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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0C7F5 it is the complementary color #4F380A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0C7F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B0C7F5: #B5C7F0, #C6D9FF, #D7EBFF, #E8FDFF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0C7F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B0C7F5: #B0C7F5, #9FB5E2, #8EA3CF, #7D91BC and #6C7FA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 19 / 0 / 4

HEX #B0C7F5

RGB 176 199 245

HSL 220, 0.78%, 0.83%

LAB 79.99, 2.41, -25.23

 

Complementary color

CMYK 0 / 29 / 87 / 69

HEX #4F380A

RGB 79 56 10

HSL 40, 0.78%, 0.17%

LAB 25.3, 5.43, 30.59

 

CMYK 25 / 17 / 0 / 6

HEX #B5C7F0

RGB 181 199 240

HSL 221.69, 0.66%, 0.83%

LAB 80.16, 2.71, -22.27

 

CMYK 22 / 15 / 0 / 0

HEX #C6D9FF

RGB 198 217 255

HSL 220, 1%, 0.89%

LAB 86.43, 1.59, -20.62

 

CMYK 16 / 8 / 0 / 0

HEX #D7EBFF

RGB 215 235 255

HSL 210, 1%, 0.92%

LAB 92.17, -2.61, -11.89

 

CMYK 9 / 1 / 0 / 0

HEX #E8FDFF

RGB 232 253 255

HSL 185.22, 1%, 0.95%

LAB 97.88, -6.42, -3.3

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 28 / 19 / 0 / 4

HEX #B0C7F5

RGB 176 199 245

HSL 220, 0.78%, 0.83%

LAB 79.99, 2.41, -25.23

 

CMYK 30 / 20 / 0 / 11

HEX #9FB5E2

RGB 159 181 226

HSL 220.3, 0.54%, 0.75%

LAB 73.49, 2.67, -25.02

 

CMYK 31 / 21 / 0 / 19

HEX #8EA3CF

RGB 142 163 207

HSL 220.62, 0.4%, 0.68%

LAB 66.86, 2.97, -24.84

 

CMYK 34 / 23 / 0 / 26

HEX #7D91BC

RGB 125 145 188

HSL 220.95, 0.32%, 0.61%

LAB 60.11, 3.3, -24.68

 

CMYK 36 / 25 / 0 / 34

HEX #6C7FA9

RGB 108 127 169

HSL 221.31, 0.26%, 0.54%

LAB 53.2, 3.68, -24.56

 

CMYK 28 / 19 / 0 / 4

HEX #B0C7F5

RGB 176 199 245

HSL 220, 0.78%, 0.83%

LAB 79.99, 2.41, -25.23

 

CMYK 28 / 23 / 0 / 4

HEX #B1BDF5

RGB 177 189 245

HSL 229.41, 0.77%, 0.83%

LAB 77.48, 8.12, -29.06

 

CMYK 28 / 28 / 0 / 4

HEX #B1B1F5

RGB 177 177 245

HSL 240, 0.77%, 0.83%

LAB 74.43, 14.72, -33.76

 

CMYK 23 / 28 / 0 / 4

HEX #BDB1F5

RGB 189 177 245

HSL 250.59, 0.77%, 0.83%

LAB 75.36, 18.23, -32.25

 

CMYK 18 / 28 / 0 / 4

HEX #C8B1F5

RGB 200 177 245

HSL 260.29, 0.77%, 0.83%

LAB 76.26, 21.54, -30.78

 

CMYK 28 / 19 / 0 / 4

HEX #B0C7F5

RGB 176 199 245

HSL 220, 0.78%, 0.83%

LAB 79.99, 2.41, -25.23

 

CMYK 29 / 20 / 0 / 84

HEX #1D2129

RGB 29 33 41

HSL 220, 0.17%, 0.14%

LAB 12.67, 0.47, -5.96

 

CMYK 28 / 18 / 0 / 64

HEX #424B5C

RGB 66 75 92

HSL 219.23, 0.16%, 0.31%

LAB 31.72, 0.79, -11.19

 

CMYK 28 / 19 / 0 / 44

HEX #67748F

RGB 103 116 143

HSL 220.5, 0.16%, 0.48%

LAB 48.71, 1.68, -16.3

 

CMYK 28 / 19 / 0 / 24

HEX #8B9EC2

RGB 139 158 194

HSL 219.27, 0.31%, 0.65%

LAB 64.83, 1.62, -20.73

 

CMYK 28 / 19 / 0 / 4

HEX #B0C7F5

RGB 176 199 245

HSL 220, 0.78%, 0.83%

LAB 79.99, 2.41, -25.23

 

CMYK 4 / 28 / 0 / 4

HEX #ECB1F5

RGB 236 177 245

HSL 292.06, 0.77%, 0.83%

LAB 79.54, 32.73, -25.48

 

CMYK 7 / 0 / 28 / 4

HEX #E3F5B1

RGB 227 245 177

HSL 75.88, 0.77%, 0.83%

LAB 93.8, -16.93, 30.85

 

CMYK 28 / 19 / 0 / 4

HEX #B0C7F5

RGB 176 199 245

HSL 220, 0.78%, 0.83%

LAB 79.99, 2.41, -25.23

 

CMYK 0 / 28 / 18 / 4

HEX #F5B1C8

RGB 245 177 200

HSL 339.71, 0.77%, 0.83%

LAB 79.06, 28.07, -1.79

 

CMYK 18 / 0 / 28 / 4

HEX #C8F5B1

RGB 200 245 177

HSL 99.71, 0.77%, 0.83%

LAB 92.02, -26.45, 28.15

 

CMYK 28 / 19 / 0 / 4

HEX #B0C7F5

RGB 176 199 245

HSL 220, 0.78%, 0.83%

LAB 79.99, 2.41, -25.23

 

CMYK 4 / 28 / 0 / 4

HEX #ECB1F5

RGB 236 177 245

HSL 292.06, 0.77%, 0.83%

LAB 79.54, 32.73, -25.48

 

CMYK 0 / 9 / 28 / 4

HEX #F5DEB1

RGB 245 222 177

HSL 39.71, 0.77%, 0.83%

LAB 89.31, 1.25, 24.98

 

CMYK 24 / 0 / 28 / 4

HEX #BAF5B1

RGB 186 245 177

HSL 112.06, 0.77%, 0.83%

LAB 91.2, -31.15, 26.88

 

CMYK 28 / 19 / 0 / 4

HEX #B0C7F5

RGB 176 199 245

HSL 220, 0.78%, 0.83%

LAB 79.99, 2.41, -25.23

 

CMYK 0 / 28 / 4 / 4

HEX #F5B1EA

RGB 245 177 234

HSL 309.71, 0.77%, 0.83%

LAB 80.07, 33.62, -18.68

 

CMYK 0 / 9 / 28 / 4

HEX #F5DEB1

RGB 245 222 177

HSL 39.71, 0.77%, 0.83%

LAB 89.31, 1.25, 24.98

 

CMYK 28 / 0 / 23 / 4

HEX #B1F5BD

RGB 177 245 189

HSL 130.59, 0.77%, 0.83%

LAB 90.93, -32.05, 20.3

 

Description

Color code: HEX #B0C7F5 | qconv.com Color code: HEX #B0C7F5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 199 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 199 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 19 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 19% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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