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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B11E9B it is the complementary color #4EE164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B11E9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B11E9B: #B61E96, #C730A9, #D842BC, #E954CF and #FA66E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B11E9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B11E9B: #B11E9B, #A00C88, #8F0075, #7E0062 and #6D004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 12 / 31

HEX #B11E9B

RGB 177 30 155

HSL 308.98, 0.71%, 0.41%

LAB 42.22, 67.32, -32.81

 

Complementary color

CMYK 65 / 0 / 56 / 12

HEX #4EE164

RGB 78 225 100

HSL 128.98, 0.71%, 0.59%

LAB 79.84, -63.92, 49.25

 

CMYK 0 / 84 / 18 / 29

HEX #B61E96

RGB 182 30 150

HSL 312.63, 0.72%, 0.42%

LAB 42.88, 67.69, -28.7

 

CMYK 0 / 76 / 15 / 22

HEX #C730A9

RGB 199 48 169

HSL 311.92, 0.61%, 0.48%

LAB 48.41, 69.37, -31.18

 

CMYK 0 / 69 / 13 / 15

HEX #D842BC

RGB 216 66 188

HSL 311.2, 0.66%, 0.55%

LAB 54.16, 70.22, -33.1

 

CMYK 0 / 64 / 11 / 9

HEX #E954CF

RGB 233 84 207

HSL 310.47, 0.77%, 0.62%

LAB 60.04, 70.51, -34.61

 

CMYK 0 / 59 / 10 / 2

HEX #FA66E2

RGB 250 102 226

HSL 309.73, 0.94%, 0.69%

LAB 66, 70.43, -35.82

 

CMYK 0 / 83 / 12 / 31

HEX #B11E9B

RGB 177 30 155

HSL 308.98, 0.71%, 0.41%

LAB 42.22, 67.32, -32.81

 

CMYK 0 / 93 / 15 / 37

HEX #A00C88

RGB 160 12 136

HSL 309.73, 0.86%, 0.34%

LAB 36.96, 64.47, -29.72

 

CMYK 0 / 100 / 18 / 44

HEX #8F0075

RGB 143 0 117

HSL 310.91, 1%, 0.28%

LAB 32.09, 60.13, -25.7

 

CMYK 0 / 100 / 22 / 51

HEX #7E0062

RGB 126 0 98

HSL 313.33, 1%, 0.25%

LAB 27.62, 54.22, -20.71

 

CMYK 0 / 100 / 28 / 57

HEX #6D004F

RGB 109 0 79

HSL 316.51, 1%, 0.21%

LAB 23.05, 48.19, -15.47

 

CMYK 0 / 83 / 12 / 31

HEX #B11E9B

RGB 177 30 155

HSL 308.98, 0.71%, 0.41%

LAB 42.22, 67.32, -32.81

 

CMYK 0 / 83 / 25 / 30

HEX #B21E86

RGB 178 30 134

HSL 317.84, 0.71%, 0.41%

LAB 41.4, 64.75, -21.3

 

CMYK 0 / 83 / 39 / 30

HEX #B21E6D

RGB 178 30 109

HSL 327.97, 0.71%, 0.41%

LAB 40.41, 61.92, -7.29

 

CMYK 0 / 83 / 53 / 30

HEX #B21E54

RGB 178 30 84

HSL 338.11, 0.71%, 0.41%

LAB 39.64, 59.67, 7.41

 

CMYK 0 / 83 / 66 / 30

HEX #B21E3C

RGB 178 30 60

HSL 347.84, 0.71%, 0.41%

LAB 39.1, 58.08, 21.94

 

CMYK 0 / 83 / 12 / 31

HEX #B11E9B

RGB 177 30 155

HSL 308.98, 0.71%, 0.41%

LAB 42.22, 67.32, -32.81

 

CMYK 0 / 83 / 12 / 11

HEX #E427C8

RGB 228 39 200

HSL 308.89, 0.78%, 0.52%

LAB 54.15, 81.9, -39.9

 

CMYK 0 / 83 / 13 / 91

HEX #180415

RGB 24 4 21

HSL 309, 0.71%, 0.05%

LAB 3.03, 9.7, -5.43

 

CMYK 0 / 83 / 12 / 71

HEX #4B0D42

RGB 75 13 66

HSL 308.71, 0.7%, 0.17%

LAB 16.39, 34.72, -17.46

 

CMYK 0 / 83 / 13 / 51

HEX #7E156E

RGB 126 21 110

HSL 309.14, 0.71%, 0.29%

LAB 29.66, 51.83, -25.29

 

CMYK 0 / 83 / 12 / 31

HEX #B11E9B

RGB 177 30 155

HSL 308.98, 0.71%, 0.41%

LAB 42.22, 67.32, -32.81

 

CMYK 0 / 56 / 83 / 30

HEX #B24F1E

RGB 178 79 30

HSL 19.86, 0.71%, 0.41%

LAB 45.84, 37.58, 46.04

 

CMYK 83 / 0 / 22 / 30

HEX #1EB28B

RGB 30 178 139

HSL 164.19, 0.71%, 0.41%

LAB 64.95, -46.08, 9.61

 

CMYK 0 / 83 / 12 / 31

HEX #B11E9B

RGB 177 30 155

HSL 308.98, 0.71%, 0.41%

LAB 42.22, 67.32, -32.81

 

CMYK 11 / 0 / 83 / 30

HEX #9EB21E

RGB 158 178 30

HSL 68.11, 0.71%, 0.41%

LAB 68.9, -24.55, 65.5

 

CMYK 83 / 11 / 0 / 30

HEX #1E9EB2

RGB 30 158 178

HSL 188.11, 0.71%, 0.41%

LAB 59.84, -25.59, -19.77

 

CMYK 0 / 83 / 12 / 31

HEX #B11E9B

RGB 177 30 155

HSL 308.98, 0.71%, 0.41%

LAB 42.22, 67.32, -32.81

 

CMYK 0 / 56 / 83 / 30

HEX #B24F1E

RGB 178 79 30

HSL 19.86, 0.71%, 0.41%

LAB 45.84, 37.58, 46.04

 

CMYK 83 / 0 / 72 / 30

HEX #1EB232

RGB 30 178 50

HSL 128.11, 0.71%, 0.41%

LAB 63.63, -61.34, 52.27

 

CMYK 83 / 28 / 0 / 30

HEX #1E81B2

RGB 30 129 178

HSL 199.86, 0.71%, 0.41%

LAB 50.91, -9.92, -33.57

 

CMYK 0 / 83 / 12 / 31

HEX #B11E9B

RGB 177 30 155

HSL 308.98, 0.71%, 0.41%

LAB 42.22, 67.32, -32.81

 

CMYK 0 / 30 / 83 / 30

HEX #B27C1E

RGB 178 124 30

HSL 38.11, 0.71%, 0.41%

LAB 56.06, 13.14, 55.12

 

CMYK 83 / 0 / 72 / 30

HEX #1EB232

RGB 30 178 50

HSL 128.11, 0.71%, 0.41%

LAB 63.63, -61.34, 52.27

 

CMYK 83 / 53 / 0 / 30

HEX #1E54B2

RGB 30 84 178

HSL 218.11, 0.71%, 0.41%

LAB 37.54, 18.25, -54.88

 

Description

Color code: HEX #B11E9B | qconv.com Color code: HEX #B11E9B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 30 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 30 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 12 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 12% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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