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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C78B4E it is the complementary color #3874B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C78B4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C78B4E shade: #CC8B49, #DD9D5C, #EEAF6F, #FFC182 and #FFD395

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C78B4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C78B4E shade: #C78B4E, #B6793B, #A56728, #945515 and #834302

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C78B4E shade: #C78A4D, #C7694D and #C74D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C78B4E shade: #C78A4D, #C7AB4D, #C1C74D, #A0C74D and #80C74D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C78B4E shade matches the following richer shades: #C78A4D, #DA8A3A and #ED8B27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C78B4E shade: #C78A4D, #B48A60, #A18A73, #8E8A86 and #7B8A99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C78B4E shade: #C74D51, #C7694D, #C78A4D, #C7AA4D and #C3C74D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C78B4E shade: #93612E, #B27638, #C78A4D, #D19F6C and #DBB38B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C78B4E shade: #C78B4E, #71C74D and #594DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C78B4E shade: #C78B4E, #4DC78A and #8A4DC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C78B4E shade: #C78B4E, #71C74D, #4D8AC7 and #A24DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C78B4E shade: #C78B4E, #4DC74D, #4D8AC7 and #C74DC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 61 / 22

HEX #C78B4E

RGB 199 139 78

HSL 30.25, 0.52%, 0.54%

LAB 62.64, 16.53, 41.26

 

Complementary color

CMYK 68 / 34 / 0 / 31

HEX #3874B1

RGB 56 116 177

HSL 210.25, 0.52%, 0.46%

LAB 47.63, 0.72, -38.1

 

CMYK 0 / 32 / 64 / 20

HEX #CC8B49

RGB 204 139 73

HSL 30.23, 0.56%, 0.54%

LAB 63.16, 18.31, 44.55

 

CMYK 0 / 29 / 58 / 13

HEX #DD9D5C

RGB 221 157 92

HSL 30.23, 0.65%, 0.61%

LAB 69.65, 17.03, 43.05

 

CMYK 0 / 26 / 53 / 7

HEX #EEAF6F

RGB 238 175 111

HSL 30.24, 0.79%, 0.68%

LAB 76.06, 15.92, 41.6

 

CMYK 0 / 24 / 49 / 0

HEX #FFC182

RGB 255 193 130

HSL 30.24, 1%, 0.75%

LAB 82.38, 14.94, 40.21

 

CMYK 0 / 17 / 42 / 0

HEX #FFD395

RGB 255 211 149

HSL 35.09, 1%, 0.79%

LAB 87.01, 7.45, 36.46

 

CMYK 0 / 30 / 61 / 22

HEX #C78B4E

RGB 199 139 78

HSL 30.25, 0.52%, 0.54%

LAB 62.64, 16.53, 41.26

 

CMYK 0 / 34 / 68 / 29

HEX #B6793B

RGB 182 121 59

HSL 30.24, 0.51%, 0.47%

LAB 56.02, 17.91, 42.78

 

CMYK 0 / 38 / 76 / 35

HEX #A56728

RGB 165 103 40

HSL 30.24, 0.61%, 0.4%

LAB 49.32, 19.53, 44.19

 

CMYK 0 / 43 / 86 / 42

HEX #945515

RGB 148 85 21

HSL 30.24, 0.75%, 0.33%

LAB 42.53, 21.44, 45.1

 

CMYK 0 / 49 / 98 / 49

HEX #834302

RGB 131 67 2

HSL 30.23, 0.97%, 0.26%

LAB 35.68, 23.66, 45.04

 

CMYK 0 / 31 / 61 / 22

HEX #C78A4D

RGB 199 138 77

HSL 30, 0.52%, 0.54%

LAB 62.38, 17, 41.48

 

CMYK 0 / 47 / 61 / 22

HEX #C7694D

RGB 199 105 77

HSL 13.77, 0.52%, 0.54%

LAB 54.85, 34.85, 32.4

 

CMYK 0 / 61 / 61 / 22

HEX #C74D4D

RGB 199 77 77

HSL 0, 0.52%, 0.54%

LAB 49.48, 48.65, 25.64

 

CMYK 0 / 31 / 61 / 22

HEX #C78A4D

RGB 199 138 77

HSL 30, 0.52%, 0.54%

LAB 62.38, 17, 41.48

 

CMYK 0 / 14 / 61 / 22

HEX #C7AB4D

RGB 199 171 77

HSL 46.23, 0.52%, 0.54%

LAB 70.74, -0.87, 51.03

 

CMYK 3 / 0 / 61 / 22

HEX #C1C74D

RGB 193 199 77

HSL 62.95, 0.52%, 0.54%

LAB 77.71, -17.85, 58.53

 

CMYK 20 / 0 / 61 / 22

HEX #A0C74D

RGB 160 199 77

HSL 79.18, 0.52%, 0.54%

LAB 75.36, -31.17, 55.29

 

CMYK 36 / 0 / 61 / 22

HEX #80C74D

RGB 128 199 77

HSL 94.92, 0.52%, 0.54%

LAB 73.53, -42.96, 52.75

 

CMYK 0 / 31 / 61 / 22

HEX #C78A4D

RGB 199 138 77

HSL 30, 0.52%, 0.54%

LAB 62.38, 17, 41.48

 

CMYK 0 / 37 / 73 / 15

HEX #DA8A3A

RGB 218 138 58

HSL 30, 0.68%, 0.54%

LAB 64.47, 23.93, 53.59

 

CMYK 0 / 41 / 84 / 7

HEX #ED8B27

RGB 237 139 39

HSL 30.3, 0.85%, 0.54%

LAB 66.99, 30.61, 64.36

 

