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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B14BC7 it is the complementary color #4EB438. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B14BC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B14BC7: #B64BC2, #C75DD5, #D86FE8, #E981FB and #FA93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B14BC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B14BC7: #B14BC7, #A039B4, #8F27A1, #7E158E and #6D037B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 62 / 0 / 22

HEX #B14BC7

RGB 177 75 199

HSL 289.35, 0.53%, 0.54%

LAB 50.1, 59.1, -46.25

 

Complementary color

CMYK 57 / 0 / 69 / 29

HEX #4EB438

RGB 78 180 56

HSL 109.35, 0.53%, 0.46%

LAB 65.4, -52.57, 52.11

 

CMYK 6 / 61 / 0 / 24

HEX #B64BC2

RGB 182 75 194

HSL 293.95, 0.49%, 0.53%

LAB 50.54, 59.38, -42.63

 

CMYK 7 / 56 / 0 / 16

HEX #C75DD5

RGB 199 93 213

HSL 293, 0.59%, 0.6%

LAB 56.86, 59.02, -43.35

 

CMYK 7 / 52 / 0 / 9

HEX #D86FE8

RGB 216 111 232

HSL 292.07, 0.72%, 0.67%

LAB 63.17, 58.48, -43.91

 

CMYK 7 / 49 / 0 / 2

HEX #E981FB

RGB 233 129 251

HSL 291.15, 0.94%, 0.75%

LAB 69.46, 57.83, -44.35

 

CMYK 2 / 42 / 0 / 0

HEX #FA93FF

RGB 250 147 255

HSL 297.22, 1%, 0.79%

LAB 75.08, 54.39, -37.61

 

CMYK 11 / 62 / 0 / 22

HEX #B14BC7

RGB 177 75 199

HSL 289.35, 0.53%, 0.54%

LAB 50.1, 59.1, -46.25

 

CMYK 11 / 68 / 0 / 29

HEX #A039B4

RGB 160 57 180

HSL 290.24, 0.52%, 0.46%

LAB 43.79, 59.17, -45.38

 

CMYK 11 / 76 / 0 / 37

HEX #8F27A1

RGB 143 39 161

HSL 291.15, 0.61%, 0.39%

LAB 37.6, 58.67, -44.13

 

CMYK 11 / 85 / 0 / 44

HEX #7E158E

RGB 126 21 142

HSL 292.07, 0.74%, 0.32%

LAB 31.64, 57.18, -42.27

 

CMYK 11 / 98 / 0 / 52

HEX #6D037B

RGB 109 3 123

HSL 293, 0.95%, 0.25%

LAB 26, 54.33, -39.61

 

CMYK 11 / 62 / 0 / 22

HEX #B14BC7

RGB 177 75 199

HSL 289.35, 0.53%, 0.54%

LAB 50.1, 59.1, -46.25

 

CMYK 1 / 62 / 0 / 22

HEX #C54BC7

RGB 197 75 199

HSL 299.03, 0.53%, 0.54%

LAB 52.98, 63.94, -41.51

 

CMYK 0 / 62 / 9 / 22

HEX #C74BB5

RGB 199 75 181

HSL 308.71, 0.53%, 0.54%

LAB 52.41, 61.49, -31.97

 

CMYK 0 / 62 / 20 / 22

HEX #C74BA0

RGB 199 75 160

HSL 318.87, 0.53%, 0.54%

LAB 51.51, 58.34, -21.07

 

CMYK 0 / 62 / 30 / 22

HEX #C74B8B

RGB 199 75 139

HSL 329.03, 0.53%, 0.54%

LAB 50.73, 55.53, -9.79

 

CMYK 11 / 62 / 0 / 22

HEX #B14BC7

RGB 177 75 199

HSL 289.35, 0.53%, 0.54%

LAB 50.1, 59.1, -46.25

 

CMYK 11 / 62 / 0 / 2

HEX #DE5EFA

RGB 222 94 250

HSL 289.23, 0.94%, 0.67%

LAB 62.03, 70.98, -55.64

 

CMYK 11 / 63 / 0 / 82

HEX #29112E

RGB 41 17 46

HSL 289.66, 0.46%, 0.12%

LAB 9.56, 18.19, -14.3

 

CMYK 11 / 62 / 0 / 62

HEX #562561

RGB 86 37 97

HSL 289, 0.45%, 0.26%

LAB 24.21, 32.79, -25.93

 

CMYK 11 / 62 / 0 / 42

HEX #843894

RGB 132 56 148

HSL 289.57, 0.45%, 0.4%

LAB 37.61, 46.57, -36.34

 

CMYK 11 / 62 / 0 / 22

HEX #B14BC7

RGB 177 75 199

HSL 289.35, 0.53%, 0.54%

LAB 50.1, 59.1, -46.25

 

CMYK 0 / 61 / 62 / 22

HEX #C74D4B

RGB 199 77 75

HSL 0.97, 0.53%, 0.54%

LAB 49.44, 48.52, 26.78

 

CMYK 62 / 0 / 36 / 22

HEX #4BC77F

RGB 75 199 127

HSL 145.16, 0.53%, 0.54%

LAB 72.14, -50.62, 26.14

 

CMYK 11 / 62 / 0 / 22

HEX #B14BC7

RGB 177 75 199

HSL 289.35, 0.53%, 0.54%

LAB 50.1, 59.1, -46.25

 

CMYK 0 / 11 / 62 / 22

HEX #C7B14B

RGB 199 177 75

HSL 49.35, 0.53%, 0.54%

LAB 72.29, -4.18, 53.67

 

CMYK 62 / 0 / 11 / 22

HEX #4BC7B1

RGB 75 199 177

HSL 169.35, 0.53%, 0.54%

LAB 73.23, -39.48, 0.86

 

CMYK 11 / 62 / 0 / 22

HEX #B14BC7

RGB 177 75 199

HSL 289.35, 0.53%, 0.54%

LAB 50.1, 59.1, -46.25

 

CMYK 0 / 61 / 62 / 22

HEX #C74D4B

RGB 199 77 75

HSL 0.97, 0.53%, 0.54%

LAB 49.44, 48.52, 26.78

 

CMYK 51 / 0 / 62 / 22

HEX #62C74B

RGB 98 199 75

HSL 108.87, 0.53%, 0.54%

LAB 72.2, -52.57, 51.77

 

CMYK 62 / 1 / 0 / 22

HEX #4BC5C7

RGB 75 197 199

HSL 180.97, 0.53%, 0.54%

LAB 73.25, -32.67, -11.06

 

CMYK 11 / 62 / 0 / 22

HEX #B14BC7

RGB 177 75 199

HSL 289.35, 0.53%, 0.54%

LAB 50.1, 59.1, -46.25

 

CMYK 0 / 43 / 62 / 22

HEX #C7724B

RGB 199 114 75

HSL 18.87, 0.53%, 0.54%

LAB 56.77, 29.93, 35.84

 

CMYK 51 / 0 / 62 / 22

HEX #62C74B

RGB 98 199 75

HSL 108.87, 0.53%, 0.54%

LAB 72.2, -52.57, 51.77

 

CMYK 62 / 20 / 0 / 22

HEX #4BA0C7

RGB 75 160 199

HSL 198.87, 0.53%, 0.54%

LAB 62.31, -13.86, -27.68

 

Description

Color code: HEX #B14BC7 | qconv.com Color code: HEX #B14BC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 75 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 75 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 62 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 62% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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