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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B127DB it is the complementary color #4ED824. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B127DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B127DB: #B627D6, #C739E9, #D84BFC, #E95DFF and #FA6FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B127DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B127DB: #B127DB, #A015C8, #8F03B5, #7E00A2 and #6D008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 82 / 0 / 14

HEX #B127DB

RGB 177 39 219

HSL 286, 0.71%, 0.51%

LAB 46.86, 75.59, -62.93

 

Complementary color

CMYK 64 / 0 / 83 / 15

HEX #4ED824

RGB 78 216 36

HSL 106, 0.71%, 0.49%

LAB 76.59, -66.35, 69.38

 

CMYK 15 / 82 / 0 / 16

HEX #B627D6

RGB 182 39 214

HSL 289.03, 0.69%, 0.5%

LAB 47.3, 75.54, -59.31

 

CMYK 15 / 76 / 0 / 9

HEX #C739E9

RGB 199 57 233

HSL 288.41, 0.8%, 0.57%

LAB 52.9, 76.86, -60.96

 

CMYK 14 / 70 / 0 / 1

HEX #D84BFC

RGB 216 75 252

HSL 287.8, 0.97%, 0.64%

LAB 58.66, 77.49, -62.18

 

CMYK 9 / 64 / 0 / 0

HEX #E95DFF

RGB 233 93 255

HSL 291.85, 1%, 0.68%

LAB 63.65, 74.77, -55.73

 

CMYK 2 / 56 / 0 / 0

HEX #FA6FFF

RGB 250 111 255

HSL 297.92, 1%, 0.72%

LAB 68.69, 71.28, -47.6

 

CMYK 19 / 82 / 0 / 14

HEX #B127DB

RGB 177 39 219

HSL 286, 0.71%, 0.51%

LAB 46.86, 75.59, -62.93

 

CMYK 20 / 90 / 0 / 22

HEX #A015C8

RGB 160 21 200

HSL 286.59, 0.81%, 0.43%

LAB 41.5, 73.32, -60.78

 

CMYK 21 / 98 / 0 / 29

HEX #8F03B5

RGB 143 3 181

HSL 287.19, 0.97%, 0.36%

LAB 36.44, 69.85, -57.96

 

CMYK 22 / 100 / 0 / 36

HEX #7E00A2

RGB 126 0 162

HSL 286.67, 1%, 0.32%

LAB 31.91, 64.46, -54.07

 

CMYK 24 / 100 / 0 / 44

HEX #6D008F

RGB 109 0 143

HSL 285.73, 1%, 0.28%

LAB 27.39, 58.56, -49.9

 

CMYK 19 / 82 / 0 / 14

HEX #B127DB

RGB 177 39 219

HSL 286, 0.71%, 0.51%

LAB 46.86, 75.59, -62.93

 

CMYK 6 / 81 / 0 / 15

HEX #CE29DA

RGB 206 41 218

HSL 295.93, 0.71%, 0.51%

LAB 51.58, 79.96, -54.52

 

CMYK 0 / 81 / 8 / 15

HEX #DA29C9

RGB 218 41 201

HSL 305.76, 0.71%, 0.51%

LAB 52.63, 79.66, -42.99

 

CMYK 0 / 81 / 22 / 15

HEX #DA29AB

RGB 218 41 171

HSL 315.93, 0.71%, 0.51%

LAB 51.19, 75.67, -27.79

 

CMYK 0 / 81 / 35 / 15

HEX #DA298D

RGB 218 41 141

HSL 326.1, 0.71%, 0.51%

LAB 49.99, 72.26, -11.76

 

CMYK 19 / 82 / 0 / 14

HEX #B127DB

RGB 177 39 219

HSL 286, 0.71%, 0.51%

LAB 46.86, 75.59, -62.93

 

CMYK 20 / 80 / 0 / 94

HEX #0C030F

RGB 12 3 15

HSL 285, 0.67%, 0.04%

LAB 1.61, 4.16, -3.98

 

CMYK 20 / 82 / 0 / 74

HEX #350C42

RGB 53 12 66

HSL 285.56, 0.69%, 0.15%

LAB 12.05, 29.44, -24.63

 

CMYK 19 / 82 / 0 / 54

HEX #5F1575

RGB 95 21 117

HSL 286.25, 0.7%, 0.27%

LAB 24.49, 46.38, -38.34

 

CMYK 19 / 82 / 0 / 34

HEX #881EA8

RGB 136 30 168

HSL 286.09, 0.7%, 0.39%

LAB 35.96, 61.46, -51.03

 

CMYK 19 / 82 / 0 / 14

HEX #B127DB

RGB 177 39 219

HSL 286, 0.71%, 0.51%

LAB 46.86, 75.59, -62.93

 

CMYK 0 / 81 / 78 / 15

HEX #DA292F

RGB 218 41 47

HSL 357.97, 0.71%, 0.51%

LAB 47.88, 65.94, 41.92

 

CMYK 81 / 0 / 51 / 15

HEX #29DA6A

RGB 41 218 106

HSL 142.03, 0.71%, 0.51%

LAB 77.07, -66.18, 42.94

 

CMYK 19 / 82 / 0 / 14

HEX #B127DB

RGB 177 39 219

HSL 286, 0.71%, 0.51%

LAB 46.86, 75.59, -62.93

 

CMYK 0 / 19 / 81 / 15

HEX #DAB129

RGB 218 177 41

HSL 46.1, 0.71%, 0.51%

LAB 73.88, 2.41, 68.81

 

CMYK 81 / 0 / 19 / 15

HEX #29DAB1

RGB 41 218 177

HSL 166.1, 0.71%, 0.51%

LAB 78.34, -51.97, 8.16

 

CMYK 19 / 82 / 0 / 14

HEX #B127DB

RGB 177 39 219

HSL 286, 0.71%, 0.51%

LAB 46.86, 75.59, -62.93

 

CMYK 0 / 81 / 78 / 15

HEX #DA292F

RGB 218 41 47

HSL 357.97, 0.71%, 0.51%

LAB 47.88, 65.94, 41.92

 

CMYK 62 / 0 / 81 / 15

HEX #52DA29

RGB 82 218 41

HSL 106.1, 0.71%, 0.51%

LAB 77.34, -65.9, 68.84

 

CMYK 81 / 0 / 3 / 15

HEX #29DAD4

RGB 41 218 212

HSL 177.97, 0.71%, 0.51%

LAB 79.25, -42.65, -9.19

 

CMYK 19 / 82 / 0 / 14

HEX #B127DB

RGB 177 39 219

HSL 286, 0.71%, 0.51%

LAB 46.86, 75.59, -62.93

 

CMYK 0 / 60 / 81 / 15

HEX #DA5829

RGB 218 88 41

HSL 15.93, 0.71%, 0.51%

LAB 54.07, 48.68, 51.04

 

CMYK 62 / 0 / 81 / 15

HEX #52DA29

RGB 82 218 41

HSL 106.1, 0.71%, 0.51%

LAB 77.34, -65.9, 68.84

 

CMYK 81 / 22 / 0 / 15

HEX #29ABDA

RGB 41 171 218

HSL 195.93, 0.71%, 0.51%

LAB 65.48, -18, -33.38

 

Description

Color code: HEX #B127DB | qconv.com Color code: HEX #B127DB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 39 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 39 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 82 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 82% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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