39.01

 

CMYK 0 / 24 / 47 / 38

HEX #9D7853

RGB 157 120 83

HSL 30, 0.31%, 0.47%

LAB 53.2, 9.58, 25.84

 

CMYK 0 / 12 / 26 / 46

HEX #897866

RGB 137 120 102

HSL 30.86, 0.15%, 0.47%

LAB 51.51, 3.56, 12.3

 

CMYK 3 / 2 / 0 / 52

HEX #76787A

RGB 118 120 122

HSL 210, 0.02%, 0.47%

LAB 50.32, -0.34, -1.36

 

CMYK 30 / 15 / 0 / 45

HEX #63788D

RGB 99 120 141

HSL 210, 0.18%, 0.47%

LAB 49.51, -2.48, -13.93

 

CMYK 0 / 64 / 62 / 31

HEX #B04043

RGB 176 64 67

HSL 358.39, 0.47%, 0.47%

LAB 43.22, 45.83, 22.81

 

CMYK 0 / 49 / 64 / 31

HEX #B05A40

RGB 176 90 64

HSL 13.93, 0.47%, 0.47%

LAB 48.15, 32.73, 30.75

 

CMYK 0 / 32 / 64 / 31

HEX #B07840

RGB 176 120 64

HSL 30, 0.47%, 0.47%

LAB 55.11, 16.18, 39.01

 

CMYK 0 / 15 / 64 / 31

HEX #B09640

RGB 176 150 64

HSL 46.07, 0.47%, 0.47%

LAB 62.85, -0.46, 47.73

 

CMYK 2 / 0 / 64 / 31

HEX #ACB040

RGB 172 176 64

HSL 62.14, 0.47%, 0.47%

LAB 69.61, -15.93, 54.89

 

CMYK 0 / 32 / 64 / 55

HEX #744F2A

RGB 116 79 42

HSL 30, 0.47%, 0.31%

LAB 36.88, 11.35, 27.76

 

CMYK 0 / 32 / 64 / 43

HEX #926435

RGB 146 100 53

HSL 30.32, 0.47%, 0.39%

LAB 46.29, 13.53, 33.65

 

CMYK 0 / 32 / 64 / 31

HEX #B07840

RGB 176 120 64

HSL 30, 0.47%, 0.47%

LAB 55.11, 16.18, 39.01

 

CMYK 0 / 27 / 55 / 24

HEX #C28D57

RGB 194 141 87

HSL 30.28, 0.47%, 0.55%

LAB 62.68, 14.02, 36.49

 

CMYK 0 / 21 / 43 / 20

HEX #CDA275

RGB 205 162 117

HSL 30.68, 0.47%, 0.63%

LAB 69.54, 10.01, 29.43

 

CMYK 0 / 32 / 64 / 31

HEX #B17940

RGB 177 121 64

HSL 30.27, 0.47%, 0.47%

LAB 55.47, 16.06, 39.46

 

CMYK 45 / 0 / 64 / 31

HEX #61B040

RGB 97 176 64

HSL 102.32, 0.47%, 0.47%

LAB 64.93, -44.76, 48.47

 

CMYK 57 / 64 / 0 / 31

HEX #4B40B0

RGB 75 64 176

HSL 245.89, 0.47%, 0.47%

LAB 34.59, 36.67, -58.37

 

CMYK 0 / 32 / 64 / 31

HEX #B17940

RGB 177 121 64

HSL 30.27, 0.47%, 0.47%

LAB 55.47, 16.06, 39.46

 

CMYK 64 / 0 / 32 / 31

HEX #40B078

RGB 64 176 120

HSL 150, 0.47%, 0.47%

LAB 64.56, -44.83, 19.57

 

CMYK 32 / 64 / 0 / 31

HEX #7840B0

RGB 120 64 176

HSL 270, 0.47%, 0.47%

LAB 39.23, 45.92, -50.64

 

CMYK 0 / 32 / 64 / 31

HEX #B17940

RGB 177 121 64

HSL 30.27, 0.47%, 0.47%

LAB 55.47, 16.06, 39.46

 

CMYK 45 / 0 / 64 / 31

HEX #61B040

RGB 97 176 64

HSL 102.32, 0.47%, 0.47%

LAB 64.93, -44.76, 48.47

 

CMYK 64 / 32 / 0 / 31

HEX #4078B0

RGB 64 120 176

HSL 210, 0.47%, 0.47%

LAB 49.08, -0.65, -35.22

 

CMYK 19 / 64 / 0 / 31

HEX #8E40B0

RGB 142 64 176

HSL 281.79, 0.47%, 0.47%

LAB 42.08, 51.08, -45.91

 

CMYK 0 / 32 / 64 / 31

HEX #B17940

RGB 177 121 64

HSL 30.27, 0.47%, 0.47%

LAB 55.47, 16.06, 39.46

 

CMYK 64 / 0 / 64 / 31

HEX #40B040

RGB 64 176 64

HSL 120, 0.47%, 0.47%

LAB 63.76, -53.7, 46.85

 

CMYK 64 / 32 / 0 / 31

HEX #4078B0

RGB 64 120 176

HSL 210, 0.47%, 0.47%

LAB 49.08, -0.65, -35.22

 

CMYK 0 / 64 / 0 / 31

HEX #B040B0

RGB 176 64 176

HSL 300, 0.47%, 0.47%

LAB 47.02, 59.38, -37.76

 

Description

Color code: HEX #B17940 | qconv.com Color code: HEX #B17940 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 121 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 121 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 64 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 64% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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