CMYK 0 / 31 / 61 / 22

HEX #C78A4D

RGB 199 138 77

HSL 30, 0.52%, 0.54%

LAB 62.38, 17, 41.48

 

CMYK 0 / 23 / 47 / 29

HEX #B48A60

RGB 180 138 96

HSL 30, 0.36%, 0.54%

LAB 60.54, 10.61, 28.6

 

CMYK 0 / 14 / 29 / 37

HEX #A18A73

RGB 161 138 115

HSL 30, 0.2%, 0.54%

LAB 58.97, 5.07, 15.54

 

CMYK 0 / 3 / 6 / 44

HEX #8E8A86

RGB 142 138 134

HSL 30, 0.03%, 0.54%

LAB 57.7, 0.73, 2.66

 

CMYK 20 / 10 / 0 / 40

HEX #7B8A99

RGB 123 138 153

HSL 210, 0.13%, 0.54%

LAB 56.77, -2.06, -9.81

 

CMYK 0 / 61 / 59 / 22

HEX #C74D51

RGB 199 77 81

HSL 358.03, 0.52%, 0.54%

LAB 49.55, 48.93, 23.36

 

CMYK 0 / 47 / 61 / 22

HEX #C7694D

RGB 199 105 77

HSL 13.77, 0.52%, 0.54%

LAB 54.85, 34.85, 32.4

 

CMYK 0 / 31 / 61 / 22

HEX #C78A4D

RGB 199 138 77

HSL 30, 0.52%, 0.54%

LAB 62.38, 17, 41.48

 

CMYK 0 / 15 / 61 / 22

HEX #C7AA4D

RGB 199 170 77

HSL 45.74, 0.52%, 0.54%

LAB 70.47, -0.34, 50.74

 

CMYK 2 / 0 / 61 / 22

HEX #C3C74D

RGB 195 199 77

HSL 61.97, 0.52%, 0.54%

LAB 77.87, -17.02, 58.74

 

CMYK 0 / 34 / 69 / 42

HEX #93612E

RGB 147 97 46

HSL 30.3, 0.52%, 0.38%

LAB 45.57, 15.24, 36.57

 

CMYK 0 / 34 / 69 / 30

HEX #B27638

RGB 178 118 56

HSL 30.49, 0.52%, 0.46%

LAB 54.77, 17.66, 42.75

 

CMYK 0 / 31 / 61 / 22

HEX #C78A4D

RGB 199 138 77

HSL 30, 0.52%, 0.54%

LAB 62.38, 17, 41.48

 

CMYK 0 / 24 / 48 / 18

HEX #D19F6C

RGB 209 159 108

HSL 30.3, 0.52%, 0.62%

LAB 69.06, 12.36, 33.7

 

CMYK 0 / 18 / 37 / 14

HEX #DBB38B

RGB 219 179 139

HSL 30, 0.53%, 0.7%

LAB 75.55, 8.98, 25.88

 

CMYK 0 / 30 / 61 / 22

HEX #C78B4E

RGB 199 139 78

HSL 30.25, 0.52%, 0.54%

LAB 62.64, 16.53, 41.26

 

CMYK 43 / 0 / 61 / 22

HEX #71C74D

RGB 113 199 77

HSL 102.3, 0.52%, 0.54%

LAB 72.82, -47.9, 51.76

 

CMYK 55 / 61 / 0 / 22

HEX #594DC7

RGB 89 77 199

HSL 245.9, 0.52%, 0.54%

LAB 40.5, 38.63, -62.22

 

CMYK 0 / 30 / 61 / 22

HEX #C78B4E

RGB 199 139 78

HSL 30.25, 0.52%, 0.54%

LAB 62.64, 16.53, 41.26

 

CMYK 61 / 0 / 31 / 22

HEX #4DC78A

RGB 77 199 138

HSL 150, 0.52%, 0.54%

LAB 72.4, -48.07, 20.69

 

CMYK 31 / 61 / 0 / 22

HEX #8A4DC7

RGB 138 77 199

HSL 270, 0.52%, 0.54%

LAB 45.41, 48.89, -54.04

 

CMYK 0 / 30 / 61 / 22

HEX #C78B4E

RGB 199 139 78

HSL 30.25, 0.52%, 0.54%

LAB 62.64, 16.53, 41.26

 

CMYK 43 / 0 / 61 / 22

HEX #71C74D

RGB 113 199 77

HSL 102.3, 0.52%, 0.54%

LAB 72.82, -47.9, 51.76

 

CMYK 61 / 31 / 0 / 22

HEX #4D8AC7

RGB 77 138 199

HSL 210, 0.52%, 0.54%

LAB 55.97, -1.09, -37.54

 

CMYK 19 / 61 / 0 / 22

HEX #A24DC7

RGB 162 77 199

HSL 281.8, 0.52%, 0.54%

LAB 48.4, 54.56, -49.08

 

CMYK 0 / 30 / 61 / 22

HEX #C78B4E

RGB 199 139 78

HSL 30.25, 0.52%, 0.54%

LAB 62.64, 16.53, 41.26

 

CMYK 61 / 0 / 61 / 22

HEX #4DC74D

RGB 77 199 77

HSL 120, 0.52%, 0.54%

LAB 71.53, -57.67, 49.95

 

CMYK 61 / 31 / 0 / 22

HEX #4D8AC7

RGB 77 138 199

HSL 210, 0.52%, 0.54%

LAB 55.97, -1.09, -37.54

 

CMYK 0 / 61 / 0 / 22

HEX #C74DC7

RGB 199 77 199

HSL 300, 0.52%, 0.54%

LAB 53.57, 63.61, -40.55

 

Description

Color code: HEX #C78B4E | qconv.com Color code: HEX #C78B4E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 139 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 139 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 61 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 61% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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