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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0E29C it is the complementary color #4F1D63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0E29C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B0E29C: #B5E297, #C6F4AA, #D7FFBD, #E8FFD0 and #F9FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0E29C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B0E29C: #B0E29C, #9FD089, #8EBE76, #7DAC63 and #6C9A50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

Complementary color

CMYK 20 / 71 / 0 / 61

HEX #4F1D63

RGB 79 29 99

HSL 282.86, 0.55%, 0.25%

LAB 21.73, 35.51, -31.25

 

CMYK 20 / 0 / 33 / 11

HEX #B5E297

RGB 181 226 151

HSL 96, 0.56%, 0.74%

LAB 85.23, -27.8, 32.04

 

CMYK 19 / 0 / 30 / 4

HEX #C6F4AA

RGB 198 244 170

HSL 97.3, 0.77%, 0.81%

LAB 91.51, -27.69, 30.98

 

CMYK 16 / 0 / 26 / 0

HEX #D7FFBD

RGB 215 255 189

HSL 96.36, 1%, 0.87%

LAB 95.85, -24.27, 27.43

 

CMYK 9 / 0 / 18 / 0

HEX #E8FFD0

RGB 232 255 208

HSL 89.36, 1%, 0.91%

LAB 97.32, -15.53, 19.99

 

CMYK 2 / 0 / 11 / 0

HEX #F9FFE3

RGB 249 255 227

HSL 72.86, 1%, 0.95%

LAB 98.91, -6.7, 12.7

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 24 / 0 / 34 / 18

HEX #9FD089

RGB 159 208 137

HSL 101.41, 0.43%, 0.68%

LAB 78.63, -28.97, 30.23

 

CMYK 25 / 0 / 38 / 25

HEX #8EBE76

RGB 142 190 118

HSL 100, 0.36%, 0.6%

LAB 72.15, -29.12, 31.38

 

CMYK 27 / 0 / 42 / 33

HEX #7DAC63

RGB 125 172 99

HSL 98.63, 0.31%, 0.53%

LAB 65.57, -29.26, 32.57

 

CMYK 30 / 0 / 48 / 40

HEX #6C9A50

RGB 108 154 80

HSL 97.3, 0.32%, 0.46%

LAB 58.86, -29.37, 33.81

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 27 / 0 / 31 / 11

HEX #A5E29C

RGB 165 226 156

HSL 112.29, 0.55%, 0.75%

LAB 84.38, -32.52, 28.18

 

CMYK 31 / 0 / 30 / 11

HEX #9CE29E

RGB 156 226 158

HSL 121.71, 0.55%, 0.75%

LAB 83.93, -35.12, 26.47

 

CMYK 31 / 0 / 25 / 11

HEX #9CE2AA

RGB 156 226 170

HSL 132, 0.55%, 0.75%

LAB 84.15, -33.08, 20.55

 

CMYK 31 / 0 / 20 / 11

HEX #9CE2B5

RGB 156 226 181

HSL 141.43, 0.55%, 0.75%

LAB 84.38, -31.08, 15.12

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 23 / 0 / 32 / 91

HEX #11160F

RGB 17 22 15

HSL 102.86, 0.19%, 0.07%

LAB 6.57, -3.57, 3.31

 

CMYK 22 / 0 / 32 / 71

HEX #394932

RGB 57 73 50

HSL 101.74, 0.19%, 0.24%

LAB 29.07, -11.45, 11.75

 

CMYK 22 / 0 / 31 / 51

HEX #617C56

RGB 97 124 86

HSL 102.63, 0.18%, 0.41%

LAB 49.04, -17.45, 17.66

 

CMYK 22 / 0 / 31 / 31

HEX #88AF79

RGB 136 175 121

HSL 103.33, 0.25%, 0.58%

LAB 67.48, -23.49, 23.53

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 31 / 0 / 3 / 11

HEX #9CE2DB

RGB 156 226 219

HSL 174, 0.55%, 0.75%

LAB 85.29, -23.26, -3.58

 

CMYK 0 / 31 / 9 / 11

HEX #E29CCD

RGB 226 156 205

HSL 318, 0.55%, 0.75%

LAB 72.46, 33.5, -14.54

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 31 / 22 / 0 / 11

HEX #9CB1E2

RGB 156 177 226

HSL 222, 0.55%, 0.75%

LAB 72.23, 4.01, -26.96

 

CMYK 0 / 31 / 22 / 11

HEX #E29CB1

RGB 226 156 177

HSL 342, 0.55%, 0.75%

LAB 71.64, 29.06, -0.29

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 31 / 0 / 3 / 11

HEX #9CE2DB

RGB 156 226 219

HSL 174, 0.55%, 0.75%

LAB 85.29, -23.26, -3.58

 

CMYK 9 / 31 / 0 / 11

HEX #CD9CE2

RGB 205 156 226

HSL 282, 0.55%, 0.75%

LAB 71.04, 30.57, -28.45

 

CMYK 0 / 31 / 28 / 11

HEX #E29CA3

RGB 226 156 163

HSL 354, 0.55%, 0.75%

LAB 71.28, 27.07, 6.95

 

CMYK 22 / 0 / 31 / 11

HEX #B0E29C

RGB 176 226 156

HSL 102.86, 0.55%, 0.75%

LAB 85.01, -28.81, 29.14

 

CMYK 31 / 6 / 0 / 11

HEX #9CD4E2

RGB 156 212 226

HSL 192, 0.55%, 0.75%

LAB 81.65, -14.63, -12.7

 

CMYK 9 / 31 / 0 / 11

HEX #CD9CE2

RGB 205 156 226

HSL 282, 0.55%, 0.75%

LAB 71.04, 30.57, -28.45

 

CMYK 0 / 25 / 31 / 11

HEX #E2AA9C

RGB 226 170 156

HSL 12, 0.55%, 0.75%

LAB 74.39, 18.63, 15.21

 

Description

Color code: HEX #B0E29C | qconv.com Color code: HEX #B0E29C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 226 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 226 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 31 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 31% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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